Naeem Kapadia reviews ‘Berak' by Singapore's Teater Ekamatra and comes away moved by the sensitive trancreation of the original play by Chong Tze Chien. Read More »

In conjunction with the 'Mental Health Awareness & Wellbeing Festival 2022', ArtsEquator learns how storytelling can be a catalyst for mental clarity and self awareness. Read More »

Dwiki Aprinaldi critiques the influences of colonial history that still seep through the film industry in Southeast Asia. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. Read More »

Burmese artists make art in exile in Thailand, finding refuge and showcasing cross-border solidarity for artistic freedom. Read More »

In his latest exhibition, Jerome Kugan embraces his amorphous self and allows themes of religion, sexuality and nudity to intertwine ever so delicately. Read More »

In a wide-ranging historical analysis of censorship in the Philippines, from Marcos (Senior) to Marcos (Junior), Katrina Stuart Santiago lays bare the myth of artistic freedom in the Philippines. In the process, she identifies a mounting conservatism, and new kinds of censors. Read More »

In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative. Read More »

MC Redioca discusses the significance of archiving as a form of activism during the recent elections in Philippines on May 9th. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. Read More »

Adrian Jonathan Pasaribu highlights the inequalities faced by the arts in Indonesia which were exposed during the COVID-19 pandemic. Read More »

Adrian Jonathan Pasaribu mombongkar masalah yang dihadapi oleh bidang seni pada masa pandemi. Read More »