By Selina Chong Tango is the first play commissioned by Pangdemonium, and what excites me most about it is that it is written by a young Singaporean. Playwright Joel Tan’s dialogue is rich and witty, capturing the Singaporean vernacular. For me, Tango is a story about sons. Kenneth (Koh Boon Pin) returns to Singapore with […]
Centre 42 Citizens’ Review: “Tango” Read More »
Duration: 23 min Dr Stephanie Burridge is joined in the studio by choreographer and dancer Bernice Lee to discuss Flamenco Sin Fronteras‘ The Elements, an original flamenco dance production that blends the traditional Andalusian form with the ancient Chinese philosophy of the five elements. This experimental fusion is characteristic of the company’s “without borders” practice,
Podcast 16: “The Elements” by Flamenco Sin Fronteras Read More »
By Pavithra Raja (750 words, 8-minute read) Authentic everyday experiences took centre stage in Migrant Poetic Tales – an event held on 20 May to mark the beginning of Poetry Festival Singapore 2017. Booktique, a warm and quiet bookstore in the bustling CityLink Mall, provided an intimate space for the voices of poets to be
Migrant Poetic Tales: Poetry Festival Singapore 2017 Read More »
Family Ties – till 10 June 3:45pm @ National Gallery, Basement (Image features film “Rice Ball”) From Big Eyes Big Mind: “Family Ties is a collection of wonderful films that we recommend to ages 9 and up. However, at our recent screening, kids as young as 6 years-old appreciated the films and a 7 year-old
5 – 11 June 2017: Singapore Read More »
By Kathy Rowland (900 words, 5-minute read) Kenneth (Koh Boon Pin) and Liam (Emil Marwa) are a gay couple, fathers to their young son, Jayden (Dylan Jenkins). Kenneth’s ailing father, a fancy job and the chance for Jayden to connect with Kenneth’s home country bring them back to Singapore after many years in the UK.
Pangdemonium’s “Tango”: Of Specks and Logs Read More »
AICA Singapore Biennale 2016 Roundtable 3: Maybe it’s better this way, We’d hurt each other with the things we want to say [1] “Tell me about the biennale you want to see”, was the question posed to the writers engaged in the third AICA roundtable on the Singapore Biennale, convened by Qinyi Lim. The result
Room of Receipts: The Biennale of 2022 Read More »
By Elaine Chiew (1140 words, 12-minute read) Tofu sheets, latex skin, talcum, chocolate powder, milk. A meander through the fine art segment of the NAFA graduate showcase, titled as an ironic play on words, “The Grad Expectations 2017,” reveals two interesting strands: the unconventional materialities emergent in the current exhibition, and the play of intertextuality
Emergent Materialities and Intertextuality: The NAFA Graduate Showcase 2017 Read More »
You’ve probably seen videos of perfectly drawn alphabets floating around on Facebook / Instagram, here’s a chance to learn how to DIY! Take it as a one-time payment for a life-time skill! Not advisable but – think of the sarcasm you can convey to your unsuspecting enemies via calligraphic writing. It’s a whole new world
29 May – 4 June 2017: Singapore Read More »
By Ke Weiliang (1700 words, 15-minute read) One of my earliest front of house (FOH) memories was at a rock concert held at the Esplanade Outdoor Theatre. On any other day, the combination of ‘outdoor’ and ‘rock band’ could easily have been an anagram for ‘Murphy’s Law’. Thankfully, most of the patrons were well-behaved. But
Front of House: Behind the Scenes Read More »
AICA Singapore Biennale 2016 Roundtable 3: Maybe it’s better this way, We’d hurt each other with the things we want to say [1] “Tell me about the biennale you want to see”, was the question posed to the writers engaged in the third AICA roundtable on the Singapore Biennale, convened by Qinyi Lim. The result
Workers of the art-world, unite! You have nothing else to love but your supply chains! Read More »
Sarah Choo Jing is known for her interdisciplinary approach to photography, video and installation. Art Radar talks to the artist about her practice and recent works, on the occasion of her participation in the 57th Venice Biennale and LOOP Fair. Sarah Choo Jing, ‘Art of Rehearsal’, 2016, multimedia installation. Image courtesy the artist and A.I. Gallery.
