T.H.E Dance Company: Infinitely Human
T.H.E Dance Company’s Infinitely Closer at the Singtel Waterfront Theatre, Singapore, creates space for human connections .
T.H.E Dance Company: Infinitely Human Read More »
T.H.E Dance Company’s Infinitely Closer at the Singtel Waterfront Theatre, Singapore, creates space for human connections .
T.H.E Dance Company: Infinitely Human Read More »
By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ《纯ⓔ》, I did it feeling a bit like a shipwreck survivor re-approaching water for the first time. As someone who was already struggling to make sense of my triple roles as an artist, audience member and reviewer in
Purⓔ《纯ⓔ》: How do we talk about Art Form X? Read More »
By Casidhe Ng (1,156 words, 7-minute read) The first thing one notices about the space is its fluidity. I am part of the second set of audience members to enter the Esplanade Theatre Studio. It is bleak, dark, and saturated with red lights. An enigmatic mass of scarlet hangs from above, suspended in mid-air. I
Serendipitous releases: “PheNoumenon” by T.H.E Dance Company Read More »
By Chan Sze-Wei (1,031 words, 7-minute read) “Dance making in Singapore: an instant noodle culture?” I’ve never forgotten the title of this talk hosted at the Dance Nucleus in 2016 (then helmed by Foo Yun Ying). At the time, local companies and choreographers bemoaned resource limitations and annual grant requirements that seemed to drive everyone
Slow food: liTHE 2019 by T.H.E Second Company Read More »
I sit cross-legged on the floor in Goodman Arts Centre, the beat from the speakers thumping my chest as I watch the forms in front of me twist and writhe. Their pounding energy sucks me in, the clashing cacophony sweeping and buffeting as it reverberates from wall to wall. Six dancers are doing their final
Embracing A Bigger Human Identity: “PheNoumenon” by T.H.E Dance Company Read More »
By Nabilah Said (621 words, three-minute read) On a Monday afternoon in Goodman Arts Centre, I am watching a group of dancers working. They are leaping. They are climbing. They are pushing. They are sweating. They are making me feel strangely immobile – when was the last time I hung upside down from my knees?
“Invisible Habitudes”: The Personal Goes Political Goes Global Read More »
Over the past decade, contemporary dance in Singapore has blossomed. One of the most dynamic initiatives that arguably catalysed this growth is the M1 CONTACT Contemporary Dance Festival. Starting out in 2010 as “CONTACT 2010: A Week of Dance”, running for a week in its first iteration, the festival has gone from strength to strength,
The #TenYearChallenge: M1 CONTACT Contemporary Dance Festival Read More »
By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T.H.E. Second Company, and a work-in-progress supported by M1 CONTACT Contemporary Dance Festival and Seoul Performing Arts Festival. It is a very full
“Asian Festivals Exchange” at M1 Contact Contemporary Dance Festival 2018 Read More »
By Jocelyn Chng (960 words, 6-minute read) EARTH opens the 2018 edition of the M1 CONTACT Contemporary Dance Festival, the annual festival organised by T.H.E Dance Company. Now in its ninth year, the festival is a relatively small feature of the performing arts landscape in Singapore, but nevertheless a crucial one. Amidst the generally higher
Flowing Reflections: “EARTH” at the M1 CONTACT Contemporary Dance Festival 2018 Read More »
You know a Nine Years Theatre production when you see one. There’s the smell of precision about it, from the calibrated ensemble to the period-perfect set pieces. Every single performer seems to be breathing in and out in perfect sync. The language is exact, the direction exacting. The company has made significant strides since it
Kuik Swee Boon and Nelson Chia, dreamers of dance and drama (via The Esplanade) Read More »
By Ezekiel Oliveira (573 words, 5-minute read) Subtle lighting can enhance any dance piece, but the gloom that pervades this triple bill too often leaves the fine choreography lurking in the shadows. The decision must have had an artistic impetus, but the result often leaves everyone – performers and audience – dancing in the
Three Kin, T.H.E Dance Company Read More »
Duration: 25 min The M1 Contact Contemporary Dance Festival, presented by T.H.E Dance Company, is in its 9 year. In this month’s dance podcast, Dr Stephanie Burridge chats with Zhuo Zihao, a founding member of the company. They discuss one of the highlights of this year’s festival, Borderline, a collaboration between the company and Muscle Mouth
Podcast 19: M1 Contact Contemporary Dance Festival 2017 Read More »