Siapa Nama Kamu? – Questions to Answer a Friend
By Syed Muhammad Hafiz (1,823 words, 7-minute read) Recently I was asked by a friend, “How come I don’t see any local Malay artists in the current show at National Gallery Singapore (NGS)?”. My immediate response was, of course, that…
Staying woke: “Awakenings” at National Gallery Singapore
By Nabilah Said (1,000 words, 6-minute read) My friends that have visited Singapore in recent times have been given the following non-food recommendations by me: I point them to Haw Par Villa for its wonderfully macabre dreamscapes of punitive Asian…
“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore
By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019….
The Sensorial Trail: Experience Art through Smell, Sound and Touch at National Gallery Singapore
Art doesn’t have to be for the eyes only. As part of the Light To Night Festival 2019, National Gallery Singapore presents The Sensorial Trail, a series of artworks that draw on your other senses – those of smell, sound,…
Making Our Own Centres (Of) Ourselves: Latiff Mohidin’s “Pago Pago (1960-1969)”
By Nabilah Said (2,220 words, 11-minute read) Had Malaysian artist-poet Latiff Mohidin been French, he might perhaps strongly identify with the idea of the flâneur. Coined by French poet Charles Baudelaire, the French word for someone who strolls in the…
Podcast 40: Dance in the Gallery Space
Duration: 40 mins Podcast host Chan Sze-Wei leads a discussion on dance-making and dance programming for/in gallery spaces. Joining her are three guests: Vanini Belarmino, Assistant Director of Programmes at the National Gallery Singapore; Lim Chin Huat, cross-disciplinary artist and…
11 – 17 December 2017: Singapore
THEATRE Southernmost: 1 Table 2 Chairs Project by Emergency Stairs, 12 – 24 December, The Arts House Presented by up-and-coming experimental theatre company Emergency Stairs, the first edition Southernmost is a theatre festival which brings the most outstanding and established traditional…
Susan Sentler’s “Roof Response” to Danh Vō at National Gallery Singapore
By Gavin Maughfling (620 words, 6-minute read) In what ways does an art institution inhabit the stone mausoleums of two former colonial structures; how can citizens take ownership of those immaculately preserved halls? Susan Sentler trained at the Martha Graham…
YAYOI KUSAMA: Life is the Heart of the Rainbow, National Gallery Singapore
By Eva Wong Nava (1390 words, 14-minute read) Pumpkins, phalli, polka dots, stainless steel balls. These are the iconographies of YAYOI KUSAMA (b. 1929), the influential Japanese artist, who is equally famous for her commission by Louis Vuitton to imprint…
Empire Strikes Back: “Artist and Empire: (En)countering Colonial Legacies”
By Akanksha Raja (1500 words, 15-minute read) There is a distinctive break made between the modern, sans-serif typeface of the word “Artist” and the classical serif typeface of the word “Empire” in the title/publicity material of the National Gallery Singapore’s…