Xiao Ting Teo is moved to consider how the detritus of being shapes us anew as she encounters two works, “Declutter Me!” and “Frequencies” at the The Substation’s annual SeptFest 2022: uproot | rootless.
Slated for [ ]: on Declutter Me! and Frequencies Read More »
Text and photos by Joelle Cecilia Quek The Substation’s 2021 SeptFest made a full comeback in March after 6 years, marking the 30th anniversary of Singapore’s first independent home of the arts. Titled In The Margins, the month-long festival focuses on stories of the marginalised, displaced, and forgotten – communities who often go unseen and
The Substation’s SeptFest 2021: Endnote Read More »
By Nabilah Said Against the backdrop of a battle of words, an impossibility is happening. SeptFest, one of The Substation’s most enduring annual programmes, is taking place this month, in March, six months too late. This, of course, is because of COVID restrictions last year, but it also feels strangely early, unseasonal – like when
The Substation’s SeptFest 2021: The last chapter Read More »
By Aditi Shivaramakrishnan Adapting its title from Lessons for Women <<女诫>>, a text by the first known female Chinese historian, Ban Zhao, Alternative Lessons for Women is a double-bill of two solo works: Hymen Instinct created and performed by Sonia Kwek and What? That’s It? created and performed by Tan Weiying. Hymen Instinct subverts the
Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic Read More »
Brown Is Haram: Reconstructing The Brown Narrative is a performance-lecture exploring different aspects of the experience of being brown in Singapore, exploring issues such as social mobility and masculinity. This show is based on the work and ongoing collaborative project of writer and activist Kristian-Marc James Paul and writer-researcher Mysara Aljaru, and is directed by
Brown Is Haram: Kristian-Marc James Paul and Mysara Aljaru reclaim their space Read More »
By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation. The timeline – displayed in chronological order – begins from late 2017 when the National Arts Council (NAC) first informed The Substation of its decision
The future of The Substation: A timeline of events (Updated) Read More »
By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation. The Townhall had been called by the board of directors of The Substation after a month-long back-and-forth involving
The Substation: An unstoppable force and an immovable object Read More »
By Hoe Su Fern Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in July 2020, the news that the conserved building would undergo renovations and that The Substation
The Substation: How many more canaries in the coal mine? Read More »
As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House, on his hopes, his challenges, and how he balances different needs and roles between the two companies. How do you come up with the themes
8 Questions with Alan Oei Read More »
Discipline the City (23 August – 26 November 2017) is a three-act multi-arts exhibition held at The Substation. Going beyond a static presentation commonly utilised in exhibitions, the show includes permanent exhibits, site-adaptive performances, punk tours, talks, workshops, a shop and rotating exhibits. The monumental programme demands repeat visits over the whole period of the
Contingent Spaces: “Discipline the City” at the Substation Read More »
By Alan Oei and Lee Weng Choy (1330 words, 14-minute read) Lee Weng Choy (a former artistic co-director of The Substation) and Alan Oei (the current artistic director of The Substation and also director of OH! Open House) have known each other for about 20 years. They met in the late 1990s when Alan was
“Professional Obligations” in the Artworld Read More »
Tags: Susan Sentler The Substation
Review of Signs of a Nest with Susan Sentler Read More »
