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Preview: Dear Jay by Blue Bean Productions

By Akanksha Raja (530 words, 5-minute read) Blue Bean Productions’ maiden show Dear Jay was spawned from a series of e-mail exchanges between producer and lead actor Benedict Leong and playwright Euginia Tan, about personal experiences coping with mental illness. They had…

Low Octane: SRT’s Disgraced

By Matt Lyon (482 words, 6-minute read) Ayad Akhtar’s Disgraced, a modern tragedy about the fall of an apostate Muslim-American lawyer, is a notable inheritor of the realist theatrical tradition. Sadly, it inherits the worst traits: Ibsen’s machine-cut-jigsaw plotting and…

Don’t Say Cheese: Interchange

By Kathy Rowland (988 words, 10-minute read) Spoiler Alert: If you want to enjoy Interchange in all its suspenseful glory, watch the film before you read this review. The 27th Singapore International Film Festival opened last week with the Asian…

Consume Your Art Like a Snickers Bar?

(plu)ral, the art blog begins with The Society of the Spectacle, meets some misshappen heads on the Ratchaprasong Skywalk Art Maze and lands at the Art Stage Singapore 2017 media launch.

Crisis of Masculinity: Best Of (His Story)

By Matthew Lyon (480 words, 6-minute read) The Necessary Stage’s Best Of (His Story) is a response to the company’s 2013 monologue, Best Of that detailed a day in the life of a young Malay-Muslim woman. The project of the original…

Safe Space: Southeast Asia Choreolab

By Bilqis Hijjas (1536, 20-minute read) The recent US election has Bilqis Hijjas reflecting on the politics of minority safe spaces and her Southeast Asian identity. In the weeks since the US election, I have had ample opportunity to ponder…