Of Participatory Censorship in Malaysia
Zikri Rahman examines the evolving nature of censorship in Malaysia through the lens of participatory censorship, with illustrations by Low Pey Sien.
Of Participatory Censorship in Malaysia Read More »
Zikri Rahman examines the evolving nature of censorship in Malaysia through the lens of participatory censorship, with illustrations by Low Pey Sien.
Of Participatory Censorship in Malaysia Read More »
In Cambodia, most cases of arts censorship are linked to the notion of protecting and preserving culture. Kai Brennert examines how different generations of civil servants and policymakers are shaped by their lived experiences, which in turn influence their view of “cultural preservation”.
In a country with a range of national and international laws to protect artistic rights, Reaksmey Yean questions the reality of freedom of expression for artists in Cambodia.
Artistic Freedom in Cambodia: When Legal Safeguards Are Not Enough Read More »
Zakir Hossain, a celebrated poet and migrant worker in Singapore, wrote a poem, which sparked a response from the state. Diana Rahim reflects on the power of words, wielded to question, and words wielded to control.
The Power of a Poem Read More »
Disability arts researcher Yeongmin Mun reflects on ecosystems, access and platforms in response to the online panel discussion, Ground Up: Building Effective Ecosystems for Disability Arts. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. Art has no borders — that’s
Disability Arts — Expanding Ecosystems, Protecting Foundations Read More »
Isaac Lim outlines conversations in online disability arts panel discussion, Nothing About Us Without Us: Artists on crafting their voices. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. The writer of this piece is a plus-sized male with short hair,
Disability Arts – Notice us for our art, not our disability Read More »
아이삭 림은 장애 예술에 관한 온라인 포럼, 우리가 없으면 우리에 대한 것도 없다: 목소리를 만들어 내는 예술가들에 대한 글을 썼습니다. 싱가포르 수어, 한국 수어, 언어 통역과 한국어와 영어 자막이 제공되는 전체 비디오도 보실 수 있습니다. 지금 이 글을 쓰고 있는 사람은 짧은 머리에 안경을 쓴 플러스 사이즈 남성으로, 티와 반바지 차림으로 편하게 입은 채 집필
장애예술 – 장애가 아닌 우리의 예술을 보라 Read More »
문영민은 생태계와 접근성, 플랫폼 등에 대해서 이야기한 그라운드 업: 장애 예술을 위한 효과적인 생태계 구축에 대한 글을 썼습니다. 싱가포르 수어, 한국 수어, 언어 통역과 한국어와 영어 자막이 제공되는 전체 비디오도 보실 수 있습니다. 예술에 국경이 없다고 했던가. 알레시아 니오, 김원영, 피터 사우 세 작가의 발표를 들으며 장애예술 창작자들의 고민과 시도에도 경계가 없다고 느꼈다. 싱가포르와 한국의
장애예술 – 생태계를 확장하며, 토대를 지켜내기 Read More »
“If satire is so toothless, then why are cartoonists so often badly bitten?” Ann Lee reviews RED LINES: Political Cartoons and the Struggle Against Censorship by Cherian George and Sonny Liew. The distribution of this book, which examines the boundaries of free speech, has been banned by the Singapore government under its “Undesirable Publications Act”.
RED LINES: 60 Global Cartoonists Talk Fear And Favour Read More »
As many parts of Southeast Asia are hit by recurrent waves of Covid 19 infections, arts industries across the region face imminent collapse due to prolonged closures and scant state support. In Malaysia, The Kuala Lumpur Performing Arts Centre’s Artistic Director Joe Hasham and his wife and co-founder, Datuk Dr. Faridah Merican, recently released an
The performing arts industry of Malaysia is drowning Read More »
Nabilah Said and Wennie Yang speak to Chung Shefong, Janet Pillai and Anmol Vellani the three curators who led the Curated Conference programme as part of Meeting Point 2021. The Curated Conferences comprised of three groups of participants from different Asian countries, who met over 6 months since November 2020, guided by their curator. This
By Nabilah Said Against the backdrop of a battle of words, an impossibility is happening. SeptFest, one of The Substation’s most enduring annual programmes, is taking place this month, in March, six months too late. This, of course, is because of COVID restrictions last year, but it also feels strangely early, unseasonal – like when
The Substation’s SeptFest 2021: The last chapter Read More »
By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation. The timeline – displayed in chronological order – begins from late 2017 when the National Arts Council (NAC) first informed The Substation of its decision
The future of The Substation: A timeline of events (Updated) Read More »
By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation. The Townhall had been called by the board of directors of The Substation after a month-long back-and-forth involving
The Substation: An unstoppable force and an immovable object Read More »
By Hoe Su Fern Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in July 2020, the news that the conserved building would undergo renovations and that The Substation
The Substation: How many more canaries in the coal mine? Read More »
By Akanksha Raja (900 words, 8-minute read) The Regional Forum on Creative Hubs and Cities, organised by the British Council, took place at the Thailand Creative & Design Center (TCDC) on 10 October 2017. It was an extension of a research and mapping project conducted earlier this year by the Council, to chart creative hubs
Regional Forum on Creative Hubs: Connecting Creative Communities Read More »