Contributors

Akanksha Raja

Singapore International Festival of Arts’ new director: “I don’t think mainstream is a dirty word” (via Channel NewsAsia)

SINGAPORE: “I think it’s safe to say that I have a reputation of not doing weird s**t. I do love mainstream work. I don’t think it’s a dirty word. So I’m not shy, embarrassed or apologising for that at all,” said Gaurav Kripalani, with a laugh. The 45-year-old artistic director of Singapore Repertory Theatre (SRT) […]

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Sneak a peek at an Australian-Indonesian crosscultural puppet theatre collaboration (via AsiaTOPA)

Cerita Anak (Child’s Story) takes pre-school children and their adults on a sea journey never to be forgotten. Cerita Anak (Child’s Story) is inspired by the seafaring history of Java, Indonesia, and a true tale of a small boy’s arrival in Australia. Cerita Anak places children at the heart of the story by inviting the

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A Film Mixes Fact and Fiction to Illuminate the Lives of Queer Teens in Bangkok (via Hyperallergic)

“#BKKY is a coming-of-age love story following Jojo, who embodies an amalgamation of interviews the director conducted with 100 Thai teenagers. #BKKY’s opening scene is a brilliant five-minute-long single-shot piece of cinematography, taken from underneath a desk. We see only the legs of two young high school girls and hear them talk flirtatiously with one another.

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Podcast 12: Theatricality in Dance; “Coppélia” and “Indices of Vanishment”

Duration: 18 minutes Dancer Chan Sze-Wei joins Dr Stephanie Burridge in the studio to consider theatricality in dance, exploring manifestations of theatricality in the classical ballet of Singapore Dance Theatre’s Coppélia and the contemporary form of Raw Moves’ Indices of Vanishment, both of which were staged in the past month. As worlds apart as they are in

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27 Mar – 2 Apr 2017: Singapore

The Four Note Opera by L’arietta Singapore, 31 Mar – 2 Apr, Aliwal Arts Centre Having had its New York City premiere in 1972, this hilarious one act opera by American composer Tom Johnson – part absurdist, part minimalist, all comedy. L’arietta Productions is a music collective that aims to produce high quality chamber opera, and

27 Mar – 2 Apr 2017: Singapore Read More »

20 – 26 March 2017: Singapore

Alena Murang: Talk and Performance, 22 and 23 Mar, LASALLE College of the Arts LASALLE College of the Arts hosts a performance and talk by Borneo visual artist and musician Alena Murang across two days (22 & 23 March 2017). On 22 March at 7:30pm, Alena shares stories, myths and analogies of fast-fading tribes – Kelabit,

20 – 26 March 2017: Singapore Read More »

Sydney Festival 2017: Dancing new lives Keith Gallasch: EkosDance Company: Cry Jailolo; Balabala

“Eko Supriyanto’s internationally travelled Cry Jailolo featured in the Darwin Festival and Adelaide’s OzAsia in 2016, in this year’s Sydney Festival and will appear shortly in Brisbane’s new Supercell Dance Festival and Melbourne’s Asia TOPA, a three-month celebration of Asian and South-East Asian performing arts. Also in the Sydney Festival was the premiere of Balabala,

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13 – 19 March 2017: Singapore

The Vault: Becoming Mother, 19 Mar, 4pm, Centre 42 Dance practitioners and researchers Dr. Nidya Shanthini Manokara and Jocelyn Chng investigate motherhood in its various manifestations – from creating life to producing creative work. Grounded in their dance practices of bharatanatyam and ballet respectively, Shanthini and Jocelyn respond to themes of creation and creativity in

13 – 19 March 2017: Singapore Read More »

6 – 12 March 2017: Singapore

Family Secrets – A Date With Friends 2017 by The Necessary Stage, 10-12 Mar, Esplanade Theatre Studio The Necessary Stage’s Theatre for Seniors presents Family Secrets, a double bill of well-loved plays by Cultural Medallion winner Haresh Sharma, about two families encountering change through illness afflicting their senior members, and how they rise above the challenge

6 – 12 March 2017: Singapore Read More »

Dancers Gather

Singapore-based dancer-choreographer and scholar Stephanie Burridge is anxiously awaiting the proofs for her tenth book, but she’ll find time to fly into Canberra for a big dance summit.

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27 Feb – 5 Mar 2017: Singapore

ExxonMobil Campus Concerts – Alfaaz, NUS University Cultural Centre, 1 March, 8pm Alfaaz (n.): Urdu for spoken word; the distinguishing factor that makes us undeniably human. Words shape us, unite us and yet at the same time, divide us. Much like humanity, language constantly evolves. The complexity and sense of poetry of years past have

27 Feb – 5 Mar 2017: Singapore Read More »

Empire Strikes Back: “Artist and Empire: (En)countering Colonial Legacies”

By Akanksha Raja (1500 words, 15-minute read) There is a distinctive break made between the modern, sans-serif typeface of the word “Artist” and the classical serif typeface of the word “Empire” in the title/publicity material of the National Gallery Singapore’s reinterpretation of the 2015 Tate Modern’s exhibition “Artist and Empire”.  The typographical split signifies a

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20 – 26 February 2017: Singapore

Indices of Vanishment by RAW Moves, 23 – 25 Feb, 8pm, Aliwal Arts Centre Choreographed by Edith Podesta, Lighting Design by Adrian Tan, Sound Design by Teo Wee Boon and performed by RAW Moves Company Dancers, Indices of Vanishment is the 2017 edition of RAW Moves’ annual Repertory Platform. Indices of Vanishment is a movement performance that examines

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13 – 19 February 2017: Singapore

ExxonMobil Campus Conerts – Discovery: Stephycube, 16 Feb, 6pm, NUS Yusof Ishak House Singer-songwriter Steph likes to strum late into the night in the privacy of her room, where she mixes popular radio songs. Although her online repertoire consists mainly of acoustic tracks, her musical influences are mainly pop rock while her lyrics are inspired

13 – 19 February 2017: Singapore Read More »

Tash Aw & Tahmima Anam Discuss Home, Identity and the Changing Face of Asia

I think if anyone is truly honest about any meaningful relationship, they will experience a certain ambiguity about it: no one can love totally without questioning that relationship from time to time, and if they did, it wouldn’t be real. It’s the same with relationships with your country: the deeper your attachment, the more you

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