By Kathy Rowland (400 words, 3 minute read) “I asked her out six times in thirty seconds.” In 2013, a Youtube video by slam poet Neil Hilborn went viral. In the clip, Hilborn delivers an impassioned performance of OCD, a poem that celebrates, then eulogies, a love affair that falls victim to one lover’s obsessive […]
SIFA 2018: “OCD Love”‘s Dancing in the Face of Love Read More »
Bali 1928 is an ongoing international and interdisciplinary project established by American ethnomusicologist Edward Herbst in 2002 to “research, find, understand, document, explain, restore, re-release, and repatriate the first published recordings of music in Bali along with rare film footage and photographs of musicians and dance-drama performances from the 1930s”. With support from the Sydney Southeast Asia Centre’s Regional Mobility
By Akanksha Raja The Singapore International Festival of Arts 2018 takes place at different venues across the Civic District, including Victoria Theatre, its sprawling Empress Lawn, and the Esplanade Theatre. Nestled comfortably between these locations is The Arts House, dubbed the Festival House. If SIFA 2018 were a living, breathing person, the Festival House is
SIFA 2018: The Festival House and The Outdoors Read More »
Top Picks of Indonesia art events in Bali, Solo, Yogyakarta and Jakarta from 19 – 25 March 2018 On Thursday, in Central Java, there are 2 music performances to watch for your Thursday night art entertainment. In Solo, the Parkiran Jazz series presents “Wanita Berkarya”, a jazz night dedicated to women. The night will feature
Weekly Picks: Indonesia (19 – 25 March 2018) Read More »
In the assembly hall of Chatsworth International School hang six statues of Sir Stamford Raffles. However, these aren’t your typical heroic effigies of Singapore’s chief colonist. They’re headless, legless, composed of patchwork fabric with Javanese words stitched into their skins, dangling from the ceiling at odd angles, as if participating in an erotic rope bondage
The Artists’ Colony: A Review of OH! Emerald Hill Read More »
By Akanksha Raja The Singapore International Festival of Arts 2018 is just over a month away, and the programme offers an extensive palette of art and performance not only from Singapore but also as farther afield as Germany, Palestine, India, Cape Verde, and more. It’s hard to define or label the types of shows on
SIFA 2018: Top Ten Picks for the Art Lover Read More »
Singapore Improv Festival 2018, Aliwal Arts Centre, 15 – 18 Mar Remember that rib-tickling TV show Whose Line Is It Anyway?, which brought comedic improv theatre to the masses? Catch Singapore’s own improv talents take the stage for the second annual Singapore Improv Festial (SIF) at Aliwal Arts Centre this weekend where they present impromptu sketches and
Weekly Picks: Singapore (12 – 18 March 2018) Read More »
Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing arts archive, Talking Circles, a digital archive of performing artists from South, Southeast Asia and its Diaspora. A continuous work in progress, the archive stands as a blog – Talking Circles; where you can find informal interviews of performing artists where we
The importance of documenting & archiving the performing arts (via ASEF Culture360) Read More »
By Bernice Lee (995 words, four-minute read) The Esplanade Theatre Studio is awash in red light. It feels like the set of a Marvel movie – gloomy and dystopian; a planet overtaken by villains, awaiting rescue. Red mechanical legs hang from above the stage. The audience sits in the round, beyond the reach of this
From the lucid dream of “Cut Kafka!”, a promising new artistic path Read More »
Textures – A Weekend With Words, The Arts House, 9 – 11 March Presented by The Arts House and co-commissioned by #BuySingLit, Textures – A Weekend With Words is an inaugural literary festival taking place from 9 – 11 March, chockablock with performances, workshops, book-themed exhibitions, and over 30 panel discussions, all in honour of homegrown literature, and the
Weekly Picks: Singapore (5 – 11 March 2018) Read More »
By Akanksha Raja Presented by The Arts House and co-commissioned by #BuySingLit, Textures – A Weekend With Words is an inaugural literary festival taking place from 9 – 11 March, chockablock with performances, workshops, book-themed exhibitions, and over 30 panel discussions, all in honour of homegrown literature, and the energetic, growing community that has contributed and
ArtsEquator’s Picks: TEXTURES, A Weekend with Words Read More »
Singapore Cult & Underground Film Festival, SCAPE, 23 – 25 February The films in this inaugural showcase organised by the Society for Cult & Underground Movies explores the murkier sides of humanity and the underbellies of society, across the world: from the 1972 Yakuza cult classic Wandering Ginza Butterfly to the 2017 Golden Horse winner
Weekly Picks: Singapore (19 – 25 February 2018) Read More »
By Corrie Tan (3,890 words, 20-minute read) A few days after the launch of the 2018 edition of the Singapore International Festival of Arts (SIFA), I had coffee with newly minted festival director Gaurav Kripalani to discuss the programme he’s unveiled for his inaugural festival, which includes hits from London’s West End such as Robert
Gaurav Kripalani: a new festival director plots a different path Read More »
By Corrie Tan (4,360 words, 25-minute read) I sat down with Ong Keng Sen after the conclusion of the first edition of the Curators Academy, which ran from 24 to 28 January. Organised by TheatreWorks, the academy sought to establish a platform where aspiring curators from across Southeast Asia could come together for a series
Ong Keng Sen: educating the curator; curating the everyday Read More »
1969’s Woodstock is probably one of the most iconic and influential music festivals to ever take place, with its 32 acts and 400,000 attendees making it not just the zenith of the whole counterculture movement that was such a big part of 1960s America, but also one of the most iconic events in the history of popular music.
