In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative.
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) Read More »
Azura Farid reviews Schooled, the play about the concerns of young people devised by the inaugural batch of the Singapore Youth Theatre ensemble, Wild Rice’s educational programme for youths aged 13-17 years old. The piece was first staged in 2020, and puts youths centrestage to be listened to by the adults, for once. As I
Schooled by Singapore Youth Theatre: Teens Tell It Like It Is Read More »
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Love & Information by Young & Wild, which is the youth arm of Singapore theatre company Wild Rice. Stream Podcast 98: ArtsEquator · Podcast 98: Love & Information by Young & Wild Also available on Spotify. Podcast
Podcast 98: Love & Information by Young & Wild Read More »
By Eugene Tan (1,503 words, 5-minute read) As has become customary for every review of a Singapore International Festival of the Arts (SIFA) 2021 show (or as the festival programme now calls them, “content”), we should applaud the fact that these shows are happening at all. After all, COVID-19 restrictions are wildly challenging for artmaking
The Commission: Why do these three meet again? Read More »
By Naeem Kapadia (1,062 words, 7-minute read) It’s quite impossible to bid the year goodbye without WILD RICE’s traditional holiday pantomime, a veritable institution on the Singapore theatre calendar. Over the past 15 years, the company has developed a niche in blending this uniquely British tradition with colourful local characters and themes, creating an occasion
Lightfay ofway ancyfay: “Peter Pan in Serangoon Gardens” by Wild Rice Read More »
Theatre critics Corrie Tan, Nabilah Said, Carolyn Oei and Kathy Rowland discuss the recent production of WILD RICE’s Merdeka / 獨立 /சுதந்திரம், in a critics-led post-show conversation held in front of an audience on 19 October 2019 at WILD RICE’s Ngee Ann Kongsi Theatre. The Critics Live session is organised by ArtsEquator. The transcript below
Podcast 68: Critics Live! Wild Rice’s Merdeka Read More »
Join critics Corrie Tan, Nabilah Said, Carolyn Oei and Teo Xiao Ting in a post-show conversation about W!ld Rice’s Merdeka. Critics Live is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. REGISTER NOW at criticslive19.peatix.com PLEASE NOTE: This event is open to
CRITICS LIVE: A post-show response to “Merdeka” Read More »
By Corrie Tan (2,015 words, 10-minute read) “My concern now is how to nurture the critical sensitivity of the playwright, and for that matter theatre and literature and all the other arts. Because I think we have a way of life that somehow massages you in a way so comfortable that you tend to forget
“Press Gang”: confessions of yet another ex-ST journalist Read More »
By Corrie Tan (2094 words, 20-minute read) The pantomime has come to be associated with a set of recognisable traits: traditionally staged during the winter festive season, they are musical comedies based on folk stories and fairy tales, stuffed with songs, farce and some form of audience participation – with colourful gags for the children
A Short History of the Singaporean Pantomime Read More »
By Patricia Tobin (483 words, 4-minute read) “Have you eaten?” is the go-to greeting for Singaporean Chinese families. Typically asked in dialect (“Jiak ba buay?”), or sometimes Mandarin (“Chi bao ma?”), “Have you eaten?” is a sign of courtesy towards your parents or grandparents, a simple question that bolsters familial bonds. W!ld Rice’s Grandmother Tongue
Lessons in “Grandmother Tongue” Read More »
In 2015 Singapore celebrated ‘SG50’, the city-state’s golden jubilee, marking 50 years of independence as a sovereign nation. Commissioned by the Singapore International Festival of Arts to respond to that year’s theme of ‘Post-Empires’, W!ld Rice created Hotel, a sprawling, four-and-a-half-hour-long play in two parts intended to subvert the nationalistic triumphalism of the jubilee’s official
W!ld Rice’s “Hotel” at Adelaide’s OzAsia Festival Read More »
Duration: 30 minutes Former Flying Inkpot reviewers Matthew Lyon and Naeem Kapadia get together to discuss Tropicana the Musical and Wild Rice’s La Cage – two glamorous, star-studded, cabaret-themed musicals that opened within a few days of each other within the past month. While one’s a localised version of a Tony Award-winning Broadway original, the other’s a Singapore original that
Podcast 14: La Cage and Tropicana Read More »
Photography By Zane Gan, text by Sean Ghazi Photographer Zane Gan tracks Sean Ghazi, who plays George in Wild Rice’s La Cage Aux Folles, capturing the camaraderie, rituals and water bottles that keep the show going on. The hit musical, directed by Glen Goei, runs until 13 May 2017. Making the rounds before the
Photo Essay: Backstage Pass to Wild Rice’s “La Cage Aux Folles” Read More »
