By Faezah Zulkifli (921 words, 3-minute read) The setting is familiar—every Sunday night, my family gathers in the living room to watch TV. Tonight, we are watching Checkpoint Theatre’s Keluarga Besar En. Karim (The Karims). It was déjà vu; versions of this image of the TV in the living room have greeted my Instagram feed […]
Keluarga Besar En. Karim: Pressing play on family drama Read More »
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Who’s There by The Transit Ensemble (Singapore/Malaysia/US); and Two Songs and a Story by Checkpoint Theatre. Who’s There ran from 4 – 8 August on Zoom as part of Ice Factory 2020 by New Ohio Theatre. Two Songs and a Story is an online video series on SISTIC
Podcast 82: Who’s There & Two Songs and a Story Read More »
By Ke Weiliang (2,500 words, 8-minute read) Sunday, 7 June 2020 circa 1230 hrs I press the ‘play’ button on The Heart Comes to Mind for the first time. As per director Claire Wong’s suggestion, I grab my favourite drink – a bottle of Teh Botol Sosro, kurang manis -, plug in my earphones
Emotional asymptotes in Checkpoint Theatre’s The Heart Comes to Mind Read More »
By Nabilah Said (1,119 words, 6-minute read) There is a Malay proverb: “sedangkan lidah lagi tergigit”, that roughly translates as “even the tongue can get bitten”. It applies to groups of people, such as a husband and wife, or siblings, who, despite their close relationship, can fight or have a misunderstanding. Perhaps that is the
Love me tender: “Eat Duck” by Checkpoint Theatre Read More »
By Nabilah Said (1,887 words, 7-minute read) Trigger/Content Warning: Discussions of sexual assault I watched two shows in the span of two weeks recently. Besides the fact that they were Singapore plays, they did not, from the outset, seem that much alike. One was This Is What Happens To Pretty Girls by Pangdemonium. The
Pretty Displaced: Staging Sexual Assault in the Age of #MeToo Read More »
Why do people choose to go into poor, dangerous, war-torn countries to work as humanitarian workers? Do they have boundless courage, hope and kindness? Do they have a death wish? Do they believe they can make a difference? Are they simply naïve? Do they suffer from a messiah complex? Or First World guilt? Did their
Go Big or Go Home: “Displaced Persons’ Welcome Dinner” Takes Flight Read More »
Below is a summary of Critics Live! for Displaced Persons’ Welcome Dinner by Checkpoint Theatre. This took place live at The Arts House on 24 May 2019. The panelists were: Dede Pramayoza (Indonesia), Helmi Yusof (Singapore), Hiroyuki Takahashi (Japan) and Pawit Mahasarinand (Thailand). The session was moderated by ArtsEquator’s co-founder, Kathy Rowland. Kathy Rowland opened
Critics Live: A Post-Show Response to Displaced Persons’ Welcome Dinner Read More »
In today’s world of Instagram, blogs, vlogs and reality TV where we gaze at other people’s lives, autobiographical theatre is unique for the intimacy created between the actors and the audience as they watch the life being lived, re-lived and rediscovered. As Grace Sherrill rightly states “In the live theatre of AutoBiography, truth claims the
“Still Life” by Checkpoint Theatre: Art Recreates A Life Read More »
By Patricia Tobin (780 words, five-minute read) It is 2007 on a Thursday night, and I am at the old Phuture on Zion Road. “Smack that, all on the floor,” Akon’s hit single Smack That is booming from the club speakers. “Smack that, give me some more,” the song continues. The club is brimming with
“Thick Beats for Good Girls” Keeps It 100 Read More »
By Isaac Lim (562 words, 6-minute read) FRAGO by Checkpoint Theatre tracks a group of NSmen and Regulars, showing that the men, and woman, are all equally struggling with the system here in Singapore. Is that anything new? Jo Tan is on stage, doing standard push-ups that put this reviewer to shame. Then sit-ups, change.
Review of “Frago”: (Army) Lives, Fragmented Read More »
By Patricia Tobin (550 words, 5-minute read) Army exercises are typically perceived as tough, and even mind-numbing with their incessant drills. The monotony of army rounds can be found outside the battlefield too: our personal routines are akin to a civilian regime of sorts. Frago, the latest play by Checkpoint Theatre, directly tackles the contrast
Review of “Frago”: The Military and the Ordinary Read More »
By Naeem Kapadia (1020 words, 10-minute read) Singapore marks fifty years of national service (NS) this year and it’s only apt that we commemorate this integral aspect of our local culture in the arts. Much focus has been placed on the two years of full-time service and particularly basic military training, a powerful experience that
FRAGO: A tender meditation on our brothers in arms Read More »
By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public education in Singapore. This bleary-eyed 7AM routine, of forced uniformity and subservience, is broken by
Who’s Normal Anyway? Read More »