By Clara Cheong (1005 words, 7-minute read) On a blazing hot afternoon last week, I stepped into the welcome cool of one of Gillman Barrack’s newest private art galleries, Chan + Hori Contemporary. The artist behind the iconic illustrations on the walls of BooksActually and The Projector, Speak Cryptic (Farizwan Fajari) was having his first solo exhibition in
Photo Essay: “Knives In The Water” a Solo Exhibition by Speak Cryptic Read More »
By Elaine Chiew (970 words, 9-minute read) The biggest show of the year for Lasalle College of the Arts opened on the evening of the 18th with fanfare: speeches, tinsel, music, a buffet of food, tons of people. The variety of works on show is dizzying — a cornucopia of over 800 works from the
Fieldnotes from The LASALLE Show Exhibition 2017 Read More »
TEMPÊTE 23 May, 8pm @ Alliance française de Singapour (Land Leg) Dom is 36 and works as a sailor on a fishing boat in the port of Les Sables d’Olonne, a small French town. He is used to leave for the open sea for at least three weeks in a row. Despite his absences, his
22 – 28 May 2017: Singapore Read More »
Duration: 26 minutes Matt Lyon speaks to Adeeb Fazah and Teresa Zhou, two members of Theatre Invasion Singapore, a passionate team of four final-year undergraduates from NTU’s Wee Kim Wee School of Communication and Information who’re on a crucial mission: to promote the magic of theatre among young adult audiences. They share their journey from unearthing
Podcast 15: Theatre Invasion Singapore Read More »
By Akanksha Raja and Clara Cheong (1200 words, 8-minute read) There’s fresh blood on the theatre scene and ArtsEquator sent out two young reviewers to watch emerging performing art collective The Kaizen M.D.’s latest production “Move ___, as we move”, staged at Centre 42. Here’s what they thought about it. Akanksha: Move was conceived and written
Fresh Blood: “Move ____, as we move” by The Kaizen M.D. Read More »
By Marcus Yee (1530 words, 20-minute read) “What am I?” asks the museum. “If I am not to be metamuseum, interred within my own history, what do I do?”. —Lisa G. Corrin Amidst the torrential stream of infrastructural expansion and bureaucratic densification that characterises the “arts ecosystem” in Singapore, several art institutions appear to
Looking at Institutions Look at Themselves: NUS Museum & NTU CCA Singapore Read More »
Saturday, 20 May, 11:00am @ The Arts House SEMINAR: sgPoems 2015/16 Anthology This seminar discusses the Singapore poetry landscape based on the first publication by the Poetry Festival (Singapore). The anthology showcases poems by finalists in Poetry Festival’s competition over the last two years as well as featured poets during the festival in 2015. The
15 – 21 May: Singapore 2017 Read More »
Duration: 30 minutes Former Flying Inkpot reviewers Matthew Lyon and Naeem Kapadia get together to discuss Tropicana the Musical and Wild Rice’s La Cage – two glamorous, star-studded, cabaret-themed musicals that opened within a few days of each other within the past month. While one’s a localised version of a Tony Award-winning Broadway original, the other’s a Singapore original that
Podcast 14: La Cage and Tropicana Read More »
“At an event last week, about 30 adults came together to present a community dance. Some of them were women and men in their 70s and had never danced in public before. The excitement on their faces, the joy in the gait as they took their positions and the sheer bliss they exuded while moving
Let’s Talk About Ageism and Dance [Singapore] Read More »
By Chan Sze-Wei (945 words, 9-minute read) “There are so many taboos and judgements around our bodies and the politics they carry. Let’s take the leap to talk and dance about tough questions. Let’s be unashamed. Walang hiya.” Over two weeks this February in Manila and Singapore, a group of dancers came together to look
Dancing Unashamed: ¡Walang Hiya! Read More »
Photography By Zane Gan, text by Sean Ghazi Photographer Zane Gan tracks Sean Ghazi, who plays George in Wild Rice’s La Cage Aux Folles, capturing the camaraderie, rituals and water bottles that keep the show going on. The hit musical, directed by Glen Goei, runs until 13 May 2017. Making the rounds before the
Photo Essay: Backstage Pass to Wild Rice’s “La Cage Aux Folles” Read More »
Duration: 25 min “When we want to talk about tradition and contemporary … I see it as a kind of a recalibration, a relocation of form in this time and this space. Watching Raka and her group, to my eye, it was very difficult to say here is where tradition stops and here is where
Podcast 13: Classical and Contemporary Indian Dance Read More »
Surviving the Japanese Occupation: War and its Legacies, Former Ford Factory, open all week To mark – not commemorate – the 75th anniversary of the fall of Singapore, there’ll be an exhibition set in the Old Ford Factory, which was where the British surrendered to the Japanese forces on February 15, 1942. Spread across four
8 – 14 May 2017: Singapore Read More »
“From its headwaters in the Tibetan plateau, the Mekong River flows past six countries for over 4,000 kilometers to the South China Sea—but its journey is unquiet. Since the 1990s, the river has been punctuated by a string of Chinese hydropower dams, with dozens more in the works. Cambodia, Laos, Thailand and Vietnam are also
Review: Oh Soon-Hwa’s “Coastal Regions (Delta)” at The Private Museum [Singapore] Read More »
“Neatly stashed away in an HDB flat somewhere in the western part of Singapore are a folded black robe, newspaper cuttings, tiles with splashes of red dye, and strands of pubic hair. These are all that remains of Josef Ng’s Brother Cane, one of the most controversial performances in Singapore’s contemporary art history. “Yes, everything
‘Brother Cane is part of me’: Josef Ng [Singapore] Read More »
By Akanksha Raja (870 words, 8-minute read) Every Brilliant Thing is a (primarily) one-person monologue of an unnamed narrator (Andrew Marko) coming to terms with his mother’s depression and suicidal tendencies. His effort to reconcile with his mother’s instability takes the form of a numbered list devised at the age of 6 – after her
Review of “Every Brilliant Thing” by Bhumi Collective Read More »
By Yue Jie (870 words, 7-minute read) Spoiler alert! If you’ve not watched the movie yet, go see it before reading on. Few films deal with animals as a central character, and even fewer have an elephant as its protagonist. In Pop Aye, the feature debut of Singaporean film director Kirsten Tan, an elephant called
Review of “POP AYE”: A Soul Journey Read More »
CHAOS MEMO YELLOWING, directed by Chan Tze-Woon, 4 MAY, 7:30pm, National Museum of Singapore In 2014, an umbrella movement took place in Hong Kong, where young people led the ups and downs of the movement, the occupation of streets by civilians, and the fight against democracy in the way of civil disobedience. “Where there is a
1 – 7 May 2017: Singapore Read More »
“From storytelling to stage plays, feature films to fusion music, the works of Singapore’s Indian artists are taking a multi-faceted diaspora story to global audiences. Sixty years after she left India, Mrs Santha Bhaskar travelled back to her Motherland in 2015 to choreograph a dance commissioned by the Singapore International Festival of Arts. As part
An Indian Renaissance [Singapore] Read More »
