Of Fear & Faith: An Original Showcase of Short Plays, 29-30 Apr, Haque Centre of Acting and Creativity Haque Centre of Acting and Creativity introduces their very first Devised Theatre Collaborative Showcase: Of Fear & Faith. Multiple stories intertwine to become one story of people, living and dying, tested by the implacable nature of life. It’s a […]
24 – 30 April 2017: Singapore Read More »
“The Japan Foundation Asia Center presents “Mode Of Liaisons” exhibition featuring paintings, sculptures, films/videos, installations and performances by nearly 20 artists at Bangkok Art and Culture Centre until July 2. Curated by Pichaya Suphavanij, the exhibition is part of “Condition Report”, a collaborative art project with curators from Japan and Southeast Asian countries with the
Calling All Curators: “Mode of Liaison” at Bangkok Art and Culture Centre [Thailand] Read More »
So, if those who can, do, and those who can’t, teach, should those who shouldn’t, study? Theatre is not practical; Theatre Studies is less so(?) Everyone knows the “practical” reasons why one should not take a theatre degree. A Bachelor’s Degree in Theatre Studies is not the easiest degree to convince your parents that it
A Useless Degree: Theatre Studies in Perspective [Singapore] Read More »
“The Thai Ferrari, made from woven rattan by Chiang Rai locals, will park at the Venice Biennale this year. “It can’t run, obviously,” said Anon Pairot of his rattan sports car. “The curator once remarked that somehow it was like Thailand. We build things, but we don’t really go anywhere.” The 57th Venice Biennale begins
Baby you can’t drive my car [Thailand] Read More »
“Two Vietnamese directors — Pham Ngoc Lan with the film project “Culi Never Cries” and Le Bao with “Taste” — are amongst the 16 directors that have made their way to the L’Atelier supporting programme for young filmmakers, organised by the film foundation Cinéfondation of the Cannes Film Festival. The sixteen directors whose projects have
Two Vietnamese Film Projects Gain Support from Cannes Festival [Vietnam] Read More »
“Indonesia’s foremost theatre director, the internationally acclaimed Iswadi Pratama, staged an extraordinary eight productions in 2016 There is no simple way of describing Iswadi Pratama. He claims to be a self-taught artist, yet his exceptional talents seem to suggest otherwise. Having spent most of his life bringing realities to the stage he insists that he
Iswadi Pratama, an auteur of Indonesian theatre [Indonesia] Read More »
“What do four contemporary artists from three other Southeast Asian countries have that could resonate in a country like Thailand? Turns out, a whole lot. From aesthetics, to spiritual beliefs, to societal struggles, Jim Thompson Art Center’s latest group exhibition, “People, Money, Ghosts (Movement As Metaphor)”, depicts the continual change that the region is going through,
A region in flux: “People, Money, Ghosts (Movement As Metaphor)” [Thailand] Read More »
“Queer cinema in the Philippines is going through some kind of resurgence. Although LGBTQ stories have always had a constant presence in local film — a number of iconic LGBTQ classics enjoyed mainstream success from the late 70’s to the early 90’s — the number of local pink movies released per year had dwindled dramatically.
Coming out and breaking through: The Philippine queer cinema roundtable [Philippines] Read More »
“Thailand and its neighbours join up for the 2017 edition of the Asean Puppet Festival The magic of marionettes will light up Bangkok later this week as more than 400 puppeteers from eight Asean countries put on shows guaranteed to keep spectators spellbound. Brought to Thailand at the initiative of the Culture Ministry, the Asean
Marionette marvels: ASEAN Puppet Festival 2017 [Thailand, SEA] Read More »
By Akanksha Raja (760 words, 7-minute read) Petty People marks the culmination of the undergraduate course for the graduating class of NUS Theatre Studies 2017. The play begins with a quadriptych of scenarios strung together by the enigma of a dog and its ambiguous mortality. The pooch is never seen. Its presence is indicated only
Dogged Delirium: “Petty People” by NUS Theatre Studies Read More »
Belgian-German contemporary dance choreographer Arco Renz — who recently staged Hanoi Stardust with Nguyen Duy Thành, Vũ Ngọc Khải and the Vietnam National Opera Ballet — shares his list of up and coming contemporary dancers in the region whose steps are worth following. “This mini directory of contemporary dancers from Southeast Asia is both very
Curated: Southeast Asia’s Contemporary Dancers [SEA] Read More »
School of Contemporary Music Festival 2017, 7 – 30 Apr, various timings and venues Held as part of The LASALLE Show 2017 at the end of the academic year, this graduation showcase presents the college’s music students performing at the culmination of their years of training. More information. Every Brilliant Thing by Bhumi Collective, 18 –
17 – 23 April 2017: Singapore Read More »
“Over the past year and a half, May Tran (writer, student and professional procrastinator of Vietnamese descent) has been inundated with PR for two professional and sixteen-hundred amateur productions of Miss Saigon. The following piece has been cobbled together from segments of the largely incomprehensible fury essays she wrote during her frequent and violent rage
#not pho your entertainment [Vietnam] Read More »
“Raka Maitra from CHOWK Productions (Singapore) presents a brand new piece of dance at Esplanade Theatre Studio under Esplanade’s Raga series of programmes showcasing Indian performing arts in dance, music and theatre throughout the year. After selling out performances of The Second Sunrise at Da:ns Festival in October, Raka offers Pallavi in Time. A follow-up
Raka Maitra discusses Pallavi in Time – I never look back [Singapore] Read More »
“Growing up, my dad always told me, “Every Vietnamese family has a remarkable story.” I was raised in Orange County, Calif., the home of Disneyland, the Angels baseball team, and Little Saigon—the largest population of Vietnamese people outside of Vietnam. It means that we were surrounded by people who were refugees, veterans, war survivors—people who were forced
I Am Miss Saigon, and I Hate It [Vietnam] Read More »
“I was first introduced to writer and photographer Zhuang Wubin’s work when I moved to Cambodia. His writings on Cambodian photography are well-researched, accessible, and thoughtful — exactly what I was seeking as a newcomer to the area. Zhuang became an important node for me to learn from and think through photography in Cambodia, and later the region as a whole.
