By Kathy Rowland (2145 words, 8 minute read) 2 July 2018 – The receding brown moon on millions of Malaysians’ fingernails are a biological marker of the eight weeks since the end of the Najib administration. These past 55 days have seen stunning institutional changes, monitored by an activist public that almost, almost, makes the […]
What the Arts in Malaysia Needs: More Transparency, Less Intermediaries Read More »
StoryFest: International Storytelling Festival Singapore, The Arts House, 1-3 June 2018 Come and listen to tales both old and new from Singapore and around the world at StoryFest 2018. StoryFest is back for their second edition this year with the theme Be Legendary. The festival that is happening from 1-3 June at the Arts House features a
Weekly Picks: Singapore (28 May – 3 June 2018) Read More »
Seven-piece band The Venopian Solitude is set to become the first Malaysian band ever to perform at Sónar! For those who’re in the dark, Sónar is a three-day electronic and advanced music festival which was started in Barcelona, Spain in 1994 by music journalist Ricard Robles and musicians cum visual artists Enric Palau and Sergio Caballero.
Malaysian Band To Perform At Europe’s Biggest Electronic Music Fest! (via Eksentrika) Read More »
By Dan Koh (1,715 words, 15-minute read) At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast Asia are documentaries, or hybrid-documentaries—just like last year’s three, curiously. Despite the glaring gaps that remain in the funding, distribution, marketing, and audience reception of our internationally overlooked non-fiction, plus their increased local censorship
Mayfly Docus: “Die Tomorrow” and “14 Apples” at SIFA’s “Singular Screens” Read More »
In the middle of the black box studio of the Bangkok Art and Culture Centre there is a white rectangle placed on the floor. Above it, a rectangular box is mounted, casting fluorescent light diffused through a white screen. At the periphery of the studio, there are rows of slender pillars attached with fluorescent tubes.
Rantau Reviews: “Co/exist” & “Private Conversation” in Bangkok Read More »
By Akanksha Raja (840 words, 8-minute read) “Language is born from imagination, and imagination is what makes language real. Without language, we have no memory: therefore, literacy (the mastery of language) is important. Our sense of language is the most intimate access to what is real, and our literature is our people’s memory; through language,
Same same but different: ASEAN 50 at the Singapore Writers Festival 2017 Read More »
by Chan Sze-Wei (745 words, 5-minute read) Singapore-based Raka Maitra and her company Chowk are familiar names at the Esplanade’s Kalaa Utsavam and Raga programmes annually. The company is firmly based in classicial Odissi dance and the martial arts of chhau and kalari. But with them, tradition is not a formula. Walking into the Esplanade
“from: The Platform” by Chowk Productions: A Running Imprint on the Mind Read More »
By Chloe Chotrani (927 words, 7-minute read) To witness the work of Eisa Jocson is an absolute privilege at this point in history. The double-bill pairing up Jocson’s internationally acclaimed Macho Dancer and the new Esplanade commission Corponomy, investigate the economic body as archive of labor and service in the Philippines. It is said that
Eisa Jocson at da:ns festival 2017: The Body as Archive of Filipino Labour Read More »
Duration: 39 mins Elaine Chiew, Naeem Kapadia, Matt Lyon and Kathy Rowland dissect some of the Singapore-led offerings at the Singapore International Festival of Arts 2017: Becoming Graphic, an original cross-genre commission by Sonny Liew and Edith Podesta, Art Studio by Nine Years Theatre, adapated from the novel by Yeng Pway Ngon, Dragonflies by Pangdemonium, written by resident
Podcast 27: SIFA 2017 Part 1; Singapore Commissions Read More »
