ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open […]
Open Calls & Opportunities: Jul 2021 (Singapore/SEA) Read More »
Bila anda mendengar perkataan “pengkritik”, apakah yang anda bayangkan? Saya sering membayangkan orang yang pakai cermin mata; ulat buku, sangat serius, dan payah untuk puaskan hatinya. Daripada pandangan saya dulu, pengkritik adalah orang yang menulis dan berbicara tentang karya seni, dan selalunya menggunakan perkataan yang canggih dan bicaranya disirami jargon yang mengelirukan. Saya pernah rasa
Can the creative society in Southeast Asia support each other in finding solutions to problems in our communities, powered by compassion and empathy? That’s one of the questions at the heart of the existence of Project SEA*5. The group comprises five creative practitioners working across different local community contexts: community architect-urbanist Joanne Mun advocates for
Can the arts solve community issues in the region? The SEA*5 think so. Read More »
Nabilah Said and Wennie Yang speak to Chung Shefong, Janet Pillai and Anmol Vellani the three curators who led the Curated Conference programme as part of Meeting Point 2021. The Curated Conferences comprised of three groups of participants from different Asian countries, who met over 6 months since November 2020, guided by their curator. This
Japanese video designer Shimpei Yamada shares about his practice in multimedia and video design and installation, for both theatre and dance, alongside KL-based critic-facilitator Bilqis Hijjas. This session took place on 8 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical
Master Conversations: Multimedia Design with Shimpei Yamada and Bilqis Hijjas Read More »
When you hear the word “critic”, what image do you conjure? I used to imagine a bespectacled person; bookish, extremely serious, and tough to please. From my point of view back then, critics were people you would find writing or talking about works of art, often or almost always using sophisticated vocabulary and generously peppering
I Was Afraid Of Critiquing Until I Met A Bunch Of Critics: Reflections on AAMR 2021 Read More »
Manila-based set designer Tuxqs Rutaquio shares about his practice and process in set design alongside theatre critic Katrina Stuart Santiago. This session took place on 1 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical theatre. Through four in-depth presentations, led
Master Conversations: Set Design with Tuxqs Rutaquio and Katrina Stuart Santiago Read More »
Singapore critics Clarissa Oon, Lee Shu Yu, Nabilah Said and Naeem Kapadia discuss The Year of No Return by The Necessary Stage, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 21-22 May 2021 at Victoria Theatre, and from 5-20 June via video on demand. Critics Live! is a critics-led
Podcast 90: Critics Live: The Year of No Return by The Necessary Stage at SIFA 2021 Read More »
Critics Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Solís (US) and Sharaad Kuttan (MY) chat about Three Sisters by Singapore’s Nine Years Theatre and SITI Company from New York, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 20-22 May 2021 at Victoria Theatre, and from 5-20 June via video
Podcast 89: Critics Live: Three Sisters at SIFA 2021 Read More »
Critics Ben Valentine (US), Kathy Rowland (SG), Michael HB Raditya (ID), Sharmilla Ganesan (MY) chat about The Journey by UK-based illusionist and mentalist, Scott Silven. The performance took place from 18-30 May 2021 as part of the Singapore International Festival of Arts. Critics Live! is a critics-led programme series created by ArtsEquator to give arts
Podcast 88: Critics Live: The Journey by Scott Silven at SIFA 2021 Read More »
It was a laid-back day at the end of April, when I got the email from ArtsEquator informing me that I had gotten into the Asian Arts Media Roundtable (AAMR) at the Singapore International Festival of Arts 2021. This was to be the start of my career as an international arts writer and researcher, so
By Wennie Yang (2,000 words, 8-minute read) Laptop fully charged, professional Zoom background selected – Meeting Point 2021 organised by Mekong Cultural Hub and its partners took place virtually between 20 to 22 May 2021. Artists, cultural intermediaries, academics, and other interested parties from around the region gathered to discuss their experiences melding arts with
Meeting Point 2021: The cultural worker in a time of social change Read More »
Let’s face it. In the early days of the pandemic, we mourned for live theatre. Zoom theatre felt like the next best thing, if not quite the real thing. And yet, that period was also one of great experimentation, and brought to us different kinds of online experiences created by artists, with various degrees of
Who’s Afraid of the VOD?: Highlights of SIFA On Demand Read More »
