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Courtesy of Comatonse Recordings

The disturbing cruelty of Terre Thaemlitz’s “Deproduction”

Content warning: References to sexual content, situations and violence The final line of Terre Thaemlitz’s Deproduction reads: “Admit it’s killing you, and leave.” It is a neat summary of the work—a deeply nihilistic critique of contemporary family values and neo-liberal queer politics. But, as this last piece of text scrolls off the screen, it also

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Courtesy of Comatonse Recordings

Disturbing behaviour: “Deproduction” by Terre Thaemlitz

By Patricia Tobin (670 words, 4-minute read) Content warning: References to sexual content or situations    Deproduction by musician-producer Terre Thaemlitz was released on December 28, 2017 as a multimedia album consisting of audio, video and text. In TPAM 2019, it was staged as an “anti-live AV performance”, as Thaemlitz combined the album’s textual, audio

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Photo: Chardchakaj Waikawee / Facebook

Weekly Southeast Asia Radar: Ultraman Buddha hotly traded; Course on democratic dissent cancelled in Singapore

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have

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Courtesy of FK Co-Lab

Diasporic Dispatches: “The Cardboard Kitchen Project” by FK Co-Lab

We step into the dimly-lit theatre of The Lion & Unicorn, a soft, almost dream-like blue wash over the noticeable emptiness of the stage – save for a skeletal cardboard cut-out resembling a door frame, carefully set stage left. There was nothing, yet everything to expect. Researching about The Cardboard Kitchen Project had been a

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M1 Open Stage – The Man by Jan Möllmer and Tsai-Wei Tien (Photo by Crispian Chan)
Photo: Crispian Chan

Podcast 65: M1 CONTACT Contemporary Dance Festival (Part 1)

Duration: 20 min Podcast host Chan Sze-Wei and guest Melissa Quek discuss works they saw at the recent M1 CONTACT Contemporary Dance Festival, specifically at the platforms DiverCity, Off Stage and M1 Open Stage. These include H A S E R by Singapore dancer-choreographer Syimah Sabtu and Leftovers by Josh Martin from Canadian company, Company 605.

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The Star/Azhar Mahfof

Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have

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Composer and emcee Darren Sng with composer Prof. Paik Young-eun. Photo: Chung Ee Yong

Conversations in a small room: “Dialogues And Reflections”

By Shahril Salleh (1,000 words, 6-minute read) New music is the epitome of unfamiliar territory. Even as someone who read music at university, often I find myself unprepared (and even dreading) to watch new music concerts. Part of my own anxieties comes from a need to know and be familiar with what is being performed.

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Photo: School of The Arts, USM

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have

Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical Read More »

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Via Myanmar Times

Weekly Southeast Asia Radar: Burmese hip hop, and queer Vietnamese singer Tuimi

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have

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Courtesy of Asian Film Archive

“Medium Rare”, “God or Dog” and the makings of a Singaporean monster

Content warning: References to violent or disturbing behaviour In late January 1981, the body of a young girl was discovered in a brown PVC bag about a metre high by a young man in Toa Payoh. She had died from asphyxiation; a later autopsy showed signs of sexually assault. Slightly more than a week later,

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Illustration by Jared Downing | Frontier

Weekly Southeast Asia Radar: The relevance of “Soi Cowboy”; Malaysia’s Zen Cho wins Hugo Award

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range

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Photo: Zinkie Aw

An exercise of privilege: “The Class Room” at M1 Peer Pleasure 2019

When I signed up for The Class Room, a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty. I had seen a recording of The Lesson

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Screengrab for the video of "Our Singapore". Via NDPeeps on YouTube.

What is the music of my country? Race, harmony and diversity in Singapore

“All music, any organization of sounds is then a tool for the creation or consolidation of a community, of a totality.”   – Jacques Attali “Gua jahat ada hajat boy” – Akeem Jahat          Tuning In The title of this article references a song by the Indonesian band Project Pop, Dangdut Is The

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Photo: Aung Htay Hlaing/The Myanmar Times

Weekly Southeast Asia Radar: Skateboarding in Myanmar; ARTJOG

ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range

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Courtesy of Singapore Repertory Theatre.

Uncovering the Enigma of Lin Bo: “Caught” by SRT

By Akanksha Raja (1,500 words, 6-minute read) It’s a party … It’s unbridled and free and outrageous. It demands a full-body, full-mind engagement. That’s how New York-based director Ed Sylvanus Iskandar describes Caught, Singapore Repertory Theatre’s latest production, a socially immersive experience at Miaja Gallery taking place from 10 September onwards. It’s an unusual and

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