There’s something inherently sneaky about Thailand’s annual music festival Wonderfruit. The fest, which is fast becoming one of the best in Southeast Asia, is about so much more than music. Sure, those festival memories may have started in the Quarry, but the daylight side of the fest is so packed with informative discussions about sustainability, sexuality, […]
Live at Reading Room: UnFree & Unspoken by Ethos Books, The Reading Room, 26 Jan, 8pm At The Reading Room (Downtown Gallery, #02-09/10), Ethos Books presents a poetry reading by local poets Joshua Ip, Theophilus Kwek and Marylyn Tan at Yellow Bash. In UnFree (8.00 – 9.00 pm), Joshua Ip and Theophi Kwek will introduce
22 – 28 January 2018: Singapore Read More »
Top Picks of Indonesia art events in Riau, Jakarta, Bandung and Yogyakarta from 22 – 28 January 2018 RIAU Festival Musik Rimbang Baling, 22-28 January 2018, Koto Lamo, Kampar Kiri Hulu, Kampar, Riau. Immerse yourself in nature and come to this unique music festival while supporting nature conservation efforts! Presented with a theme “Menyemai
22 – 28 January 2018: Indonesia Read More »
In the wake of sexual harassment scandals that dominated news headlines in the latter part of 2017, gender-based violence and discrimination have become a hot topic—and it doesn’t seem like it’s going to stop soon. Women (and some men) around the world are coming together to speak out against abuse (or lend support to those
#therageisreal: tackling gender inequality, one play at a time (via Esplanade Singapore) Read More »
This is an excerpt from “The Pangalay Dance in the Construction of Filipino Heritage” by Joelle Florence Patrice Jacinto. The research discusses how the Pangalay dance of the Tausug people was used as a heritage tool to support the construction of a Philippine culture. The paper was published on the Journal for the Anthropological Study of
We can tell a few things about a theatre scene from the categories in its awards shows. In the International Association of Theatre Critics-Thailand (IACT-T) annual nominations list, there is one particular category for ‘movement-based performance’. This indicates that either there is a sheer variety of movement-based performances in Bangkok, or that its theatre critics
Rantau Reviews: “Something Missing” & “Plan B” in Bangkok Read More »
Top Picks of Indonesia art events in Jakarta, Yogyakarta and Bali from 15 – 21 January 2018 JAKARTA Sastra, Hoaks & Humaniora, 17 January 2018, 4 – 7 PM, Dewan Kesenian Jakarta Come join the Jakarta Arts Council’s literature committee in their 10th public lecture titled Sastra, Hoaks & Humaniora. This 10th edition
15 – 21 January 2018: Indonesia Read More »
Acts of Voicing Artist Panel, Parkview Museum Singapore, 19 Jan, 3pm Moderated by Dr. Michelle Lim, Acts of Voicing is a dialogue session which presents the experiences of Singapore artists negotiating fields of artistic production and concept of the ‘international’. The practices and approaches of the shortlisted artists focus on revealing perspectives about society, narratives
15 – 21 January 2018: Singapore Read More »
By Akanksha Raja (575 words, 5-minute read) Nabilah Said’s last staged play, Drip, had a wisecracking and irreverent script which, at its heart, was a story about family. The play looked at the struggle of finding a sense of belonging within one’s family when the wide rifts in beliefs and behaviours seem impossible to bridge.
Teater Ekamatra’s “Angkat”: Uncarried Baggage Read More »
In the middle of the black box studio of the Bangkok Art and Culture Centre there is a white rectangle placed on the floor. Above it, a rectangular box is mounted, casting fluorescent light diffused through a white screen. At the periphery of the studio, there are rows of slender pillars attached with fluorescent tubes.
Rantau Reviews: “Co/exist” & “Private Conversation” in Bangkok Read More »
Top Picks of Indonesia art events in Jakarta, Bandung, Yogyakarta and Bali from 8-14 January 2018 JAKARTA Kawah Candradimuka, 11-24 January 2018, Kineforum, Taman Ismail Marzuki, Jakarta In the Mahabharata epic, Gatotkaca had to go through a crater called Kawah Candradimuka before he was reborn as a hero with super strength. It is said
8 – 14 January 2018: Indonesia Read More »
The Bangkok Theatre Festival takes place at the Bangkok Art and Culture Centre, a handsome 9-storey rotunda building right beside the Siam Square shopping district. Instantly recognisable by its white, curved exterior, it houses a library, malls and galleries (the upper floors consist of a spiral ramp a la the Guggenheim Museum). In terms of
Rantau Reviews: 3 Plays at the Bangkok Theatre Festival Read More »
Top Picks of Indonesia art events in Yogyakarta and Bali from 1 – 7 January 2018 & some Open Calls YOGYAKARTA My Friend Has Come, 6-7 January 2018, 7:30 PM, Jogja Contemporary, Yogyakarta To usher you into the new year, the Flying Balloons Puppet invites you to a production of Toshiro Suzue’s “My Friend
1 – 7 January 2018: Indonesia Read More »
Missing: The City Of Lost Things 不见: 失物之城 by 戏剧盒 Drama Box, starting 6 Jan MISSING: The City of Lost Things is a participatory experience that sets up a personal and intimate journey for the audience to re-encounter a lost connection in their lives. It calls for you to step out of your comfort zone
1 – 7 January 2018: Singapore Read More »
2017 was an eventful year for the arts in Singapore, full of the promising and the problematic. While there were the good, such as new projects and plans to develop the cultural landscape in exciting ways, there were also the not so good: controversies or conflicts that have spawned endless debates and infinite scrolling through
Ten Newsmakers of the Year in the Arts Read More »