We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia. They are: Nhuan Dong from Saigon; Dwiki Aprinaldi from Yogyakarta; Eddie Wong from Petaling Jaya; Wilda Yanti Salam from Makassar; Mariah Reodica from
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) Read More »
By Joel Tan To borrow and distort the title of David Shield’s lyrical manifesto against fiction: I’ve been HUNGRY for reality in the month of May. And so for this month’s edition of SEE WHAT SEE, I’m training my sights on documentaries from Southeast Asia or about Southeast Asian subjects that you can stream right
SEE WHAT SEE (May 2021): SOUTHEAST ASIAN DOCUMENTARIES Read More »
We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia. They are: Nhuan Dong from Saigon; Dwiki Aprinaldi from Yogyakarta; Eddie Wong from Petaling Jaya; Wilda Yanti Salam from Makassar; Mariah Reodica from Las
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 1) Read More »
Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. Note: The events below are subject to changing conditions due to COVID-19. Do check with the respective presenters. This list in published in no particular order. 1. The Music of Checkpoint
ArtsEquator’s Hot List: May 2021 Read More »
Earlier this year Producers SG launched the Producers SG Directory, an online directory of independent producers and arts managers working in Singapore and around Southeast Asia, which it hopes can become a starting point for future collaborations and projects in the region. In our latest podcast episode, Nabilah Said from ArtsEquator and Mok Cui Yin
Podcast 87: Southeast Asian Producers Read More »
In the early hours of Monday, 1 February 2021, the leaders of Myanmar’s elected civilian government were seized and detained in a military coup d’état. Over the past 81 days, the Burmese Armed Forces (also known as the Tatmadaw တပ်မတော်) have installed themselves as an illegitimate regime in Myanmar, declared a state of emergency in
#WhatsHappeningInMyanmar – and how you can help Read More »
The SDEA Theatre Arts Conference is back in 2021 with a fully-online programme, featuring presentations, workshops and masterclasses responding to the theme of Creative Disruption: Exploring New Ground. The conference, first started in 2011, is an international platform for artists, theatre practitioners, educators, and applied drama practitioners to share their work, methodologies, and research through
8 online programmes not to be missed at SDEA Theatre Arts Conference Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open
Open Calls and Opportunities: Apr 2021 (Singapore/SEA) Read More »
Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. This list in published in no particular order. 1. VECTOR#1: An Economy Of Means Physical show: 16-18 April, Block O Multipurpose Studios, Goodman Arts Centre [SINGAPORE/In-venue] Dance Nucleus presents its new
ArtsEquator’s Hot List: April 2021 Read More »
By Joel Tan Welcome back to See What See! It’s our monthly round-up of interesting stuff by Singapore and regional makers that you can stream right here on the Internet. In this edition, I thought I’d pay a little attention to film, TV, and shorts with a genre fiction flavour, so I went around sniffing
SEE WHAT SEE (Mar 2021): GENRE FICTION Read More »
What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask. Producers SG is a community of independent producers, arts managers and self-producing artists interested in nurturing support systems amongst producers and conversations around the practice of producing. Producers SG recently launched the Producers
Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open
Open Calls and Opportunities: Mar 2021 (Singapore/SEA) Read More »
ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. This is a digital micro-residency focusing on the development and promotion of critical writing about arts and culture in Southeast Asia. The residency programme is unique in its positioning of the online editorial space as
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 Read More »
By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers. Yet there are still vibrant spaces dedicated to arts coverage,
Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) Read More »
Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. This list in published in no particular order. 1. Little Mournings Physical show: 4-7 March, various timings / Delayed livestream: 11-17 March [SINGAPORE/In-venue & Online] Little Mournings is a puppetry show
ArtsEquator’s Hot List: March 2021 Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. Scroll down or click for easier access. Info & Resources | Open
Open Calls and Opportunities: Feb 2021 (Singapore/SEA) Read More »
By Joel Tan Welcome to my new column for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way. I’m not even talking about Netflix (which I’ve already written about at
SEE WHAT SEE (Feb 2021): DESIRE Read More »
