Mayfly Docus: “Die Tomorrow” and “14 Apples” at SIFA’s “Singular Screens”

By Dan Koh (1,715 words, 15-minute read) At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast Asia are documentaries, or hybrid-documentaries—just like last year’s three, curiously. Despite the glaring gaps that remain in the funding, distribution, marketing, and audience reception of our internationally overlooked non-fiction, plus their increased local censorship

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“Version 2020”: Dataran Merdeka Sebagai Tapak A̶r̶k̶e̶o̶l̶o̶g̶i̶ Ideologi Tentang Masa Depan

Oleh Fasyali Fadzly (1075 patah kata, 9-minit bacaan) Saya mengambil masa yang lama untuk menyiapkan tulisan mengenai teater Version 2020 yang diarahkan oleh Mark Teh. Ia sebuah teater yang memerlukan pengamatan yang tajam, pengetahuan yang luas dan pemahaman terhadap konteks keseluruhan pementasan ini. Kajian teater ini turut mengambil masa yang lama dan penuh kritikal –

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Elaine Chiew

In the Mood of Brian Gothong Tan: Lost Cinema at Institute of Contemporary Arts (via Invisible Flâneuse)

The woman in the cheongsam and upswept hairdo walks into the audience’s line of sight from behind a pillar, carrying a tiffin carrier. She poses, every gesture and expression countenanced to project drama and artifice, and many of her poses are notably contorted, emphasising an arched foot, her thrust out hip.  The man enters, dressed in

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Art Hub

Is Singapore losing its standing as the art hub of Southeast Asia? (via SEA Globe)

Despite the government’s desperate attempts to position Singapore as Southeast Asia’s arts hub, flagging figures at major shows and accusations of artificiality have put the city-state’s art scene under more scrutiny than ever Singapore has long tried to combat its reputation as a cultural desert. An influx of state funding in the past two decades

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Sodade

…Sodade… at SIFA 2018

An enchanting French evening of aerial circus performed to live music. …Sodade… is a nostalgic ode to life, a fable of love and loss in the air as told by two musicians playing and singing on a unique circus structure of huge twin wheels, each over two metres in width, between which a 21-metre long

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Crispian Chan

“I am trying to say something true”: A Distant Intimacy

By Akanksha Raja (950 words, five minute read) Even before watching Michelle Tan’s monologue, I am trying to say something true, the title struck me: the sentence-case format portends a quiet sense of conversational intimacy, compared to the conventional, title-case naming of theatre productions. The proclamation folds the struggle of confession with emotional vulnerability while

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Gallery Space

Podcast 40: Dance in the Gallery Space

Duration: 40 mins Podcast host Chan Sze-Wei leads a discussion on dance-making and dance programming for/in gallery spaces. Joining her are three guests: Vanini Belarmino, Assistant Director of Programmes at the National Gallery Singapore; Lim Chin Huat, cross-disciplinary artist and performance-maker whose recent dance work In Her Hands took place earlier this month at the

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Podcast 39: Toy Factory’s “A Dream Under the Southern Bough” at SIFA 2018

Duration: 19 mins A Dream Under The Southern Bough by Toy Factory is a series of three plays commissioned by the Singapore International Festival of Arts, to be staged over three editions of the festival. The first instalment, titled The Beginning, premieres at SIFA 2018 later this month. This three-part modern-day spin on the classic Ming

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Railtrack Songmaps

“Railtrack Songmaps Roosting Post 1”: The Featherlight of Complexity

By Marcus Yee (970 words, 7-minute read) Tucked in Queenstown Residence Committee Centre is a heartfelt homage to Tanglin Halt and the nearby Rail Corridor, nexus of human and bird relationals,  collected by Railtrack Songmaps Roosting Post 1. Conceived out of a collaboration, or chorus between artist Lucy Davis, designer Zachary Chan, photographer Kee Ya

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Crispian Chan

Podcast 38: “Underclass《贱民》” Interview with Alvin Tan, Kok Heng Leun, and Teo You Yenn

Duration: 43 min The latest collaborative production between Singapore theatre companies Drama Box and The Necessary Stage is Underclass 《贱民》, which explores poverty, inequality and human dignity in Singapore. It runs from 16 May to 3 June 2018. In this podcast interview, Corrie Tan convenes Alvin Tan, artistic director of The Necessary Stage, Kok Heng Leun,

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Donna Ibarra

This Rapper Is On a Mission to Empower Filipino Women (via Broadly)

Ruby Ibarra is a rapper you’ve probably heard, but haven’t heard of—at least not yet. The Filipina-American recently made the rounds in a nationwide Mastercard commercial that also featured musicians like SZA, Radkey, and Victoria Canal. Each artist performed their take of the 1962 Bo Diddley song “You Can’t Judge a Book by the Cover.” For

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One year of Filipina punk feminism and rebellion (via Dazed)

Recently, GRRRL GANG MANILA, a feminist collective inspired by DIY ethics and punk aesthetics, celebrated its first anniversary in the Philippine capital. A long discussion of women’s issues, a film screening, spoken word performances and art exhibitions, and then hours of outspoken and confidently excellent music, brought together a frankly impressive gathering of young Filipinos

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Crispian Chan

Many Lives in “A Good Death”

By Akanksha Raja (1,000 words, six-minute read) Four of the five productions from this year’s season of The Studios are commissioned works revolving around the theme of “Between Living and Dying”. Most of these are new, original monologues recounting deeply introspective journeys that navigate the melancholy of loss and seek hope and meaning within grief.

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