By ila Many of us grew up with ghost stories. For some of us, it’s very much part of our belief system that we share the world with other presences. (If you’re interested, I wrote a speculative text about the Pontianak here.) When I was younger, my mom would use the word “pelesit” each time […]
Pelesits And Where To Find Them: A conversation with NADA and Teater Ekamatra Read More »
By Patricia Tobin (665 words, 4-minute read) The story of Oedipus is undoubtedly known to all. From the classic Sophocles’ play to Freudian theory, this Ancient Greek myth has bled into our cultural consensus over a few millennia. Yet, Nine Years Theatre’s (NYT) take on Oedipus feels fresh and timely. Held at KC Arts Centre,
A predestined fate: Nine Years Theatre’s Oedipus Read More »
ArtsEquator chats with producer and production stage manager, Charlinda Pereira and actress, Rebekah Sangeetha Dorai about their upcoming work subTITLED 1.0 by Bridging The Gap (BTG). The play tells the intertwining stories of three women, an activist, an arts intern and a criminal lawyer, and their involvement in a drug trafficking case. BTG, an initiative
Where can we find each other? And where do we go from here? Happening on Saturday, January 23 2021, Festival Forum: Meeting-In-Progress discusses ideas, processes and ways forward in this new year of not-so-new normals. Both an agitation and undulation towards a common point of reference, Meeting-In-Progress is an attempt to gather everyone in a
Festival Forum: Meeting-In-Progress at National Gallery Singapore Read More »
In this new series of ArtEquator Cakap-Cakap (or in other words chit-chat), ArtsEquator sits down with director Koh Wan Ching and playwright Andrew Sutherland to chat about “creative romances”, random internet finds/memes and how things are going with their upcoming work, a line could be crossed and you would slowly cease to be, at the
Cakap-Cakap: Interview with Koh Wan Ching and Andrew Sutherland Read More »
For former jazz pianist Peter Ng, the past year has been one of great change. Set up in mid-2019, Maduro was envisioned to be a jazz lounge and a whisky bar, but Ng quickly realised – hastened by the pandemic – that it needed to evolve. The venue will soon be featured in an online
Maduro, online jazz concerts, SIFA: A jazz bar evolves in a pandemic Read More »
For artist weish, who is one-half of electronica duo .gif, this has been an intense year creatively, and one of increased self-scrutiny. Her most recent project, Did you want more sleep?, combines sound, visual and text, and references the artist’s personal problems with sleep. It is available online via video-on-demand from now to 31 December,
Did you want more sleep?: weish knows people are tired of livestreams Read More »
In our end-of-year roundup, Nabilah Said, Naeem Kapadia and Matt Lyon take stock of the year in Singapore theatre, alongside guests Lee Shu Yu from Centre 42 and Max Yam from Arts Republic. This podcast is published as part of Year In Review, an annual discussion and round-up of the performing arts in Singapore organised
Podcast 85: Singapore Theatre, Year in Review Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore. This is a follow-up on ArtsEquator’s series of animated videos “10 Things“, which sheds light on these three traditional forms. Stream Podcast 84: ArtsEquator · Podcast 84:
Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Vietnam’s art fondling problem; Silent Film Festival Read More »
ArtsEquator speaks to Andy Chia, Natalie Alexandra, Rizman Putra, Russell Morton and Yeo Siew Hua, the creatives behind The Wandering, a dance film about loss connections and a family in crisis, about what it’s like working on the film together, especially during a pandemic. The Wandering runs from 18 to 20 Dec as part of
Why everyone is dancing during the pandemic: The Wandering at SIFA 2020 Read More »
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Waiting For The Host by Pangdemonium. The play is written by Marc Palmieri and directed by Tracie Pang. Waiting For The Host ran from 15 Oct to 1 Nov on SISTIC Live. Stream Podcast 83: ArtsEquator · Podcast 83: Waiting For The Host Download Podcast 83 here.
