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Akanksha Raja

TEXTURES, A Weekend with Words

ArtsEquator’s Picks: TEXTURES, A Weekend with Words

By Akanksha Raja Presented by The Arts House and co-commissioned by #BuySingLit, Textures – A Weekend With Words is an inaugural literary festival taking place from 9 – 11 March, chockablock with performances, workshops, book-themed exhibitions, and over 30 panel discussions, all in honour of homegrown literature, and the energetic, growing community that has contributed and […]

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Of Moral Panic and 30 Hours of Non-Stop Rock: The Malaysian Woodstock of July 1972 (via The Wknd)

1969’s Woodstock is probably one of the most iconic and influential music festivals to ever take place, with its 32 acts and 400,000 attendees making it not just the zenith of the whole counterculture movement that was such a big part of 1960s America, but also one of the most iconic events in the history of popular music.

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ArtsEquator Photography Competition Winners: Capture a Moment of Art in the Making

To celebrate ArtsEquator’s first anniversary, we organised a photography competition in honour of the practice of artmaking. We called for snapshots of artists at work, or even caught in a moment of contemplation, reflection, anxiety as they make a work, regardless of genre or medium. All photographs were to be accompanied by a 100-150 word caption

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the future of theatre tech

The Future is Here – Interview with Mathias Woo (via ArtsRepublic)

In the next few years, we will be witnessing the completion of some new theatre facilities, such as Wild Rice’s own theatre space in the redeveloped Funan Mall, and Esplanade’s new medium-size theatre. How are these new theatre facilities designed? What will theatres look like in future? How would lighting, projection, sound and other technologies

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Sokunthary Svay

A Child of Cambodian Refugees Finds her Past through Poetry (via Electric Literature)

Cambodian-American poet Sokunthary Svay is tired of hearing about the Khmer Rouge. After concluding a yearlong review of Cambodian literature available in English, Svay found that nearly every accessible text about the country of her birth concerned either Angkor Wat, the ancient Angkorian Kingdom, the Khmer Rouge, or memoirs written by Cambodians who survived the

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Gary Ross Pastrana

In Conversation with Contemporary Art’s Street Miner (via The Artling)

‘Street Mining: Contemporary Art from the Philippines’ features the works of Poklong Anading, Louie Cordero, Victor Balanon, Nona Garcia, Kawayan de Guia, Mm Yu, and the collective ‘Broke’. The show runs at Sundaram Tagore Gallery from 20 January to 2 March 2018 and has been guest-curated by ‘Broke’ co-founder Gary Ross Pastrana. I am meeting

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5 - 11 February 2018

5 – 11 February 2018: Singapore

Cross-Border Series: Malaya by Raksasa Collective and Pennylane Events, The Substation, 10 Feb, 5pm The first of many showcases, as part of the Cross-Border series between nations around Singapore, celebrates the ties that have been left unsaid in current times. This showcase present musicians from both Malaysia and Singapore as part of the Malayan Exchange to

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Southeast Asia Fiction Film Lab

Southeast Asia Fiction Film Lab unveils second round of projects (via Screen International)

Southeast Asia Fiction Film Lab (SEAFIC) has finalised the selection for its second edition, focusing on first-time filmmakers from Laos, Indonesia, Singapore and Thailand. Established producers such as Fran Borgia (A Yellow Bird) and Anthony Chen (Pop Aye) are attached to some of the projects, which cover topics including family strife, sociopolitical bureaucracy, cross-cultural humour

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Singapore Art Scene

Singapore art scene losing ground to Hong Kong and Southeast Asia (via South China Morning Post)

Lorenzo Rudolf seems to be taking the adage “all publicity is good publicity” a bit too far. Speaking on the opening day of Art Stage Singapore, the president and founder of the annual contemporary art fair gave such a downbeat description of the city state’s art market that seemed like a peculiar ploy to get

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Philip Jablon

One Man, Stand Alone: On the trail of the old movie theaters (via Asiola)

“After nearly 10 years of documenting the vanishing stand-alone movie theaters in Southeast Asia, I’d like to invite the public into my world, to experience exactly what it is that I experience when doing this work.” Philip Jablon is a cultural researcher and photographer based in Chiang Mai, Thailand. He has been documenting the stand-alone movie

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Unfinished & Abandoned Art in Singaporean Artists’ Studios (via The New York Times Style Magazine Singapore)

