Malaysia

How one artist is exploring his roots through vibrant, surreal artworks (via SEA Globe)

Hasanul Isyraf Idris is a Malaysian artist who works with a variety of different materials to present his often intricate and surreal ideas, inspired by his home country’s colourful history.  Hasanul Isyraf Idris’s fourth solo feature with Richard Koh Fine Art took place last week, showing at VOLTA art fair, New York. Titled Environment of […]

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“Version 2020”: Dataran Merdeka Sebagai Tapak A̶r̶k̶e̶o̶l̶o̶g̶i̶ Ideologi Tentang Masa Depan

Oleh Fasyali Fadzly (1075 patah kata, 9-minit bacaan) Saya mengambil masa yang lama untuk menyiapkan tulisan mengenai teater Version 2020 yang diarahkan oleh Mark Teh. Ia sebuah teater yang memerlukan pengamatan yang tajam, pengetahuan yang luas dan pemahaman terhadap konteks keseluruhan pementasan ini. Kajian teater ini turut mengambil masa yang lama dan penuh kritikal –

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Malaysian court jails, fines artist for clown caricature of PM (via Reuters)

A Malaysian artist and prominent opposition activist was jailed for a month on Tuesday for publishing a caricature of Prime Minister Najib Razak looking like a clown, a ruling likely to exacerbate concern about free speech. Southeast Asia’s third-largest economy recently announced plans to amend a law to stamp out fake news, the latest step

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Of Moral Panic and 30 Hours of Non-Stop Rock: The Malaysian Woodstock of July 1972 (via The Wknd)

1969’s Woodstock is probably one of the most iconic and influential music festivals to ever take place, with its 32 acts and 400,000 attendees making it not just the zenith of the whole counterculture movement that was such a big part of 1960s America, but also one of the most iconic events in the history of popular music.

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Amenic

This Duo Came Up With A Solution For M’sians Who Like Movies But Hate People (via Vulcan Post)

There’s no denying that at some point, all of us have dreamed of having an entire cinema all to ourselves, along with the freedom to scream, shout and blabber all we want without anyone telling us to tone it down. It’s great to know that AMENIC Film Space is that dream now made real. Founded in late

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Book Review: “Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia” by June Yap

How does contemporary art in Singapore and Malaysia reflect an alternative to the dominant narrative of history? June Yap’s book produces a concept of ‘Malayan’ history from the 1950s till 2010s through a selection of contemporary art from the region. In re-defining history through these works, Yap is reformulating the vocation of an art historian,

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“Shuttle Life 《分贝人生》”: Grief and Powerlessness in Modern Malaysia

Bold and unrelenting, Shuttle Life 《分贝人生》is an emotionally-charged social drama about Malaysia’s urban poor, offering a poignant insight into privilege and powerlessness in modern Kuala Lumpur. Featuring strong performances and gritty cinematography, the film marks an award-winning feature debut for director Tang Seng Kiat, clinching Best Film, Best Actor and Best Cinematography in the Asian

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YFIFF

Malaysian Tamil Film “En Veettu Tottatil (The Farm)” Wins at Yellow Fever Indie Film Festival [Malaysia]

“When contacted, the director, Karthik Shamalan, said, “At first when we received the email from Yellow Fever Indie Film, we were very surprised. We didn’t believe it until we saw the official announcement on their website!” He added, “We are very happy to win this award. This acknowledgement is a push to help us create

Malaysian Tamil Film “En Veettu Tottatil (The Farm)” Wins at Yellow Fever Indie Film Festival [Malaysia] Read More »

ASEAN-China Film Festival

First Asean-China Film Festival to take place in Malaysia in December [SEA]

“This year is the the 50th anniversary of Asean (Association Of Southeast Asian Nations). To commemorate this, the Asean-China Film Festival has been announced to establish a long-term exchange and cooperation platform for the Asean film industry, in line with China’s Belt and Road initiative. The inaugural Asean-China Film Festival will be held in Malaysia next month from

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“Langkau”: Atau Kisah Mesin Basuh Yang Bertanya

Langkau sebuah joget sinkretik, joget fizikal, atau malah joget pascamoden (jika boleh kita gelarkan) yang berlingkar tentang sebuah mesin basuh yang bertanya. Ceritanya metafiksyen yang straight-forward dan salah satu poin reviu ini adalah untuk articulate ia tentang apa. Kerana dari judul, sinopsis dan teaser rata-rata ia tidak mendedahkan dengan jelas sebenarnya Langkau ini fasal apa.

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Lighten Up: “Terbalik… Mesti Kena Mata” by Five Arts Centre

By Ann Lee (1470 words, 10-minute read) Terbalik… mesti kena mata was billed as an “experimental workshop” performance that attempted to “displace the normal hierarchy found in performance-making” by having the lighting designer, Mac Chan, as the principal artist. Co-directors, Marion D’Cruz and Ivy Josiah, marking their first collaboration in these roles, adhered to the

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Kata Terkesat Dilempar Estragon: Kritik!

I Ia bermula dengan saya tiba lambat ke Meeting of Writers/Critics/Reviewers in Performing Arts di Cafe White Sands, DPAC, Damansara. Di sekeliling meja sudah ada 13 orang membincangkan tentang perbezaan di antara ulasan vs kritikan dan kepentingannya sebagai bahan dokumentasi. Richard Chua dari Theatrex Asia mengendalikan sesi ini. Ini merupakan pertemuan pertama yang tercetus dari

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No Escape from the C: Reflections on Censorship and Curation in the Pangrok Sulap case

By Carmen Nge (1110 words, 10-minute read) The dust appears to have settled on the recent controversy surrounding the removal of Malaysian art collective Pangrok Sulap’s artwork Sabah Tanah Air-Ku from the art exhibition, “Escape from the SEA”. Organized by the Japan Foundation Kuala Lumpur (JFKL), “Escape from the SEA” was a group exhibition featuring

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Inaugural Kuala Lumpur Biennale to launch in November [Malaysia]

“The city of Kuala Lumpur is set to join the cultural ranks of Shanghai, Busan, Taipei, Singapore and many more with the first-ever Kuala Lumpur Biennale (KLB) International Arts Exhibition. The National Visual Arts Gallery (NVAG) of Malaysia is organizing the event across multiple locations in the Malaysian capital, including the Kuala Lumpur City Centre

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