Duration: 41 min As part of ArtsEquator’s Critics Reading Group programme, we got together three arts writers – Corrie Tan, Jocelyn Chng and Loo Zihan – to discuss FOUR FOUR EIGHT by Emergency Stairs. Corrie, Jocelyn and Zihan’s conversation sets the work within the context of Liu Xiaoyi’s experimental oeuvre, and reveals their personal, unique encounters with
Podcast 54: “FOUR FOUR EIGHT” by Emergency Stairs Read More »
By Bernice Lee (995 words, four-minute read) The Esplanade Theatre Studio is awash in red light. It feels like the set of a Marvel movie – gloomy and dystopian; a planet overtaken by villains, awaiting rescue. Red mechanical legs hang from above the stage. The audience sits in the round, beyond the reach of this
From the lucid dream of “Cut Kafka!”, a promising new artistic path Read More »
By Corrie Tan (1,300 words, eight-minute read) This review has been translated into Mandarin by Liu Xiaoyi, artistic director of Emergency Stairs. Read his translation here. If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is probably where he’d end up. Part performance, part installation, part misshapen creature stitched together
Life isn’t a beach in “Einstein in the Carpark” Read More »
The Esplanade rings int he Chinese New Year with performing arts We don’t know yet how President Donald Trump will deal with China, but we do know that China is a force to be reckoned with. That’s not only from an economic and manufacturing point of view – Chinese mobile phones take much better selfies than
The Rooster Catches Fire: The Esplanade’s Huayi Chinese Festival of Arts Read More »
