T.H.E Dance Company: Infinitely Human
T.H.E Dance Company’s Infinitely Closer at the Singtel Waterfront Theatre, Singapore, creates space for human connections .
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da:ns festival
Performance Making during a Pandemic: Of Innovation, Form and Embeddedness
By Adriana Nordin Manan (1,000 words, 3-minute read) If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more
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Podcast 71: ArtsEquator End-of-Year Dance Podcast 2019
Soultari Amin Farid, Chan Sze-Wei and Germaine Cheng discuss their top picks for dance in 2019, and discuss trends they’ve observed in the scene this year. Duration: 36 minutes Stream Podcast 71: Also available on Spotify. Download Podcast 71 here (right-click and select ‘Save Link As’ on Windows; control+click and select ‘Save Link As’ on Apple)
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Progress at work: “Forward Shift” at da:ns festival
By Bernice Lee (1,507 words, 7-minute read) Forward Shift, a new platform for works-in-progress within Esplanade’s da:ns festival, begins with much fanfare. Members of the public were treated to three performance experiments featuring artists whose artistic and audience development have been supported steadily at #mydurian. In What She Said, choreographer Raka Maitra and music composer
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Fantasy issues: “Princess” by Eisa Jocson
By Chan Sze-Wei (786 words, 4-minute read) I’ve recently been reading articles about how childhood trauma is determinative of one’s risk of future health issues from asthma to cancer. Also how ancestral trauma is recorded in our DNA. Snow White is the original first Disney Princess. She is 82 this year (!) and it’s quite
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“Invisible Habitudes”: The Personal Goes Political Goes Global
By Nabilah Said (621 words, three-minute read) On a Monday afternoon in Goodman Arts Centre, I am watching a group of dancers working. They are leaping. They are climbing. They are pushing. They are sweating. They are making me feel strangely immobile – when was the last time I hung upside down from my knees?
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The Paris Opera Ballet performs Crystal Pite’s “The Seasons’ Canon”: Esplanade’s da:ns series 2019
The prestigious Paris Opera Ballet arrives on local shores this June as part of Esplanade’s da:ns series, bringing with them a trio of wide ranging works. These include the stories of romantic love told through balletic duets in Jerome Robbins’ In The Night (1970), the speed and precision of William Forsythe’s Blake Works I (2016),
Rianto’s “Medium”: Of Journeys, Transformations & Corporeality
Total darkness. The sound of sleep. Sleep of an eternal sort. Slowly the light reveals a solitary human body conveying a sense of sleep or is it semi-consciousness? Now, the entry of layers and strands of sound. Gentle clink of cymbals. Do I now hear the sound of waves lashing the shore? The lilting sound
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“xhe”: Caught Between a Square and an Octopus
To preface: a statement to disclaim. Artist-choreographer-dancer Daniel Kok and visual artist Miho Shimizu remind the viewer in an artist statement[1] for xhe that any response to the performance is always already inadequate, calling for a critique of spectatorship and gesturing towards the plurality of selves. I caught both performances of xhe on the 12th and
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![BNG_181008_DansFest_Akram_Lions_78[1]](https://artsequator.s3.ap-southeast-1.amazonaws.com/2022/03/BNG_181008_DansFest_Akram_Lions_781-1024x683.jpg)
“Until the Lions” by Akram Khan Company: What About the Lioness?
By Jocelyn Chng (1160 words, six-minute read) Until the Lions, a work that premiered in 2016 at the Roundhouse in London, is presented as one of the main (Centrestage) programmes at the 2018 Esplanade da:ns festival. The Akram Khan Company has toured to Singapore on several occasions in the past two decades, most recently with
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“Invisible Habitudes”: Postcards From a Choreographer’s Journey
By Chan Sze Wei (1090 words, five-minute read) T.H.E. Dance Company turns 10 this year and Invisible Habitudes, a da:ns festival commission, reads as an eclectic postcard of the artistic signature of Kuik Swee Boon. The company, and Kuik himself, have been astoundingly prolific with new creations in the span of these 10 years –
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SHIFT (Your Perspective) at Esplanade’s da:ns festival 2018: A Sneak Peek in GIFs
Esplanade’s da:ns festival returns this year from 9 – 21 October. The 13-day celebration of movement features powerful performances from around the world, internationally acclaimed acts and exciting new works. Apart from ticketed performances, the festival offers free programmes, including mass dance sessions, workshops, and da:ns lab, the festival’s annual platform for critical discourse on
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Podcast 30: da:ns festival 2017
Duration: 21 min Dr Stephanie Burridge and dancer Chloe Chotrani recap the da:ns festival 2017 by Esplanade Theatres on the bay, sharing their personal reflections on the shows they’ve seen. Chloe discusses the relevance of Eisa Jocson’s practice to Filipin@ sociopolitics, and how this comes through in Jocson’s double-bill of Macho Dancer and Corponomy, while Stephanie
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Eisa Jocson at da:ns festival 2017: The Body as Archive of Filipino Labour
By Chloe Chotrani (927 words, 7-minute read) To witness the work of Eisa Jocson is an absolute privilege at this point in history. The double-bill pairing up Jocson’s internationally acclaimed Macho Dancer and the new Esplanade commission Corponomy, investigate the economic body as archive of labor and service in the Philippines. It is said that
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“The Next Generation”: LASALLE and NAFA at da:ns festival 2017
For Esplanade’s da:ns festival 2017, LASALLE College of the Arts and Nanyang Academy of Fine Arts (NAFA) come together for The Next Generation to present 70 minutes of well choreographed works that offer an insight into what we can come to expect from the next wave of dancers anticipating to enter the industry. LASALLE College
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Choy Ka Fai’s “Dance Clinic”: The Dance Doctor Is In
By Bernice Lee (800 words, 5-minute read) Dance Clinic by Choy Ka Fai is thick with information and ideas. The choreographer performs a trickster role in an artistic approach similar to his previous offerings of SoftMachine (2015). Dance Clinic projects into the future, and digs into the past. It is in conversation with a curated canon of dance, with neuroscience, with
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Photo Essay: “The Next Generation” Dancers of NAFA and LASALLE
Who are the next generation of dancers in Singapore? What do they aspire to? On stage, defying gravity looks like their natural state of being. Bodies slip from sentryesque sequence, to uncoagulated fluidity within a beat’s count, before turning back on themselves. Crispian Chan goes behind the scenes to capture the labour that bears these
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Eisa Jocson: “Macho Dancer” and “Corponomy”
One of the highlights of da:ns festival this year is a double bill by Eisa Jocson, Macho Dancer and Corponomy. While Corponomy is a new commission by the Esplanade – Theatres on the Bay for da:ns festival 2017, Macho Dancer is a critically acclaimed piece that has travelled extensively to major international festivals. Philippines-based curator and writer, Eva McGovern-Basa, recently managed and edited an interview
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Podcast 6: da:ns lab – What You See Is Not What I Meant
Duration: 27 minutes Choreographer and performance makers Susan Sentler and Chan Sze Wei recently participated in the Esplanade’s da:ns lab 2016 workshop, facilitated by daniel kok. Unlike previous workshops, in which processes of making were central, this year’s lab enshrined the viewer’s gaze. We talk with Susan and Sze Wei about their experiences during the three-day
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