An Artist’s Comprehensive History of Southeast Asian Photography [SEA, Singapore] Read More »
SINGAPORE – A $30 million waterfront theatre will open at the Esplanade – Theatres On The Bay in 2021. The mid-size venue will seat around 550 people. It was announced on Monday (April 10) by Minister for Culture, Community and Youth Grace Fu during the annual theatre awards organised by The Straits Times’ Life. At
New $30 million waterfront theatre for Esplanade [Singapore] Read More »
When Space Dissolves into Luminosity; Where Flowers Bloom Amidst Rocks, iPreciation Gallery, 15 April – 29 April 2017 iPreciation presents an exhibition comprising works by 10 Singaporean artists, which spans different mediums ranging from sculptures, paintings, prints and mixed media, and seeks to examine how artists approach questions of authenticity while navigating the ever complex world. Artists
10 – 16 April 2017: Singapore Read More »
A deeply personal tale of revenge and redemption is set to return this weekend as Sophiline Arts Ensemble brings the celebrated “A Bend in the River” to Phnom Penh’s Chaktomuk Theater. While director and choreographer Sophiline Cheam Shapiro will keep the story’s original roots, her focus will be to increase the production values of the
‘Bend in the River’ set to take a new twist: Khmer Times [Cambodia] Read More »
The music should be familiar to most in the audience—pop tunes known the world over—but not so for the dance, “Re/Play Dance Edit,” which was choreographed over the past week by Cambodian and Japanese dancers. As the artists perform in Phnom Penh on Friday and Saturday, they will gracefully move across the stage without interacting
Championing Diversity, Dancers Move to Their Own Stories [Cambodia] Read More »
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. This week, actor Brendon Fernandez tells us about a production he saw as teenager that gave him the courage to become an actor. We caught up with Brendon
Art that Moves: Brendon Fernandez Read More »
“Today, the 35-year-old is one of Singapore’s most exciting film-makers with a robust slate of award-winning short films and documentaries under her belt. Her first feature, Pop Aye – an offbeat tale about a disenfranchised architect and the elephant he adopts – just nabbed prizes at two of the world’s most important film festivals: Sundance
By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public education in Singapore. This bleary-eyed 7AM routine, of forced uniformity and subservience, is broken by
Who’s Normal Anyway? Read More »
At the opening of Art Fair Philippines in Manila last month, a young sound artist named Jon Romero was using an overseas visitor to conduct electricity between metal sheets. Each time Romero tapped on the visitor’s arm, the electrical charge created a sound. Romero began playing the visitor like an instrument. “It’s the electricity flowing
28.8 by Teater Kami, 7-8 Apr, Aliwal Arts Centre Written and directed by Adib Kosnan, this play targets a specific audience of young men and women who can relate to the challenges that living in Singapore poses to them financially. The play sees the blossoming of a relationship moving into marriage, before hitting different obstacles that
3 – 10 April: Singapore Read More »
“The Philippines and Hungary on Monday signed a Memorandum of Understanding (MOU) on cooperation that is expected to further enhance bilateral ties between the two countries. The MOU is between the Department of Foreign Affairs (DFA) – Foreign Service Institute (FSI) and the Institute of Foreign Affairs and Trade (IFAT) of Hungary. It was signed
Philippines to boost ties with Hungary on culture and the arts Read More »
Yet Sarin, a star dancer of Cambodia’s classical male masked dance lakhaon kaol, died on Saturday at Phnom Penh’s Calmette Hospital after a long illness. He was 91. He had fought hepatitis for a year, his wife Bin Van, 50, said on Monday. Born in 1925, Yet Sarin trained in Kandal province at Wat Svay
With Classical Dancer’s Death, Loss of a Cambodian Legend (via The Cambodia Daily) Read More »
SEATTLE, Washington — The public is invited to a special cultural night presentation of the hit musical “Here Lies Love” on June 3, 5:30 p.m. at Seattle Repertory Theatre. Seattle’s Philippine Soiree is presented by three-time Tony and Grammy Award-winner Jhett Tolentino, in cooperation with FYLPRO. “Here Lies Love” tells the story of the eventful
Seattle soiree for musical on rise and fall of the Marcoses (via Inquirer.net) Read More »
The Age of Bones, written by Sandra Thibodeaux and directed by Iswadi Pratama & Alex Galeazzi, follows the story of an Indonesian boy, Ikan, who goes fishing one day and fails to return. Sandra Thibodeaux latest production to hit the Brown’s Mart stage tackles the traumatic experience of Indonesian teenagers caught up in Australia controversial
“What I present is not about Singapore history, but rather it is the history and living cultures across Indonesia, Singapore, Malaysia and Thailand up to Vietnam. This is the Malay world that the world knows very little about. Even the Malays in Singapore do not know it well. Singapore is one part of the Malay
