Binary_Vestige_BlackVelvet
Crispian Chan

“Binary – International Artist Showcase” at M1 Contact 2018: The Colour of the Sun is Black

By Chloe C. Chotrani (933 words, five-minute read) Closing the ninth M1 Contact Contemporary Dance Festival is the annual Binary – International Showcase: a double bill by Astrid Boons (Belgium/Netherlands) and Shamel Pitts (Israel/United States). In Vestige, an attempt to empty the body of its humanness, choreographer and performer Astrid Boons pushes the physicality of

“Binary – International Artist Showcase” at M1 Contact 2018: The Colour of the Sun is Black Read More »

Off Stage

“Off Stage” at M1 Contact 2018: Communicating Beyond The Stage

By Bernice Lee (1100 words, six-minute read) M1 Contact Contemporary Dance Festival has become a staple of the contemporary dance scene in Singapore. It has used its resources to bring forward voices, particularly from the region, in an act of affirmation. Balancing local and international artists, bringing in projects mostly of an indie nature, this

“Off Stage” at M1 Contact 2018: Communicating Beyond The Stage Read More »

AExGTF Chats: “Between Tiny Cities (រវាងទីក្រុងតូច)” at George Town Festival

Between Tiny Cities (រវាងទីក្រុងតូច), a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia. It was presented at George Town Festival 2018, running over the opening weekend of 4 – 5 August. We interview choreographer Nick

AExGTF Chats: “Between Tiny Cities (រវាងទីក្រុងតូច)” at George Town Festival Read More »

Photo project examines how food challenges the notion of poverty (via SEA Globe)

Since 2010, photographer Stefen Chow and his economist partner Lin Huiyi have been challenging perceptions of what it means to be poor across the globe. Their award-winning project The Poverty Line, which will exhibit at this month’s George Town Festival in Malaysia, compares 29 countries through photographs of the food choices available to those living on the poverty line

Photo project examines how food challenges the notion of poverty (via SEA Globe) Read More »

SMU Series: Down the Rabbit Hole, We Go: An Intern’s Dive into the Realm of Arts for Young Audiences

This article is the second in a series of essays by students from the Singapore Management University Arts and Culture Management programme. Never had I thought that I would be working with these monstrous little creatures. Yet, there I stood on my first day of work at The Artground (TAG), watching a group of pre-schoolers

SMU Series: Down the Rabbit Hole, We Go: An Intern’s Dive into the Realm of Arts for Young Audiences Read More »

Myanmar’s artists reflect on seventy years of history in seminal exhibition (via Frontier Myanmar)

ARTIST HTEIN Lin climbs onto a chair. “Can I get up here? Then people can see me,” he says to the assembled crowd. “That’s a technique I learned in 1988.” He is in the south wing of Yangon’s Secretariat where, some 70 years ago, independence hero Bogyoke Aung San was assassinated. Htein Lin is referring

Myanmar’s artists reflect on seventy years of history in seminal exhibition (via Frontier Myanmar) Read More »

Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani)

In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya. While she absorbed it in a mere few days, I took longer to read it because I realized that this book should have been entitled (insert here names of a few people I know). There are entire chapters

Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani) Read More »

Cambodia’s first contemporary dance company: ‘we were blacklisted for not being Cambodian enough’ (via SEA Globe)

April is hot in Cambodia, with temperatures regularly hitting the mid-30s. And in the tourist town of Siem Reap, performers at New Cambodia Artists (NCA), the country’s first contemporary dance company, lay down in their studio as they wait for the midday heat to pass. The power cut doesn’t help. Several industrial fans stand silent

Cambodia’s first contemporary dance company: ‘we were blacklisted for not being Cambodian enough’ (via SEA Globe) Read More »

Mentorship Corrie Tan

OPEN CALL: Performance Criticism Mentorship with Corrie Tan

Performance Criticism Mentorship by Corrie Tan, Resident Critic, ArtsEquator.com How does it work? You’ll attend six performances between September 2018 – March 2019. Within three days of watching each show, submit a 500-word review to ArtsEquator’s Resident Theatre Critic, Corrie Tan. Based on Corrie’s feedback, edit & resubmit the final review within two days for publication

OPEN CALL: Performance Criticism Mentorship with Corrie Tan Read More »

The World Cup, The Japanese Occupation and Our Painful Inheritance

This article is republished from the Singapore International Film Festival editorial. It is part of New Waves 2018, an annual series of screenings and dialogues with regional filmmakers. For this third edition of the New Waves series, SGIFF invites participants the festival’s Youth Jury and Critics’ programme to offer an introductory analysis on the four

The World Cup, The Japanese Occupation and Our Painful Inheritance Read More »

Scroll to Top