Rohingya poet Mayyu Ali and Malaysian artist Sharon Chin collaborate in this meaningful project that looks at Rohingya and Malay lullabies and folksongs. The pairings of songs, which are narrated and sung orally, are further unified with a patterned artwork by Sharon Chin, which for Sharon acts as “one small bridge for the immeasurable distance […]
Transcultural Lullabies: Rohingya and Malay folksongs Read More »
We all miss being able to attend shows physically in theatres, but we’re also quick to adapt. As we watch more and more shows on a screen, what kind of audience members have we become? Take the quiz below to find out. [Featuring illustrations by HAFI] Click the image or here to start. This content
Which Type of Online Arts Audience Are You? Read More »
Translation by Eka Wahyuni In one corner of West Java, Indonesia, in the Majalengka Regency, a group of volunteers work hand in hand to distribute Personal Protective Equipment (PPE), groceries, food, and medical equipment to people who have to work outside the home during the Covid-19 pandemic. These volunteers were the Relawan Jabar Baik (West
Jatiwangi Art Factory: Cultural work that breaks the mould Read More »
By Katrina Stuart Santiago (2,200 words, 8-minute read) When I was first asked to write about “cultural leadership” in the Philippines, I turned up a blank. This is not because we lack cultural institutions that get public funding—we in fact, have enough of those. Neither is it because there are no organisations, nor that there
Pandemic in the Philippines: A cultural sector on its own Read More »
As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of
Burning Questions: Can Critics Criticise during a Pandemic? Read More »
Artists today have to grapple with being true to their creative integrities while dealing with the limitations of tech platforms and live delivery methods. With social distancing and restrictions on travel worldwide, is there a way to keep the intimacy alive between artists and their audiences in a way that doesn’t compromise the work? Join
Burning Questions: Is There Still Hope for Integrity and Intimacy in Online Performance? Read More »
On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh. What was buzzing inside the gallery’s three-storey space was a new exhibition titled “Lunar Breccia”, featuring new works by Hoang Duong Cam, Do Thanh Lang, Sandrine Llouquet, Vo Tran Chau,
Vietnam’s visual arts and COVID-19 Read More »
While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts. Artists Khin Maung Htwe (Myanmar), Alena Murang (Malaysia) and Jacob Boehme (Australia) will share their experiences in activating tradition and heritage in their work, and
Burning Questions: Traditional Arts: The Forgotten COVID Casualty? Read More »
Using technology in performance isn’t new, but COVID-19 has forced more artists to explore the digital medium, dealing with lag, latency and liveness while rethinking audience engagement and accessibility. Are we witnessing a new renaissance in the performing arts or an undoing? Is digitalisation just a boogeyman in place of a more difficult conversation? Join
Burning Questions: Tech in Performance: The Great Leveller or The Great Unequaliser? Read More »
In a matter of just months, the making, distribution and audiences’ experience of arts has undergone rapid changes. From abrupt cancellations of major festivals, to shuttering of galleries and theatres, new online avenues emerged to make and share arts. At the same time, COVID-19 has exposed the extreme precarity of the arts sector. As arts
ArtsEquator’s Burning Questions Read More »