What is the difference between finished and unfinished? No one can tell. It’s invisible to us but looms large in the artists’ minds. What the artist sees as unfinished and unsatisfactory may appear beautiful to our naked eye. Here, six local artists unearthed some of their unfinished and abandoned artworks. Tay Bak Chiang “This was from 2000 or

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Wonderfruit

Creating ‘Hedonistic Sustainability’ With Wonderfruit’s Founder ‘Pete’​ Phornprapha​ (via VICE)

There’s something inherently sneaky about Thailand’s annual music festival Wonderfruit. The fest, which is fast becoming one of the best in Southeast Asia, is about so much more than music. Sure, those festival memories may have started in the Quarry, but the daylight side of the fest is so packed with informative discussions about sustainability, sexuality,

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22 – 28 January 2018: Singapore

Live at Reading Room: UnFree & Unspoken by Ethos Books, The Reading Room, 26 Jan, 8pm At The Reading Room (Downtown Gallery, #02-09/10), Ethos Books presents a poetry reading by local poets Joshua Ip, Theophilus Kwek and Marylyn Tan at Yellow Bash. In UnFree (8.00 – 9.00 pm), Joshua Ip and Theophi Kwek will introduce

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An Artist’s Guide to Not Being Complicit with Gentrification (via Hyperallergic)

We are in a moment where the connection between art, real estate, and the displacement of longtime residents is undeniable. How might artists take responsibility for how we alter people’s lives, in terms of the impacts of real estate speculation and gentrification? How do we refuse co-optation and engage locally with our neighbors? How are

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Amenic

This Duo Came Up With A Solution For M’sians Who Like Movies But Hate People (via Vulcan Post)

There’s no denying that at some point, all of us have dreamed of having an entire cinema all to ourselves, along with the freedom to scream, shout and blabber all we want without anyone telling us to tone it down. It’s great to know that AMENIC Film Space is that dream now made real. Founded in late

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Edith Podesta

#therageisreal: tackling gender inequality, one play at a time (via Esplanade Singapore)

In the wake of sexual harassment scandals that dominated news headlines in the latter part of 2017, gender-based violence and discrimination have become a hot topic—and it doesn’t seem like it’s going to stop soon. Women (and some men) around the world are coming together to speak out against abuse (or lend support to those

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Pangalay Dance

The Pangalay Dance in the Construction of Filipino Heritage (via Philippine Performance Archive)

This is an excerpt from “The Pangalay Dance in the Construction of Filipino Heritage” by Joelle Florence Patrice Jacinto. The research discusses how the Pangalay dance of the Tausug people was used as a heritage tool to support the construction of a Philippine culture. The paper was published on the Journal for the Anthropological Study of

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ArtWalk Little India

Podcast 32: ArtWalk Little India

Duration: 19 mins We’ve just begun 2018 and already our arts calendar is bursting with events, especially with the sixth edition of the annual Singapore Art Week around the corner. Among the slew of Art Week programmes is ArtWalk Little India, a multidisciplinary festival spanning the precinct of Little India. The ArtWalk, in its fourth

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Cambodian spirits

Ghost Stories (via Mekong Review)

In her article, “The Persistent Presence of Cambodian Spirits: Contemporary Knowledge production in Cambodia”*, Courtney Work argues that the presence of spirits in Cambodian culture has been made a subjacent subject in the dialogue of empire, but that the human culture of this complex nation cannot be properly explained without reference to the “other-than-human world”.

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Yellow Music (via Mekong Review)

“We arrive at Dan Sinh market in Ho Chi Minh City on a sweltering afternoon. The monsoon season is just starting. After parking our scooters, we dive into the stands, which sell everything from army apparel to fruit and vegetables. A middle-aged man directs us to an antique stall. Immediately I spot discs inside a

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15 – 21 January 2018: Singapore

Acts of Voicing Artist Panel, Parkview Museum Singapore, 19 Jan, 3pm Moderated by Dr. Michelle Lim, Acts of Voicing is a dialogue session which presents the experiences of Singapore artists negotiating fields of artistic production and concept of the ‘international’. The practices and approaches of the shortlisted artists focus on revealing perspectives about society, narratives

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In Singapore, Buildings Made To Die (via the New York Times Style Magazine Singapore)

“Almost a decade ago, professor Jane M Jacobs burrowed herself in research. She was investigating how high-rise buildings were a solution to housing issues. There, she came across Glasgow’s Red Road Estate. The eight towers of apartments arrived at their end and were due to be razed to the ground. “Effectively, we watched a building ‘die’,”

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