The following roundtable discussion was held as part of the Lyn Gardner Theatre Reviewing Training Programme. Particpants Teo Dawn, Ezekiel Oliveira, Isaac Lim, Patricia Tobin, and Richard Chung discussed Displaced by Ground Cover Theatre, staged at the M1 Singapore Fringe Festival 2018. The play examined the migrant experience through the lives of three women from different backgrounds,
“Displaced” by Ground Cover Theatre at the Singapore Fringe: A Roundtable Read More »
Lorenzo Rudolf seems to be taking the adage “all publicity is good publicity” a bit too far. Speaking on the opening day of Art Stage Singapore, the president and founder of the annual contemporary art fair gave such a downbeat description of the city state’s art market that seemed like a peculiar ploy to get
By Wong Wen Pu (600 words, 4-minute read) Forked by Jo Tan follows the experiences of one Jeanette Peh (played by Ethel Yap), a Singaporean student, as she heads to London to study acting, against the vehement objections of her father and the reluctant acquiescence of her mother. Already a minor celebrity in Singapore through
“Forked” by Jo Tan: An Uneven Production Read More »
By Bernice Lee (722 words, 5-minute read) Jo Tan’s first full-length play Forked hits plenty of right notes. High energy, uncomfortably honest and deliberately racist, it’s funny because it’s true. In spite of its great momentum however, the play’s pace feels weighed down by its thematic frames, just as the characters are stuck within their
“Forked” by Jo Tan: Shapeshifting Identities Read More »
By Richard Chung (738 words, 7 minute read) Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big dreams. In Forked, Ethel Yap plays Jeanette, a young aspiring actor who heads to London for drama school. Upon arrival in London, Jeanette gets the biggest culture shock of her life
“Forked”: Privilege Gets Served Read More »
By Isaac Lim (676 words, 6-minute read) Jeanette Peh promotes herself as a ‘star’, with ‘over 500 followers’ on her ‘Stage Whispers’ YouTube channel which promises straight-up, no-holds-barred confessions. Is that the reality, or is she just a wannabe? Jo Tan’s first full-length play, Forked, directed by Chen Yingxuan, is a laugh-a-minute comedy, albeit one that
“Forked”: An Asian Crisis Read More »
By Teo Dawn (736 words, 7 minute read) (Transcript for SunSh!neGurrl*94’s YouTube video – A Reaction Video to Forked by Jo Tan) Hello everybody, ni hao and welcome back to my channel. I have been reading your comments and you asked for more of my reaction videos. Love that you guys think so highly of
A Reaction Video to Jo Tan’s “Forked” Read More »
By Ezekiel Oliveira (546 words, 4-minute read) Jeanette Peh is determined to become an actor, but she already thinks she is something of a star on her YouTube channel ‘Stage Whispers’ which has 500 subscribers. She turns down a place at Law School in Singapore to fulfil her acting dreams instead. But in London, her
“Forked”: Jeanette doesn’t do Asian Read More »
By Patricia Tobin (800 words, 6-minute read) When I was 19, I left Singapore to pursue my studies in Melbourne. I foolishly thought that any city, anywhere else in the world, would be better than this tiny island. In Melbourne, I became more aware of my “otherness”. At an Irish pub in St Kilda, a
Get “Forked”: Finding our Racial Identity Read More »
By Euginia Tan (707 words, 5-minute read) As I am waiting for the show to begin, the glint off the four silver chairs forming the basis of the set of Forked is sharp, unyielding, with a trophy rested on one of them. Forked then commences with a highly frenetic, animated monologue by protagonist Jeanette Peh,
M1 Singapore Fringe Festival 2018: Forked by Jo Tan Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Patricia Tobin (788 words, 6-min read) “She is a terrorist, she is a cultist, she works for sex.” “Who is she?” Like a foggy recreation of a Black Mirror episode, Rei Poh’s Attempts: Singapore
Looking within with “Attempts: Singapore” Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Isaac Lim (508 words, 4 minute read) 1957hrs: I arrive at the lobby of Centre 42, which has been converted into the headquarters of multi-million dollar corporation, ARC. In Attempts: Singapore, a theatre-game-experience created
“Attempts: Singapore”: Is the Anne nigh? Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Richard Chung In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which operates as a thoroughly
“Attempts: Singapore”: Game On Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Ezekiel Oliveira (589 words, 5-minute read) Humanity may be under threat, the end of the world might well be nigh. That’s the premise for Attempts: Singapore, an immersive performance where the audience is cast
“Attempts: Singapore”: The Curtains Don’t Match the Drapes Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Teo Dawn (650 words, 5-minute read) Attempts: Singapore by Rei Poh is a participatory piece of theatre inspired by Martin Crimp’s Attempts on Her Life. Fragmented, non-linear, and similar to a video game experience,
“Attempts: Singapore”: Let The Games Begin Read More »
