The last two years have been significant for those working in arts and culture. In Singapore, this period has seen interesting initiatives focused more on creating meaningful shifts in the scene – from changing the ways we work, to improving and professionalising craft, and decentralising discourse and learning. Nabilah Said, Ke Weiliang and Lee Shu […]
Singapore Arts Emerging from the “Great Pause” Read More »
Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable. Mentioned in this episode: ArtsWok, Brown Voices, Checkpoint Theatre, Double Confirm Productions/Sight Lines Entertainment, Drama Box, Eng Kai Er, Esplanade – Theatres on the Bay,
Podcast 100: Singapore Theatre Year In Review Read More »
Where did 2021 go? As part of our annual event Year In Review 2021, statistics about 2021 shows were gathered, including those postponed or cancelled. These infographics are produced by ArtsEquator. Discuss, respond and listen as we unpack these statistics and more in Year In Review on 18 Dec 2021. [See details below] You can
Year In Review 2021: Singapore Theatre in Statistics Read More »
JENG JENG JENG…! Year in Review is back! Where did 2021 go? How did the year unravel, and where have we arrived at? In a year where the arts has had to acquiesce to multiple rules, hopeful for a return to normalcy, 2021 had us hurtling through an unknown abyss of multiple emotions best captured
JENG JENG JENG: Singapore Theatre Year In Review 2021 Read More »
Waterloo Street is for me, a place of beginnings. It has accompanied me through my journey as an arts management student from Singapore Management University (SMU) to my current job as an arts manager with Theatre Practice. While many things may have changed, Waterloo Street has remained a persistent presence in my life. Waterloo Street
Dear Waterloo Street, From An Emerging Arts Manager Read More »
By Hoe Su Fern Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in July 2020, the news that the conserved building would undergo renovations and that The Substation
The Substation: How many more canaries in the coal mine? Read More »
The statistics below are based on data gathered by Ke Weiliang and Centre 42, as part of Year in Review, an annual discussion and round-up of the performing arts in Singapore taking place on 19 December, jointly presented by Centre 42 and ArtsEquator. These statistics* were gathered as part of the process of putting
Year In Review: Singapore Theatre 2020 in statistics Read More »
In our end-of-year roundup, Nabilah Said, Naeem Kapadia and Matt Lyon take stock of the year in Singapore theatre, alongside guests Lee Shu Yu from Centre 42 and Max Yam from Arts Republic. This podcast is published as part of Year In Review, an annual discussion and round-up of the performing arts in Singapore organised
Podcast 85: Singapore Theatre, Year in Review Read More »
ArtsEquator and Centre 42 jointly co-present the fourth edition of Year in Review, an annual discussion and round-up of the performing arts in Singapore. With the theme “Tracing SG Theatre Together”, this event will attempt to tackle the mess that is 2020 and examine our community’s resilience to adapting to uncertainty. For the first time,
Year In Review: Tracing SG Theatre Together Read More »
By Nabilah Said and Kathy Rowland The fate of a certain house is a matter of contention amongst a group of people in Singapore. In this case, the house – a bright blue, pre-war bungalow located on 42 Waterloo Street – will stay put, but its main occupants will experience a shift. Since July 2014,
A house is not a home: Centre 42 and Arts Resource Hub Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Patricia Tobin (788 words, 6-min read) “She is a terrorist, she is a cultist, she works for sex.” “Who is she?” Like a foggy recreation of a Black Mirror episode, Rei Poh’s Attempts: Singapore
Looking within with “Attempts: Singapore” Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Isaac Lim (508 words, 4 minute read) 1957hrs: I arrive at the lobby of Centre 42, which has been converted into the headquarters of multi-million dollar corporation, ARC. In Attempts: Singapore, a theatre-game-experience created
“Attempts: Singapore”: Is the Anne nigh? Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Richard Chung In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which operates as a thoroughly
“Attempts: Singapore”: Game On Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Ezekiel Oliveira (589 words, 5-minute read) Humanity may be under threat, the end of the world might well be nigh. That’s the premise for Attempts: Singapore, an immersive performance where the audience is cast
“Attempts: Singapore”: The Curtains Don’t Match the Drapes Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Teo Dawn (650 words, 5-minute read) Attempts: Singapore by Rei Poh is a participatory piece of theatre inspired by Martin Crimp’s Attempts on Her Life. Fragmented, non-linear, and similar to a video game experience,
“Attempts: Singapore”: Let The Games Begin Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Jocelyn Chng (518 words, 4-minute read) Most performances in Singapore keep the audience in their place, passively sitting and watching. Attempts: Singapore is an attempt at getting the audience up on their feet and
“Attempts: Singapore”: An Uncertain Attempt Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Alicia Chong (700 words, 5-minute read) Attempts: Singapore by Rei Poh – presented as part of the M1 Singapore Fringe Festival 2018 – creates a theatrical performance that immerses its audience in an ‘escape
“Attempts: Singapore”: Fluid Fragments and Fragile Illusions Read More »
THEATRE Southernmost: 1 Table 2 Chairs Project by Emergency Stairs, 12 – 24 December, The Arts House Presented by up-and-coming experimental theatre company Emergency Stairs, the first edition Southernmost is a theatre festival which brings the most outstanding and established traditional and contemporary theatre artists from the region together in this red dot for an intensive
11 – 17 December 2017: Singapore Read More »
By Myle Yan Tay Francis (played by Paul McCracken) asks the audience if they know that the play is based on a commedia dell’arte work from the 18th century. Greeted by silence, he smiles, thankful that there aren’t any “dicks in the audience”. This irreverent and fast-paced spirit keeps the production vibrant and alive. But
Centre 42 Citizens’ Review: “One Man, Two Guvnors” Read More »
By Selina Chong Tango is the first play commissioned by Pangdemonium, and what excites me most about it is that it is written by a young Singaporean. Playwright Joel Tan’s dialogue is rich and witty, capturing the Singaporean vernacular. For me, Tango is a story about sons. Kenneth (Koh Boon Pin) returns to Singapore with
Centre 42 Citizens’ Review: “Tango” Read More »
