Big Brother is watching you: the exhibition aiming to tackle surveillance and censorship (via SEA Globe)

Surveillance and censorship are becoming part and parcel of daily life around the world, and yet many citizens seem content to turn a blind eye to it. A new exhibition at Wei-Ling Gallery in Kuala Lumpur called Seen is addressing that issue. Curator Line Dalile brings together ten leading international and Malaysian artists, hoping that through documentary, photography […]

Big Brother is watching you: the exhibition aiming to tackle surveillance and censorship (via SEA Globe) Read More »

50 authors in running for Singapore Literature Prize (via The Straits Times)

SINGAPORE – First-time nominations dominated the shortlist of the Singapore Literature Prize, which will involve the public for the first time in the biennial award’s history. It was also the first time a publisher filled an entire category, with Epigram Books getting five nominations for English fiction. The shortlist was revealed on Tuesday (June 19)

50 authors in running for Singapore Literature Prize (via The Straits Times) Read More »

The Pontianak Talks Back: Two Women Discuss Monstrous Femininity in Their Art

This article is republished from the Singapore International Film Festival editorial. It is part of New Waves 2018, an annual series of screenings and dialogues with regional filmmakers. For this third edition of the New Waves series, SGIFF invites participants the festival’s Youth Jury and Critics’ programme to offer an introductory analysis on the four

The Pontianak Talks Back: Two Women Discuss Monstrous Femininity in Their Art Read More »

Art That Moves: Marc Nair

Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Marc Nair, poet and photographer, is producer of Note for Note: #Skintones, an interdisciplinary performance by poets and musicians in collaboration, presented as part of Poetry with Music series by

Art That Moves: Marc Nair Read More »

Queer Zinefest

Podcast 42: Queer Zinefest 2018

Duration: 17 min Latest in the Fresh Blood series, we find out more about Singapore’s inaugural Queer Zinefest, a celebration of zine-making, queer art, and queer people, taking place on 14 July 2018 at Camp Kilo Charcoal Club. Beyond being a showcase of queer zines and zine-makers, the programme also features workshops, performances and other

Podcast 42: Queer Zinefest 2018 Read More »

AccessPathProductions_SingaporeDMonologues_AndSuddenlyIDisappear_2
William AS Tan

“The Singapore ‘d’ Monologues”: And Suddenly I Reflect Upon My Privilege

By Soultari Amin Farid (800 words, six-minute read) “This body… This body is dangerous. It desires, it delights, it delivers, it dances.” On 25 May, I had the pleasure of experiencing a performance of great chemistry between Deaf and disabled artists at the National Museum of Singapore’s Gallery Theatre. And Suddenly I Disappear: The Singapore

“The Singapore ‘d’ Monologues”: And Suddenly I Reflect Upon My Privilege Read More »

BACC

Cash-strapped BACC counts on friends in deed (via The Nation)

The Bangkok Art and Culture Centre (BACC) Foundation is about to raise its profile as vice chairperson Panya Vijinthanasarn and committee secretary Chatvichai Promadhattavedi seek a meeting with the city’s unimpressed governor, Aswin Kwanmuang, about funding support and sustainable management. Whether the meeting is arranged or not, the foundation is organising a press conference to

Cash-strapped BACC counts on friends in deed (via The Nation) Read More »

The Moon is Less Bright

The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase

By Eugene Koh (1200 words, 8 minute read) The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing this behemoth of a national literary relic by its horns and tackling it. The play’s historical weight is considerable, its setting has become distant and its language almost absurdly lyrical.

The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase Read More »

Impressions SIFA 2018

Was a Skeptic, Still a Skeptic: A Festival-Goer’s Impressions of SIFA 2018

By Ke Weiliang (2,470 words, 10-minute read) In March 2017, Gaurav Kripalani was officially unveiled as the Festival Director for Singapore International Festival of Arts (SIFA) 2018 – 2020. I was over the moon, but only because a rare opportunity to stop indiscriminately splurging my money on arts events seemed to have finally presented itself.

Was a Skeptic, Still a Skeptic: A Festival-Goer’s Impressions of SIFA 2018 Read More »

Amek Gambar

The History of Photography in Singapore Through Peranakan Eyes (via Invisible Flaneuse)

The exhibition Amek Gambar: Peranakans and Photography at Singapore’s Peranakan Museum (from May 5 to Feb 3 2019) is a rare glimpse into the very first and early days of the history of photography in Singapore through the lens of the peranakans — an ethnic group of mixed race Malay–Chinese with a richly distinctive culture, e.g. costumes (usually involving kebayas and

The History of Photography in Singapore Through Peranakan Eyes (via Invisible Flaneuse) Read More »

Don Aravind

Sentiments of Space: Reading Between the Frames of Don Aravind

This article is republished from the Singapore International Film Festival editorial. It is part of New Waves 2018, an annual series of screenings and dialogues with regional filmmakers. For this third edition of the New Waves series, SGIFF invites participants the festival’s Youth Jury and Critics’ programme to offer an introductory analysis on the four

Sentiments of Space: Reading Between the Frames of Don Aravind Read More »

radar-talkingcircles-zeroclocks-by-Toy-Factory-at-Jubilee-Hall-co-created-_-co-choreographed-by-Lim-Chin-Huat-_-Tan-How-Choon-a-multi-media-animation-dance-production-photo-credit-Ho-Keen-Fi-1996
Ho Keen Fi

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles)

Lim Chin Huat shares about his journey of learning one artistic discipline after another, his approach to creating work, his struggle with calling himself an artist, and how his current project In Her Hands traces its origins back to more than ten years ago. He currently teaches movement full-time at the Intercultural Theatre Institute. CH: I was a science

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles) Read More »

Scroll to Top