Articles

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Elaine Chiew

In the Mood of Brian Gothong Tan: Lost Cinema at Institute of Contemporary Arts (via Invisible Flâneuse)

The woman in the cheongsam and upswept hairdo walks into the audience’s line of sight from behind a pillar, carrying a tiffin carrier. She poses, every gesture and expression countenanced to project drama and artifice, and many of her poses are notably contorted, emphasising an arched foot, her thrust out hip.  The man enters, dressed in

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Art Hub

Is Singapore losing its standing as the art hub of Southeast Asia? (via SEA Globe)

Despite the government’s desperate attempts to position Singapore as Southeast Asia’s arts hub, flagging figures at major shows and accusations of artificiality have put the city-state’s art scene under more scrutiny than ever Singapore has long tried to combat its reputation as a cultural desert. An influx of state funding in the past two decades

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Sodade

…Sodade… at SIFA 2018

An enchanting French evening of aerial circus performed to live music. …Sodade… is a nostalgic ode to life, a fable of love and loss in the air as told by two musicians playing and singing on a unique circus structure of huge twin wheels, each over two metres in width, between which a 21-metre long

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Crispian Chan

“I am trying to say something true”: A Distant Intimacy

By Akanksha Raja (950 words, five minute read) Even before watching Michelle Tan’s monologue, I am trying to say something true, the title struck me: the sentence-case format portends a quiet sense of conversational intimacy, compared to the conventional, title-case naming of theatre productions. The proclamation folds the struggle of confession with emotional vulnerability while

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Gallery Space

Podcast 40: Dance in the Gallery Space

Duration: 40 mins Podcast host Chan Sze-Wei leads a discussion on dance-making and dance programming for/in gallery spaces. Joining her are three guests: Vanini Belarmino, Assistant Director of Programmes at the National Gallery Singapore; Lim Chin Huat, cross-disciplinary artist and performance-maker whose recent dance work In Her Hands took place earlier this month at the

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Podcast 39: Toy Factory’s “A Dream Under the Southern Bough” at SIFA 2018

Duration: 19 mins A Dream Under The Southern Bough by Toy Factory is a series of three plays commissioned by the Singapore International Festival of Arts, to be staged over three editions of the festival. The first instalment, titled The Beginning, premieres at SIFA 2018 later this month. This three-part modern-day spin on the classic Ming

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Railtrack Songmaps

“Railtrack Songmaps Roosting Post 1”: The Featherlight of Complexity

By Marcus Yee (970 words, 7-minute read) Tucked in Queenstown Residence Committee Centre is a heartfelt homage to Tanglin Halt and the nearby Rail Corridor, nexus of human and bird relationals,  collected by Railtrack Songmaps Roosting Post 1. Conceived out of a collaboration, or chorus between artist Lucy Davis, designer Zachary Chan, photographer Kee Ya

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Crispian Chan

Podcast 38: “Underclass《贱民》” Interview with Alvin Tan, Kok Heng Leun, and Teo You Yenn

Duration: 43 min The latest collaborative production between Singapore theatre companies Drama Box and The Necessary Stage is Underclass 《贱民》, which explores poverty, inequality and human dignity in Singapore. It runs from 16 May to 3 June 2018. In this podcast interview, Corrie Tan convenes Alvin Tan, artistic director of The Necessary Stage, Kok Heng Leun,

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Donna Ibarra

This Rapper Is On a Mission to Empower Filipino Women (via Broadly)

Ruby Ibarra is a rapper you’ve probably heard, but haven’t heard of—at least not yet. The Filipina-American recently made the rounds in a nationwide Mastercard commercial that also featured musicians like SZA, Radkey, and Victoria Canal. Each artist performed their take of the 1962 Bo Diddley song “You Can’t Judge a Book by the Cover.” For

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One year of Filipina punk feminism and rebellion (via Dazed)

Recently, GRRRL GANG MANILA, a feminist collective inspired by DIY ethics and punk aesthetics, celebrated its first anniversary in the Philippine capital. A long discussion of women’s issues, a film screening, spoken word performances and art exhibitions, and then hours of outspoken and confidently excellent music, brought together a frankly impressive gathering of young Filipinos

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Crispian Chan

Many Lives in “A Good Death”

By Akanksha Raja (1,000 words, six-minute read) Four of the five productions from this year’s season of The Studios are commissioned works revolving around the theme of “Between Living and Dying”. Most of these are new, original monologues recounting deeply introspective journeys that navigate the melancholy of loss and seek hope and meaning within grief.

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The Legacy of Kak Channthy, Cambodia’s Rock and Roll Heroine (via Saigoneer)

For many Cambodian music fans, March 20 was a heartbreaking day because Kak Channthy – the 38-year-old female vocal of the band The Cambodian Space Project – passed away in an accident in Phnom Penh. Founded in 2009, The Cambodian Space Project is widely known for their 60s-influenced psychedelic tunes, Channthy’s soaring vocals and playful persona.

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Courtesy of STPI – Creative Workshop & Gallery

Dinh Q. Lê’s “Monuments and Memorials”: A Double Haunting

By Elaine Chiew (1,135 words, six-minute read) Spectral and iconic, Dinh Q. Lê’s first major solo exhibition in Singapore premieres his Monuments and Memorials series of works, created as artist-in-residence at STPI – Creative Workshop and Gallery. Born in 1968 in Ha Tien, on the border of Cambodia and Vietnam, Lê fled the Khmer Rouge

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Citra Sasmita

Citra Sasmita captures the Indonesian contemporary art spotlight (via Life As Art Asia)

The most significant display of contemporary art on the island during 2015 featured many of Bali’s finest artists exhibiting side-by-side with emerging talent. Violent Bali – Bali Art Intervention #1, opened at the Tony Raka Art Gallery, Ubud in November presenting eighty-five works raising issues such as identity, gender and cultural conflicts, and the New Order regime

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