SMU students Caitlin Leong and Joy Lo interview Isabella Chiam about her gardening workshop, ‘The Last Gardener’, gaining insights into the risks and challenges that artists face in the creative sector.
Isabella Chiam: Cultivating Risks Read More »
Waterloo Street is for me, a place of beginnings. It has accompanied me through my journey as an arts management student from Singapore Management University (SMU) to my current job as an arts manager with Theatre Practice. While many things may have changed, Waterloo Street has remained a persistent presence in my life. Waterloo Street
Dear Waterloo Street, From An Emerging Arts Manager Read More »
By Corrie Tan (2,400 words, 13-minute read) Four Horse Road is The Theatre Practice’s show pony of the year. It’s got a lot of performance buzzwords going for it – site-specific, interactive, multi-generational, multilingual – and promises an epic odyssey into both the history of the company and of the country it shares a birth
“Four Horse Road”: buried histories and blind spots Read More »
By Soumya Varma (985 words, 9-minute read) Illness, life, death: these performative themes have been explored by theatre makers extensively through the ages. However, what makes The Little Child unique is the imaginative and often whimsical way in which the performance explores the subjects. The director’s choice of puppets and performing objects takes the audience
“The Little Child”: Well-Crafted Wonder of Puppetry Read More »
By Sherlyn Goh (970 words, 8-minute read) “Can one accurately re-construct an authentic traumatic memory?” Director Kuo Jian Hong posed this question to the audience before the start of the performance. Blank Run《空转》is an attempt to answer this, presented as a raw and visceral recollection of sexual trauma, where a woman pieces together memories that
“Blank Run《空转》” by The Theatre Practice: Repiecing Trauma Read More »
