Examining Vietnam’s Modernity Through the Lens of South Asian Independent Documentaries

The idea for Moving Reels: A Social Dialog formed in 2016 as the result of a dialogue between Dr. Shweta Kishore, a scholar, documentary filmmaker, film and media lecturer at RMIT University, and Zoe Butt, a director and curator at The Factory Contemporary Arts Center. The program is a series of workshops that includes screenings of films

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Asrari Nasir of Paradise Pictures

Traversing Two Divergent Paths in “BITTEN: return to our roots”

By Casidhe Ng (1,320 words, six-minute read) We move through the Kampong Bugis landscape throughout the performance, along patches of grass, the river, and brick-tiled pavements. A residue of dirt, sand, and mud clings to our soles, and the afternoon is afflicted with bouts of rain. The atmosphere invokes a stifling sensation brought upon by

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Saigoneer Bookshelf: A Touch of Magical Realism in ‘The Cemetery of Chua Village’

Vietnam transitioned to a market economy like an old train lurching to life: momentous shakes and shudders, steam bursting out busted gaskets, disheveled cargo tumbling from luggage racks, sparks shooting off wheels screeching across warped rails and a whistle ripping into the placid sky. As the government enacted new policies, tossing aside the institutions to

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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Bernie Ng

Frontier Danceland’s “Milieu” 2018: Emotional Rollercoasters

It was a night of emotional rollercoasters and an audio-visual feast at Frontier Danceland’s double bill Milieu 2018. Two original works – The Whole She-Bang by Deborah Nightingale and Dimensions of Dialogue by Sascia Pellegrini – left the eyes and ears satisfied, but not quite the brain. The Whole She-Bang Hopscotch and PE class: the

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Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from

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Moka Mocha Ink

“Teater Normcore: Stereo Genmai” dan Pengkarya yang Bertengkar dengan Idea

Dan pertengkaran ini berlaku di dalam ruang yang meyakinkan. Dengan ambiens pekat kemimpian yang mengujakan – sangat mengujakan. Malah siapa lagi yang benar-benar mampu mentafsir kontinuum idea-mimpi ini melainkan Ridhwan Saidi sendiri? Saya masih teringat-ingat – dan teruja – dengan set dan prop yang direka dan diguna dengan sangat bijak dalam memaknai drama-drama pendek tulisannya

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Crispian Chan, crispi photography

Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”

By Teo Xiao Ting Click here to open the Twine in a new tab (if you’re reading this on a mobile browser, or otherwise have trouble viewing the Twine.) The Reunification of the Two Koreas by TheatreWorks was originally written in French by Joël Pommerat. Directed by Jacques Vincey, this staging ran at 72-13 from 1

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Cripsian Chan, cripsi photography

Looking at Love from Both Sides, Now in “The Reunification of the Two Koreas”

By Casidhe Ng (1,160 words, six-minute read) The breaking apart of Pangaea. The parting of the Red Sea. The abolitionist movement in all its contexts. The division of Taiwan and China in 1949. The separation of Singapore from Malaysia on 9th August 1965. The erecting of the Berlin Wall in 1961. Its complete fall in

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One Two Jaga

“One Two Jaga”: The New Bravery of Malaysian Cinema

Click here to read this article in Malay. Klik di sini untuk baca rencana ini dalam Bahasa Melayu. It is rare to see social or political criticism delivered boldly and directly in Malaysian films. Even critical commentary, cloaked creatively, is difficult to do. There are many things that constrain creative freedom, not least the multiple legislations and regulations that bind the

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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Alfonse Chiu

8 Questions with Alan Oei

As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House, on his hopes, his challenges, and how he balances different needs and roles between the two companies. How do you come up with the themes

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