Tokyo Notes, a 1994 play by Oriza Hirata, was inspired by the 1953 film Tokyo Story by Yasujiro Ozu. The shift from ‘story’ to ‘notes’ forms what could be described as the play’s conceptual frame. While Ozu’s film tracked the story of an elderly couple visiting their children in Tokyo, Hirata’s play, fragmented and elliptical,
Rantau Reviews: “Bangkok Notes” Read More »
By Ezekiel Oliveira (524 words, 5-minute read) Maya Dance Theatre tackles mental health in a mashup of dance and theatre that gives us a quartet of characters all struggling with depression and social anxiety. There is Shazam, an artist struggling with depression, played by Shahrin Johry. Providing contrast, Bernice Lee lets her hair-down as Jane – a
ANWESHA – Beyond the Darkness! Read More »
THEATRE Southernmost: 1 Table 2 Chairs Project by Emergency Stairs, 12 – 24 December, The Arts House Presented by up-and-coming experimental theatre company Emergency Stairs, the first edition Southernmost is a theatre festival which brings the most outstanding and established traditional and contemporary theatre artists from the region together in this red dot for an intensive
11 – 17 December 2017: Singapore Read More »
Visual artist Seelan Palay was arrested outside Parliament House on 1 October 2017 for his performance art piece “32 Years: The Interrogation of a Mirror”. The performance, which ran from 2 – 4.15pm, was a tribute to former Elected Member of Parliament, Chia Thye Poh, who was detained for 32 years without trial. Seelan Palay turned
National Youth Council’s public engagement program, in September, “For Your Consideration” misappropriated the techniques and methodology from theatre group Drama Box’s The Lesson (which took place across three weeks in July). This was not the first time authorities recycled or re-appropriated artworks or artists’ concepts without permission or acknowledgement. At the Singapore SEA Games in 2015, the Organising
National Youth Council Read More »
By Patricia Tobin (500 words, 5-minute read) A dark traditional Japanese Buddhist altar, or butsudan, stands tall onstage. Engraved gold hinges line the thick borders and towering, half-folded black doors, akin to an oriental treasure chest. Upon the tolling of a bell, two old women slowly push open the butsudan doors, inviting us into the
“Ninagawa Macbeth”: The Bold and The Beautiful Read More »
By Isaac Lim (516 words, 5-minute read) A supersized Butsudan (Buddhist altar) frames the stage, flanked by two old peasants who open the panels to indicate the commencement of a ritual. Within is 16th century post-civil war Japan, replete with samurais and ninjas. Majestic silkscreen doors open and close to reveal different scenes. This is
Ninagawa’s “Macbeth”: Just Not Shakespeare’s Read More »
By Corrie Tan (2094 words, 20-minute read) The pantomime has come to be associated with a set of recognisable traits: traditionally staged during the winter festive season, they are musical comedies based on folk stories and fairy tales, stuffed with songs, farce and some form of audience participation – with colourful gags for the children
A Short History of the Singaporean Pantomime Read More »
In March, it was announced that Gaurav Kripalani, the Artistic Director of the Singapore Repertory Theatre, would succeed Theatreworks Artistic Director Ong Keng Sen as Festival Director of Singapore International Festival of Arts (SIFA). This changing of guard foretells a significant shift in approach to programming and presentation choices: Ong is known to favour presenting
SIFA Changing of Guard Read More »
Three Kin by T.H.E Dance Company, Esplanade Theatre Studio, 7 – 9 Dec Three Kin is leading contemporary dance group T.H.E Dance Company’s closing production for the 2017 season and part of the company’s annual headlining showcase of creations by acclaimed Singaporean and international guest choreographers. Performed by T.H.E’s full-time principal dancers, the triple bill
4 – 10 December 2017: Singapore Read More »
In late 2016, anonymous attacks on the M1 Singapore Fringe Festival 2017 program surfaced online. The IMDA subsequently refused to issue ratings to M1 Singapore Fringe Festival 2017’s performance-lecture Naked Ladies by Thea Fitz-James and Ming Poon’s Undressing Room, unless elements of the works be modified. The Fringe organisers pulled these shows out of the
By Naeem Kapadia (800 words, 6-minute read) Atul Kumar is no stranger to Shakespeare. The artistic director of Mumbai-based group The Company Theatre was first seen here in 2009 in the title role of Hamlet: The Clown Prince, which featured a troupe of clowns attempting to stage Shakespeare’s tragedy with a good dose of madness
“Khwaab-Sa”: Shakespeare with masala and magic Read More »
Recently I caught a round of theatrical experimentations by Southeast Asian and Japanese directors in Tokyo. Called One Table Two Chairs Meeting 2017, it was the second of a 3-year series at the Za-Koenji Theatre. Taking part were Prumsodun Ok (Cambodia), Kamei Juntaro (Japan), Fasyali Fadzly (Malaysia), Chey Chankethya (Cambodia) and Liu Xiaoyi (Singapore). One
Tikam-Tikam Japan: Table and Chairs Read More »
ANWESHA-Beyond the darkness! by Maya Dance Theatre, 1 – 2 Dec, Drama Centre Black Box Daily stories of unsuspecting victims crumbling under its consequences increasingly populate the media and social forums. Anxiety, depression and pressure are regular features, yet the awareness and discussion on the extent of their impact on mental well-being is rarely discussed. Maya
27 November – 3 December 2017: Singapore Read More »
Duration: 30 min From 12 December to 24 December 2017, up-and-coming theatre group Emergency Stairs presents Southernmost: One Table Two Chairs Project, a first-of-its-kind intercultural arts festival in Singapore that focuses on intercultural dialogue, through the format of One Table Two Chairs. It seeks to bring prominent and established traditional and contemporary theatre artists from the
Podcast 31: Emergency Stairs & Southernmost: One Table Two Chairs Project Read More »
