By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body. She grunts, writhes, sweats, hyperventilates. Her body multiplies by video effect but perhaps also by mass audience hallucination. Depending on which way you lean, Pat Toh’s Topography […]
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The performativity of Duterte; Puppets in a pandemic Read More »
10 Things is a series of three short animated videos, each focusing on a lesser known traditional artform – Dikir Barat, Kavadi Attam and Nanyin. In the second part of this series, we share 10 things about Nanyin. The video features the work of illustrator Joy Ho and animator Jawn, as well as music and
10 Things You Didn’t Know About Nanyin Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
10 Things is a series of three short animated videos, each focusing on a lesser known traditional artform – Dikir Barat, Kavadi Attam and Nanyin. In the second part of this series, we share 10 things about Kavadi Attam. The video features the work of illustrator Joy Ho and animator Jawn, as well as music,
10 Things You Didn’t Know About Kavadi Attam Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Ipoh’s punk samaritans; Keeping weavers alive Read More »
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Who’s There by The Transit Ensemble (Singapore/Malaysia/US); and Two Songs and a Story by Checkpoint Theatre. Who’s There ran from 4 – 8 August on Zoom as part of Ice Factory 2020 by New Ohio Theatre. Two Songs and a Story is an online video series on SISTIC
Podcast 82: Who’s There & Two Songs and a Story Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open
Open Calls and Opportunities: Oct 2020 (Singapore/SEA) Read More »
The unabashedly virtual edition of SIFA just launched its slate of year-end programmes, marked by dreamy and lush audioscapes, compelling narratives, and encounters with the audience in places both personal and private. We recommend five events to catch. A Bird Calls You To Moscow What it is: Playwright Joel Tan and director Tan Shou Chen
Year-end SIFA Spotlight: 5 things you should catch Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: New pandemic movements in SEA Read More »
Most Singaporeans recognise traditional artforms such as Bharatanatyam, wayang kulit and wushu. However, there are many other interesting forms which may not be as known, especially to the younger generation. 10 Things is a series of three short animated videos, each focusing on a lesser known traditional artform – Dikir Barat, Kavadi Attam
10 Things You Didn’t Know About Dikir Barat Read More »
By Nabilah Said (950 words, 4-minute read) If hope is a thing with feathers, then Peepbird, a 60-minute-long non-verbal show, would be it. This offering by The Finger Players was my first live theatre show since COVID – the one that was promised, had been prophesied and invoked in many a panel and Facebook post
Bird is the word: Peepbird by The Finger Players Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Vietnam’s post-war writers; Burmese voices in book Read More »
By Ke Weiliang (2,400 words, 8-minute read) I had the pleasure of attending The Lesson in September 2015, when it premiered at Toa Payoh Central as part of the Singapore International Festival of Arts (SIFA). That encounter was a serendipitous one, for I initially had not planned to attend the show and only happened to
From GoLi to Zoom: “The Lesson – An Online Experiment” by Drama Box Read More »
Rohingya poet Mayyu Ali and Malaysian artist Sharon Chin collaborate in this meaningful project that looks at Rohingya and Malay lullabies and folksongs. The pairings of songs, which are narrated and sung orally, are further unified with a patterned artwork by Sharon Chin, which for Sharon acts as “one small bridge for the immeasurable distance
Transcultural Lullabies: Rohingya and Malay folksongs Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The artist who wants the Rafflesia; Thai colourful culture Read More »
By Jocelyn Chng (1,550 words, 5-minute read) Attending From Here On, my first live performance since COVID hit, evoked a very strange mix of emotions in me. Unfortunately, before getting anywhere near the performance itself, the experience of attempting to get to the Esplanade was already one of sheer frustration. Anyone in Singapore who has
From Here On: Going to the theatre in the time of COVID Read More »
(1,350 words, 5-minute read) My name is Ritirong Jiwakanon. And my nickname – all Thai people have nicknames – is Hong. I live in Bangkok. I teach in Chulalongkorn University, in the Faculty of Arts. Actually originally I’m from Yala Province at the border between Thailand and Malaysia. I moved to Bangkok when I went
Scene and Heard: Ritirong Jiwakanon, Theatre Designer Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Penang’s abusive theatregoers; Pandemic storytelling Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open
Open Calls and Opportunities: Sep 2020 (Singapore/SEA) Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Bangkok Art Biennale; Singapore creatives forced home Read More »
Safe Havens Freedom Talks presents a panel titled “Arts and Culture in Southeast Asia: Proxy Wars” in collaboration with ArtsEquator. Our panel of four Southeast Asian speakers, Ann Lee (Malaysia), Katrina Stuart Santiago (The Philippines), T.Sasitharan (Singapore) and R.Sivarasa (Malaysia) will share case studies of recent arts and culture censorship, and share their insights into
Freedom Talks: Arts and Culture in Southeast Asia: Proxy Wars Read More »
In this month’s theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss two plays from the Festival of Women: N.O.W. 2020: King, written and performed by Jo Tan and directed by Jasmine Ng; and The Book of Mothers, written by Eleanor Tan and directed by Edith Podesta. N.O.W. is presented by T:>Works. King ran from
Podcast 81: King and The Book of Mothers Read More »
We all miss being able to attend shows physically in theatres, but we’re also quick to adapt. As we watch more and more shows on a screen, what kind of audience members have we become? Take the quiz below to find out. [Featuring illustrations by HAFI] Click the image or here to start. This content
Which Type of Online Arts Audience Are You? Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asian Radar: Alcohol & East Malaysians; The Singapore Grip Read More »
Translation by Eka Wahyuni In one corner of West Java, Indonesia, in the Majalengka Regency, a group of volunteers work hand in hand to distribute Personal Protective Equipment (PPE), groceries, food, and medical equipment to people who have to work outside the home during the Covid-19 pandemic. These volunteers were the Relawan Jabar Baik (West
Jatiwangi Art Factory: Cultural work that breaks the mould Read More »
As Singapore gets used to life under Phase 2 of our COVID-19 relaxation measures, players like Singapore Festival of the Arts (SIFA) – or its gentle rebrand SIFA v2.020 – are responding with programmes that are welcoming us back into a semblance of normalcy. SIFA’s film component, Singular Screens, runs from 4 September to 11
Singular Screens – Cinema, the way you want it Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asian Radar: The Philippine accent; Hockhacker remains defiant Read More »
by Kathy Rowland ArtsEquator sometimes feels like a mythical creature. Looking back over the past 4 years, it takes the shape of a unicorn, a joyful improbability. With Covid-19, it can weigh like an albatross, cash flow statements instead of wing span, web traffic in place of talons. Perhaps it is a hippogriff, half earthbound
ArtsEquator, Deadline Now Read More »
By Joel Tan Okay, as if we needed another existential crisis during the Pandemic of 2020, more than a hundred classic Singapore TV shows and movies just got dumped on Netflix. For our younger Gen Z readers who grew up when terrestrial television in Singapore was already a joke-category, this moment might be bewildering, even embarrassing.
An Elder Millennial’s Guide to Classic Singapore TV & Movies Read More »
