The Singapore Art Week (SAW) officially runs from 14th to 23rd January 2022. With over 130 physical and online events running across the island, it is a mammoth task to cover all the offerings available. Nevertheless, here are four shows – big and indie – that caught my eye. Hawker! Hawker! 13 collaborators from Singapore, …
Singapore Art Week 2022: Returning to form, not FOMO Read More »
Text and Photos by Grace Baey Amidst the line-up of events at Singapore Art Week 2022, The Arts House is currently a site for three new installation works by artists Speak Cryptic, Jason Wee and WY-TO, and the National Library Board. We spoke with the artists and organisers to learn more about their works, beyond …
Capturing The Imagination: Art Installations at The Arts House Read More »
Let’s face it, 2021 in Singapore sucked harder than 2020. The waves of mildly inconvenient restrictions did more to chip away at everyone’s mental health than 2020’s “shut-everything-down” Circuit Breaker. Amidst the litany of changes to safe-distancing regulations though, the museums and galleries have remained open. Here’s my rundown of the highlights of Singapore’s museums, …
By Syed Muhammad Hafiz (1,000 words, 3-minute read) For the uninitiated, art curators are a mysterious bunch. Even scary, sometimes. Usually associated with big, stuffy museums, they speak a particular language that only they would recognise, and write essays that would require you to have a dictionary on hand. Fortunately, most of those stereotypes are …
So You Wanna Be An Independent Art Curator in Singapore? Read More »
What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask. Producers SG is a community of independent producers, arts managers and self-producing artists interested in nurturing support systems amongst producers and conversations around the practice of producing. Producers SG recently launched the Producers …
Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew Read More »
“People always see us artists as cool. They think we paint on the streets, make big money, no need to study one. Ask them to try lah! We work for hours in the hot sun. And you need strong fingers to hold the can.” Artist ANTZ was working on a boom lift on the side …
Mixtape: The Millennial, The Zoomer and The Spray Can Read More »
Looking through the 35-page programme booklet for the 9th edition of Singapore Art Week (SAW), I was fully struck by my Malaysian-ness. Never before have I gone through a brochure for any art event with so much content – 100 events across both physical and digital spaces featuring over 300 Singaporean and international artists, all …
A Malaysian under lockdown reviews Singapore Art Week 2021 Read More »
Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road. The incident was highly publicised, leading to debates about the line between vandalism and creative expression. Now, eight years later, Sam is featured in a micro-documentary, produced by online visual magazine Not Safe For TV, …
Artist Sam Lo gained notoriety in 2012 after getting arrested for stencilling the phrase ‘My Grandfather Road’ on a public road. The incident was highly publicised, leading to debates about the line between vandalism and creative expression, and the monicker of ‘Sticker Lady’ (a name derived from the circular stickers they had pasted on traffic …
By Aditi Shivaramakrishnan (1,200 words, 5-minute read) When it comes to analysing an artwork, the artist’s choice of materials can be as revelatory as other elements in suggesting what they might wish to communicate. Two forthcoming shows due to open during Singapore Art Week 2020 are good examples of how and why materials matter. Happening …
In a Material World: IMPART Collectors’ Show 2020 & Justice for All Read More »
Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by ArtsEquator “It is amazing how one’s identity is so associated with one’s job. Especially for me – after 30 years, all of a sudden I am no longer the MD of TheatreWorks, I’m no longer the producer …
