Contributors




Casidhe Ng (he/him/his) is an arts writer based in Singapore. He has written for The Flying Inkpot, Centre42, and OFZOOS, and believes in the potential of theatre to enact change.



Bitten Premiere-12cover
Asrari Nasir of Paradise Pictures

Traversing Two Divergent Paths in “BITTEN: return to our roots”

By Casidhe Ng (1,320 words, six-minute read) We move through the Kampong Bugis landscape throughout the performance, along patches of grass, the river, and brick-tiled pavements. A residue of dirt, sand, and mud clings to our soles, and the afternoon is afflicted with bouts of rain. The atmosphere invokes a stifling sensation brought upon by

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Cripsian Chan, cripsi photography

Looking at Love from Both Sides, Now in “The Reunification of the Two Koreas”

By Casidhe Ng (1,160 words, six-minute read) The breaking apart of Pangaea. The parting of the Red Sea. The abolitionist movement in all its contexts. The division of Taiwan and China in 1949. The separation of Singapore from Malaysia on 9th August 1965. The erecting of the Berlin Wall in 1961. Its complete fall in

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Peter and the Starcatcher

“Peter and the Starcatcher”: An Invitation to Suspend Disbelief

By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT, an exuberant and expensive production intent on ending their year with a bang. In Peter and the Starcatcher, Pangdemonium presents an enchanting narrative with twists of self-reflexivity, fully

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