Singapore Writers Festival

httpswww.singaporewritersfestival.comwriter-presenter-detailssunisa-manning
Illustrations by Divyalakshmi and Natalie Christian Tan

Shock Horror: The Southeast Asian monsters we love

ArtsEquator chats with five writers about their favourite horror characters and monsters from Southeast Asian lore and mythology. We then asked two Singapore artists, Natalie Christian Tan and Divyalakshmi, to respond with a custom illustration based on the replies. Singapore Writers Festival 2021 runs from 5 to 14 November 2021 with the theme “Guilty Pleasures”

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Podcast 96: Writer Grace Chia talks about crime and The Arches of Gerrard Street

In the first of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with author Grace Chia about her book The Arches of Gerrard Street, and her thoughts on writing crime while exploring themes surrounding the experiences of minorities and the Chinese diaspora in London, and exoticism. Grace is part of SWF

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A Bigger Party Than Expected. Photo by Tuckys Photography
Tuckys Photography

A Bigger Party Than Expected: Honouring Rex Shelley at SWF 2019

By Akanksha Raja (830 words, 4-minute read)   On 1 November, The Arts House plays host to an unlikely wedding celebration titled A Bigger Party Than Expected, which features “silent disco” dances to an Eurasian folk song, multidisciplinary art installations, and an assortment of performances. These unusual nuptial festivities are how The Arts House is

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Same same but different: ASEAN 50 at the Singapore Writers Festival 2017

By Akanksha Raja (840 words, 8-minute read) “Language is born from imagination, and imagination is what makes language real. Without language, we have no memory: therefore, literacy (the mastery of language) is important. Our sense of language is the most intimate access to what is real, and our literature is our people’s memory; through language,

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Elaine Chiew interviews Singapore-based Filipino writer Victor Fernando Ocampo [Philippines, Singapore]

“For every writer, once in a rare while, a book comes along and really shakes you up, where (instead of that height/ceiling metaphor) I’d like to say instead, the floor drops on which you thought the legs of fiction stood. Victor Fernando Ocampo’s The Infinite Library and Other Stories did that for me. The ideas that power

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