Jean Baptise Phou’s work My Mother’s Tongue began as a way for the artist to examine his relationship with his Teochew-speaking mother. Through collocations with other artists and audiences, the work has undergone different manifestations, but remains an “an exploration of the barriers to connection that transcend language” writes Deborah Augustine.
In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF). SGIFF runs from 25 November to 5 December 2021 with over 100 films from more than 40 countries. Also check out Fiona Lee’s review of …
Every space tells a story: the empty prison cell speaks of redemptions, of wrongs that were righted, and to the cynical, more earthly, minds, of miscarriages of justice, and the irrevocability of tragedies and the people who made them; the crowded hospital ward hums, sometimes a baleful tune when a heart attack becomes a full-body …
The Space of/for Memory: ”Last Night I Saw You Smiling” Read More »
Duration: 35 mins At SeaShorts 2018, which took place from 1 – 5 August 2018 in George Town, Penang, we caught up with Cambodian film director, screenwriter and producer Rithy Panh, and Park Sungho, programmer for S-Express Cambodia (a selection of Cambodian short films at SeaShorts), who’s also a programmer for the Cambodia International Film …
Podcast 45: On Southeast Asian Film with Rithy Panh and Park Sungho Read More »
