I love plays with Malay women characters. Call it my Malaysian Bumiputera baggage, call it internalised Orientalism – perhaps these are two sides of the same coin – but I have long relished the wit, feistiness, vulnerability and sensuality of Malay women captured in the growing canon of Malaysian and Singaporean plays in English and […]
“Inside Voices”: There’s Something About Malay Women Read More »
By Casidhe Ng (1,068 words, five-minute read) In yesterday it rained salt, we are always surrounded by the acoustics of the sea. The beating of waves upon the shore and the receding ebb of the ocean water feels both transformative and evocative as we enter the space. Subsequently, they become the vehicle of our transportation,
Experiencing the Ebb and Flow of “yesterday it rained salt” Read More »
By Teo Xiao Ting (and Nabilah Said) (1,600 words, eight-minute read) Dear yesterday it rained salt, You crept up on me. After I met you that Saturday afternoon, after those initial moments of inexplicable resonance with what you presented — about the intricacies of a father-son relationship, about a sea goddess that is at once
Letters to and from “yesterday it rained salt” Read More »
By Akanksha Raja (800 words, 7-minute read) The Orange Production is The Necessary Stage’s platform for experimental collaborations, producing new, pocket-sized works. This inaugural showcase is a double-bill featuring Drip, by journalist and emerging playwright Nabilah Said, and Whale Fall by Faith Ng. While the two works are vastly different in structure and themes, they
The Orange Production: A Double Bill by The Necessary Stage Read More »
