Contributors




Felipe Cervera is a writer, performance maker, and academic. His research interests are collaborative academia (teaching and research), and the social and artistic production of outer space. He has published widely on these topics in top tier international peer-reviewed journals and edited volumes. As an educator, he is interested in using theatre and performance as methods of relational pedagogies, offering students an opportunity to experience learning as a world-making practice. He serves as Co-Editor of the international peer-reviewed journal Global Performance Studies, as Associated Editor of Performance Research. As an actor and director, he has worked and toured extensively across The Americas, Europe, and Southeast Asia.



Podcast 58: Research and Practice in Performance-Making

Duration: 29 min As emerging art-makers having recently graduated from B.A. programmes from three different institutions in Singapore, Ranice Tay, Chua Pei Yun and art naming 奇能 (née Adam Lau*) share their thoughts on the distinctions, overlaps, limitations and challenges between academic research and creative practice. Podcast hosted by Felipe Cervera. *Prior to April 2019, […]

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Excavations

Book Review: “Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre”

By Felipe Cervera (1600 words, eight-minute read) Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre, edited by Charlene Rajendran, Ken Takiguchi and Carmen Nge, is a long overdue resource that sheds light on important aspects of the cultural, artistic, and political histories of Malaysian contemporary theatre—and, by extension, some medullar elements of Singaporean theatre too.

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The Benefits of Multitasking, and then Hoarding, in the Case of Alvin Tan

This article is one of three pieces on ArtsEquator this week focusing on the people, plays and processes of The Necessary Stage, which celebrates its 30th anniversary this year. Aside from Felipe Cervera’s profile of Alvin Tan, we also feature Akanksha Raja’s personal reflection on Off Centre, and an interview with Edlyn Ng and Shawn Chua on the upcoming online TNS Archive. By Felipe Cervera (1980

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