Lyn Gardner Archives

Master Conversations: Costume Design with Catherine Kodicek and Lyn Gardner

Costume designer and supervisor Catherine Kodicek shares about her practice and process, and issues around costume awareness and advocacy within the UK theatre context, alongside UK theatre critic Lyn Gardner. This session took place on 25 May 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses […]

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Theatre Reviews: Last Word or the Start of a Conversation

On Sunday, 28 January, 3pm, ArtsEquator held its first public forum, “Theatre Reviews: Last Word or the Start of a Conversation”, featuring British theatre critic Lyn Gardner, M1 Singapore Fringe Festival director Sean Tobin, ArtsEquator’s guest editor Corrie Tan, and resident playwright at W!LD RICE, Alfian Sa’at. The conversation was moderated by Kathy Rowland, co-founder

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Podcast 33: Interview with Lyn Gardner

Duration: 19 mins Corrie Tan caught up with award-winning British theatre critic Lyn Gardner when she was in Singapore last month from 24 to 28 January, before they both appeared on ArtsEquator’s public panel discussion on Theatre Reviews: Last Word or the Start of a Conversation, together with Sean Tobin and Alfian Sa’at. Tune into

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“Displaced” by Ground Cover Theatre at the Singapore Fringe: A Roundtable

The following roundtable discussion was held as part of the Lyn Gardner Theatre Reviewing Training Programme. Particpants Teo Dawn, Ezekiel Oliveira, Isaac Lim, Patricia Tobin, and Richard Chung discussed Displaced by Ground Cover Theatre, staged at the M1 Singapore Fringe Festival 2018. The play examined the migrant experience through the lives of three women from different backgrounds,

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“Forked” by Jo Tan: An Uneven Production

By Wong Wen Pu (600 words, 4-minute read) Forked by Jo Tan follows the experiences of one Jeanette Peh (played by Ethel Yap), a Singaporean student, as she heads to London to study acting, against the vehement objections of her father and the reluctant acquiescence of her mother. Already a minor celebrity in Singapore through

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“Forked” by Jo Tan: Shapeshifting Identities

By Bernice Lee (722 words, 5-minute read) Jo Tan’s first full-length play Forked hits plenty of right notes. High energy, uncomfortably honest and deliberately racist, it’s funny because it’s true. In spite of its great momentum however, the play’s pace feels weighed down by its thematic frames, just as the characters are stuck within their

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“Forked”: An Asian Crisis

By Isaac Lim (676 words, 6-minute read) Jeanette Peh promotes herself as a ‘star’, with ‘over 500 followers’ on her ‘Stage Whispers’ YouTube channel which promises straight-up, no-holds-barred confessions. Is that the reality, or is she just a wannabe? Jo Tan’s first full-length play, Forked, directed by Chen Yingxuan, is a laugh-a-minute comedy, albeit one that

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A Reaction Video to Jo Tan’s “Forked”

By Teo Dawn (736 words, 7 minute read) (Transcript for SunSh!neGurrl*94’s YouTube video – A Reaction Video to Forked by Jo Tan) Hello everybody, ni hao and welcome back to my channel. I have been reading your comments and you asked for more of my reaction videos. Love that you guys think so highly of

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“Forked”: Jeanette doesn’t do Asian

By Ezekiel Oliveira (546 words, 4-minute read) Jeanette Peh is determined to become an actor, but she already thinks she is something of a star on her YouTube channel ‘Stage Whispers’ which has 500 subscribers. She turns down a place at Law School in Singapore to fulfil her acting dreams instead. But in London, her

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Get “Forked”: Finding our Racial Identity

By Patricia Tobin (800 words, 6-minute read) When I was 19, I left Singapore to pursue my studies in Melbourne. I foolishly thought that any city, anywhere else in the world, would be better than this tiny island. In Melbourne, I became more aware of my “otherness”. At an Irish pub in St Kilda, a

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Looking within with “Attempts: Singapore”

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Patricia Tobin (788 words, 6-min read) “She is a terrorist, she is a cultist, she works for sex.” “Who is she?” Like a foggy recreation of a Black Mirror episode, Rei Poh’s Attempts: Singapore

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“Attempts: Singapore”: Is the Anne nigh?

