I Ia bermula dengan saya tiba lambat ke Meeting of Writers/Critics/Reviewers in Performing Arts di Cafe White Sands, DPAC, Damansara. Di sekeliling meja sudah ada 13 orang membincangkan tentang perbezaan di antara ulasan vs kritikan dan kepentingannya sebagai bahan dokumentasi. Richard Chua dari Theatrex Asia mengendalikan sesi ini. Ini merupakan pertemuan pertama yang tercetus dari […]
Kata Terkesat Dilempar Estragon: Kritik! Read More »
By Kathy Rowland (930 words, 8-minute read) On Tuesday, 21 February, the Boston Globe published an article headlined “Ex-teacher molested pupils, Milton Academy says”, linking Rey Buono to sexual abuse of minors in the US in the 1980s. By the next day, the news had spread to Singapore and Malaysia, causing shock and alarm amongst
SEA-based Theatre Educator Accused of Sexual Abuse of Minors in the US Read More »
This is the first of a two-part essay on origins and rise of biennales within the context of Malaysia’s aspirations for a world-class international visual art mega-exhibition. Read Part II here. Part I News that Kuala Lumpur will stage its first biennale in November this year have been circulating amongst Malaysian art insiders since 2015.
To Biennale or Not To Biennale (Part I) Read More »
2016 was a busy year for theatregoers in Japan, and an especially fruitful one for those with an interest in Malaysia. The Kyoto Experiment 2016 (22 Oct – 13 Nov) featured the documentary theatre work, Baling by Mark Teh as its festival opening piece. It was produced by Five Arts Centre, one of Malaysia’s most
Faith in Tokyo: A review of ‘Nadirah’ and ‘Family’ Read More »