Podcast 83: Waiting For The Host by Pangdemonium Read More »
In this last episode of What’s in a Scene, Noor Effendy Ibrahim and Dalifah Shahril break down a scene from Cerita Cinta (2018). First staged in 1995, Cerita Cinta marked playwright and director Noor Effendy Ibrahim’s return to Malay theatre since Bilik Ahmad Berdaki (2009). Presenting an unabashed view of the threads that bind a
(Episode 3) What’s in a Scene – Cerita Cinta by akulah BIMBO SAKTI Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Protest art in Thailand; The productive pandemic Read More »
‘We are all but moving shadows and all our busy rushing ends up in nothing’ In this episode, Natalie Hennedige and Siti Khalijah Zainal unpack a scene from Cake‘s Nothing and talk about the process and the inspiration behind the creation of the play, from the characters to multimedia design and more. Nothing was staged
(Episode 2) What’s in a Scene – Nothing by Cake Read More »
In this episode, Liu Xiaoyi and Oliver Chong unpack a scene from The Finger Players 十指帮 ‘s 《大狗民》Citizen Dog and talk about the set design, costume design and more. Inspired by Liaozhai, Citizen Dog is an absurd tale of desires in their nightmarish glory, a surreal dreamscape that reflects real world problems. 《大狗民》Citizen Dog was staged in
(Episode 1) What’s in a Scene – 《大狗民》Citizen Dog by The Finger Players Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Goodbye gamelan maestro; Charlie Chan to get animated Read More »
By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body. She grunts, writhes, sweats, hyperventilates. Her body multiplies by video effect but perhaps also by mass audience hallucination. Depending on which way you lean, Pat Toh’s Topography
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The performativity of Duterte; Puppets in a pandemic Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Who’s There by The Transit Ensemble (Singapore/Malaysia/US); and Two Songs and a Story by Checkpoint Theatre. Who’s There ran from 4 – 8 August on Zoom as part of Ice Factory 2020 by New Ohio Theatre. Two Songs and a Story is an online video series on SISTIC
Podcast 82: Who’s There & Two Songs and a Story Read More »
The unabashedly virtual edition of SIFA just launched its slate of year-end programmes, marked by dreamy and lush audioscapes, compelling narratives, and encounters with the audience in places both personal and private. We recommend five events to catch. A Bird Calls You To Moscow What it is: Playwright Joel Tan and director Tan Shou Chen
Year-end SIFA Spotlight: 5 things you should catch Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: New pandemic movements in SEA Read More »
Most Singaporeans recognise traditional artforms such as Bharatanatyam, wayang kulit and wushu. However, there are many other interesting forms which may not be as known, especially to the younger generation. 10 Things is a series of three short animated videos, each focusing on a lesser known traditional artform – Dikir Barat, Kavadi Attam
10 Things You Didn’t Know About Dikir Barat Read More »
By Nabilah Said (950 words, 4-minute read) If hope is a thing with feathers, then Peepbird, a 60-minute-long non-verbal show, would be it. This offering by The Finger Players was my first live theatre show since COVID – the one that was promised, had been prophesied and invoked in many a panel and Facebook post
Bird is the word: Peepbird by The Finger Players Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The artist who wants the Rafflesia; Thai colourful culture Read More »
(1,350 words, 5-minute read) My name is Ritirong Jiwakanon. And my nickname – all Thai people have nicknames – is Hong. I live in Bangkok. I teach in Chulalongkorn University, in the Faculty of Arts. Actually originally I’m from Yala Province at the border between Thailand and Malaysia. I moved to Bangkok when I went
Scene and Heard: Ritirong Jiwakanon, Theatre Designer Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: Bangkok Art Biennale; Singapore creatives forced home Read More »
In this month’s theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss two plays from the Festival of Women: N.O.W. 2020: King, written and performed by Jo Tan and directed by Jasmine Ng; and The Book of Mothers, written by Eleanor Tan and directed by Edith Podesta. N.O.W. is presented by T:>Works. King ran from
Podcast 81: King and The Book of Mothers Read More »