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Isaac Lim (508 words, 4 minute read) 1957hrs: I arrive at the lobby of Centre 42, which has been converted into the headquarters of multi-million dollar corporation, ARC. In Attempts: Singapore, a theatre-game-experience created

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“Attempts: Singapore”: Game On

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Richard Chung In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which operates as a thoroughly

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“Attempts: Singapore”: The Curtains Don’t Match the Drapes

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Ezekiel Oliveira (589 words, 5-minute read) Humanity may be under threat, the end of the world might well be nigh. That’s the premise for Attempts: Singapore, an immersive performance where the audience is cast

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“Attempts: Singapore”: Let The Games Begin

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Teo Dawn (650 words, 5-minute read) Attempts: Singapore by Rei Poh is a participatory piece of theatre inspired by Martin Crimp’s Attempts on Her Life. Fragmented, non-linear, and similar to a video game experience,

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“Attempts: Singapore”: An Uncertain Attempt

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Jocelyn Chng (518 words, 4-minute read) Most performances in Singapore keep the audience in their place, passively sitting and watching. Attempts: Singapore is an attempt at getting the audience up on their feet and

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Investigation Report for “Attempts: Singapore”

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Sherlyn Goh Xue Ting (1295 words, 9-minute read) Entry 26,371: 25 January 2018, 2000hrs It has been a few days since the mysterious databank in J.O.A.N. appeared, and the system is overwhelmed by memories

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“Attempts: Singapore”: Fluid Fragments and Fragile Illusions

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Alicia Chong (700 words, 5-minute read) Attempts: Singapore by Rei Poh – presented as part of the M1 Singapore Fringe Festival 2018 – creates a theatrical performance that immerses its audience in an ‘escape

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“The Neighbor’s Grief is Greener”: Past Imperfect

By Isaac Lim (468 words, 4 minute read) A woman’s place is in the kitchen. Or is it? Israeli theatre-maker Emanuella Amichai’s The Neighbor’s Grief is Greener attempts to quell all notions of the ideal woman we know from 1950s American pop culture. It all gets pretty bloody. Set in a pristine home, a Stepford

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“The Neighbor’s Grief is Greener”: Exquisite Macabre meets Slapstick Comedy

By Richard Chung (700 words, 5-minute read) A peek inside the macabrely funny world of The Neighbor’s Grief Is Greener, set in a 1950s American suburban kitchen. In 1940s America, men went off to war, leaving the running of the country to women. Many wives and daughters stepped foot into factories and worked for the

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“The Neighbor’s Grief is Greener”: There Will be Blood

By Patricia Tobin (538 words, 5-minute read) From Stepford Wives to The Real Housewives, the idealised American woman is always found in the kitchen. But is she happy? In The Feminine Mystique (1963), Betty Friedan found that most housewives of this era were unfulfilled within the domestic space. Creator-director Emanuella Amichai addresses this in The

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Is “The Neighbor’s Grief” really greener, or are we all the same?

By Teo Dawn (700 words, 5-minute read) 2018 has only just begun, but the women’s rights movement is already making its voice heard with #MeToo dominating social media, and the Time’s Up campaign started by Hollywood celebrities. Sexual violence against women is in the spotlight. Now, Larry Nassar (disgraced former Team USA gymnastics doctor) has

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“The Neighbor’s Grief is Greener”: A Dark Domesticity

By Ezekiel Oliveira (565 words 4-minute read) A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring flour into her bowl. But she isn’t making your regular American casserole; she’s cooking up a far bloodier dish. She dashes the pot on the ground, flooding the kitchen with blood. Emanuella Amichai’s

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OPEN CALL: One-on-One Critique with Lyn Gardner

If you have any questions or need more information, email us: contact(at)artsequator.com Tags: Lyn Gardner Open Call

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