By Joel Tan Welcome to my new column for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way. I’m not even talking about Netflix (which I’ve already written about at […]
SEE WHAT SEE (Feb 2021): DESIRE Read More »
ArtsEquator chats with producer and production stage manager, Charlinda Pereira and actress, Rebekah Sangeetha Dorai about their upcoming work subTITLED 1.0 by Bridging The Gap (BTG). The play tells the intertwining stories of three women, an activist, an arts intern and a criminal lawyer, and their involvement in a drug trafficking case. BTG, an initiative
ArtsEquator organised a webinar titled “Statistically Speaking: Analysing arts audience engagement in Singapore and Australia” on Thursday, 28 January. This panel brought together representatives from the National Arts Council (NAC) and the Australia Council of the Arts to elucidate on recent research results about arts engagement, and discuss what it tells us about the future
Walk around Kampong Gelam today and it’s easy to forget how much of a rich historical site it used to be. Historical markers abound, and yet, grab any young person hanging out in its many hip dining establishments and they might not know, for example, why Kampong Gelam is so named. Uncle: “It’s even medicinal,
Aliwal Tracks: Mr Gelam and the potential of virtual worldbuilding Read More »
Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month. This list in published in no particular order. 1. Ulirát: Best Contemporary Stories in Translation from the Philippines Gaudy Boy has a new translation imprint, Gaudy Boy Translates, and is
ArtsEquator’s Hot List: February 2021 Read More »
On Thursday, 28 January 11am-12.30pm (GMT +8), representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries in the webinar titled “Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia”. (Pre-event registration here) This discussion draws on research survey
Representatives from Singapore’s National Arts Council (NAC) and the Australia Council for the Arts will discuss audience attitudes towards the arts in their respective countries, based on research survey data collected in 2019 and 2020. What does the data tell us about ourselves and how does this affect new policies and programmes? And what does
Statistically Speaking: Analysing Arts Audience Engagement in Singapore and Australia Read More »
Where can we find each other? And where do we go from here? Happening on Saturday, January 23 2021, Festival Forum: Meeting-In-Progress discusses ideas, processes and ways forward in this new year of not-so-new normals. Both an agitation and undulation towards a common point of reference, Meeting-In-Progress is an attempt to gather everyone in a
Festival Forum: Meeting-In-Progress at National Gallery Singapore Read More »
In this new series of ArtEquator Cakap-Cakap (or in other words chit-chat), ArtsEquator sits down with director Koh Wan Ching and playwright Andrew Sutherland to chat about “creative romances”, random internet finds/memes and how things are going with their upcoming work, a line could be crossed and you would slowly cease to be, at the
Cakap-Cakap: Interview with Koh Wan Ching and Andrew Sutherland Read More »
Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month. This list in published in no particular order. 1. M1 Singapore Fringe Festival 2021 20 to 31 January 2021 After almost a year of cancelled shows, we’re happy for the return
ArtsEquator’s Hot List: January 2021 Read More »
Below is a list of the top 10 ArtsEquator articles in 2020, in random order: An Elder Millennial’s Guide to Classic Singapore TV & Movies by Joel Tan Published on: 20 Aug 2020 “Purists are undecided on when exactly Singapore TV died, but I think 2007, when Phua Chu Kang wrapped, and 2015, when
The top ArtsEquator articles of 2020 Read More »
For former jazz pianist Peter Ng, the past year has been one of great change. Set up in mid-2019, Maduro was envisioned to be a jazz lounge and a whisky bar, but Ng quickly realised – hastened by the pandemic – that it needed to evolve. The venue will soon be featured in an online
Maduro, online jazz concerts, SIFA: A jazz bar evolves in a pandemic Read More »
For artist weish, who is one-half of electronica duo .gif, this has been an intense year creatively, and one of increased self-scrutiny. Her most recent project, Did you want more sleep?, combines sound, visual and text, and references the artist’s personal problems with sleep. It is available online via video-on-demand from now to 31 December,
Did you want more sleep?: weish knows people are tired of livestreams Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
ArtsEquator is introducing three new series in 2021 – Hot List, Teaser Tuesday and Cakap-Cakap – to help promote shows, events and other arts and culture programmes in Singapore and the rest of Southeast Asia. This is in tandem with other new content planned for next year, as ArtsEquator finds ways to better serve our
New on ArtsEquator in 2021: Hot List, Teaser Tuesday and Cakap-Cakap Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Vietnam’s art fondling problem; Silent Film Festival Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Protest art in Thailand; The productive pandemic Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Goodbye gamelan maestro; Charlie Chan to get animated Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The performativity of Duterte; Puppets in a pandemic Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Ipoh’s punk samaritans; Keeping weavers alive Read More »
The unabashedly virtual edition of SIFA just launched its slate of year-end programmes, marked by dreamy and lush audioscapes, compelling narratives, and encounters with the audience in places both personal and private. We recommend five events to catch. A Bird Calls You To Moscow What it is: Playwright Joel Tan and director Tan Shou Chen
Year-end SIFA Spotlight: 5 things you should catch Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: New pandemic movements in SEA Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Vietnam’s post-war writers; Burmese voices in book Read More »
By Ke Weiliang (2,400 words, 8-minute read) I had the pleasure of attending The Lesson in September 2015, when it premiered at Toa Payoh Central as part of the Singapore International Festival of Arts (SIFA). That encounter was a serendipitous one, for I initially had not planned to attend the show and only happened to
From GoLi to Zoom: “The Lesson – An Online Experiment” by Drama Box Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The artist who wants the Rafflesia; Thai colourful culture Read More »
(1,350 words, 5-minute read) My name is Ritirong Jiwakanon. And my nickname – all Thai people have nicknames – is Hong. I live in Bangkok. I teach in Chulalongkorn University, in the Faculty of Arts. Actually originally I’m from Yala Province at the border between Thailand and Malaysia. I moved to Bangkok when I went
Scene and Heard: Ritirong Jiwakanon, Theatre Designer Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Penang’s abusive theatregoers; Pandemic storytelling Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Bangkok Art Biennale; Singapore creatives forced home Read More »
