Features

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Kevin Lee

In Saigon’s Latest Indie Workshop, a Heaven for Eco-Friendly Risograph Prints (via Saigoneer)

Nestled above inpages in Thao Dien, a new print studio is offering artists and other creatives a new way to express their ideas and visions. Kho Muc is the brainchild of a team including Long Dang and Simon Phan, who have been responsible for other creative endeavors such as Saigon Artbook. The name of the studio […]

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from

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ENCATC International Study Tour in Tokyo

ENCATC International Study Tour in Tokyo – Key Observations (via culture360.ASEF.org)

The 2018 ENCATC (European Network on Cultural Management and Policy) International Study Tour in Tokyo was held from 7 to 9 November 2018 and offered an intensive learning programme on the topic of cultural management and cultural policy in Japan. Ritirong Jiwakanon shares his experience of participating in this study tour. The ENCATC Study Tour

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Son mai

‘Son mai’ – the painstaking Vietnamese art of lacquer painting (via Tuoi Tre News)

Once chiefly employed in the decoration of wooden objects, son mai, or lacquer painting, has grown over the last century into a freestanding art form in Vietnam, to a point where it is now widely considered to be the country’s national painting technique. The traditional Vietnamese lacquer used in son mai is made by mixing the resin

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Dance Dramaturg

Telling A Thai Tale: A Dance Dramaturg’s Take (via The Theatre Times)

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer, and director reveals a glint of mischief behind his earnest and gentle demeanor. “I am looking for misunderstandings, for opportunities to negotiate. When things are wrong, they are right.” [1] When I was initially brought as a dramaturg into the

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Plastic Kingdom

Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe)

An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike. On first arriving in Cambodia’s ever-expanding capital Phnom Penh, one is struck by the rubbish lying on the sides of the street; order noodle soup to

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Hanoi EDM

Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News)

An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue. Artists and visitors on dozens of buses traveling some 40 kilometers from central

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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Alfonse Chiu

8 Questions with Alan Oei

As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House, on his hopes, his challenges, and how he balances different needs and roles between the two companies. How do you come up with the themes

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Weekly Picks: Malaysia (19–25 Nov 2018)

KLEX 2018: Translucence, at various locations, 22–25 Nov An independent artist-run grassroots international festival of experimental film, video art and music. It’s a good introduction to contemporary experimental cinema and regional creative works. Admission is free for the lectures, and by suggested donations for performances (RM10 film, RM30 music at RAW Art Space, RM90 music

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Grace Baey

Grace Baey’s Portraits of Yangon’s Trans Population (via Coconuts Yangon)

Some photographers are able to capture the most delicate moments deftly. With her project Living Choices, Singapore-based shooter Grace Baey showed her ability to do just that. Baey spent one month in Yangon taking pictures of the city’s trans population for the photo series — and despite the short time frame and limited window for gaining the

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ArtsEquator Turns Two!

ArtsEquator is two years old today! 🎉   Aside from our original reviews, essays, podcasts and visual essays, we’ve also organised programmes to strengthen performance criticism and critical discourse. ✒️ 💬 💭 🎭 👯 🎪 🎨 🎵 🎬   None of this would have been possible without the support of a community of critics, performance

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June Yap

An Interview with Dr June Yap: President’s Young Talents 2018

The seventh edition of the President’s Young Talents exhibition (PYT) opened 4 October 2018 at the Singapore Art Museum (SAM). Since its first presentation in 2001, the platform has presented 38 artists, including this year’s Chen Yanyun, Chong Weixin, Debbie Ding, Hilmi Johandi and Zarina Muhammad. David Chan, Grace Tan, Zaki Razak, Roger Nelson, Jason

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Mirrored Interrogations

Mirrored Interrogations

In post-colonial Southeast Asia, the constraint of politically-engaged artworks is not uncommon. One can see the spatial and temporal struggles through telling cases from the region: last July, Seven Decades was a retrospective of political prisoners’ narratives in and out of Myanmar that was aptly shown at the Pyinsa Rasa Art Space in the Secretariat

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