Contortions and Gentle Songs: SEA at Venice Biennale
By Teo Xiao Ting (1,414 words, 6-minute read) A vivacious viscous zoo swirling with prestige and art, the Venice Biennale spins me exhausted after 45 days. When I was asked to write about the Southeast Asian artworks I’ve encountered here,…
Zai Kuning’s “Dapunta Hyang”: Homeward Bound From Venice
Dapunta Hyang: Transmission of Knowledge by Zai Kuning returns from its showing at the 2017 Venice Biennale for a month long exhibition at Theatreworks Singapore. The exhibition runs from 12 April through 13 May 2018. A series…
I Send You Off Like a Lover: SEA at Venice Biennale
By Alvin Lim (1860 words, 20-minute read) “I send you off like a lover.” – Zai Kuning, at the launch of Dapunta Hyang: The Transmission of Knowledge, 10 May 2017 With his palms over the bow, Zai launched the ship….
Singapore artist Sarah Choo Jing talks about her new work and depicting loneliness between her home city and London [Singapore]
Sarah Choo Jing is known for her interdisciplinary approach to photography, video and installation. Art Radar talks to the artist about her practice and recent works, on the occasion of her participation in the 57th Venice Biennale and LOOP Fair. Sarah…
What does it mean to represent the ‘Filipino’ in the 2017 Venice Art Biennale? [Philippines]
“The idea of a “national identity” isn’t flat, as some people might have you think. It is a vast, complex landscape, with boundaries leaking from one to the other. Perceived differences form a major part of what one’s national identity…
Zai Kuning on the Singapore Pavilion project at Venice Biennale 2017 (via Art Radar Journal)
“What I present is not about Singapore history, but rather it is the history and living cultures across Indonesia, Singapore, Malaysia and Thailand up to Vietnam. This is the Malay world that the world knows very little about. Even the…