By Ke Weiliang (1,719 words, 7-minute read) Monday, 20 January 2020. It is 8.45am and I am seated inside one of the dance studios at LASALLE College of the Arts. Over the course of the next 75 minutes, I watch as Pat Jon Gregory and his coursemates from the Bachelor of Arts (Honours) Musical Theatre […]
From the Macarena to Chicago: A LASALLE performer’s journey Read More »
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations. You want the big shebang, the SPECTACULAR SPECTACULAR. The physical feats that no average person can do. Cirque du Soleil has come to define the hallmarks
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus Read More »
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan. ONE: “Music; this is where the counting belongs.” In Dragon Ladies Don’t Weep, Margaret Leng Tan –
Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan Read More »
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (708 words, 5-minute read) In Hades Fading, Eurydice has a memory problem. She can’t remember where she comes from. The books all tell her something different – her mother was a water nymph, no, a wind nymph or was
Hades Fading: Modern-day Ancients Read More »
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (670 words, 5-minute read) I watched Are You Ready To Take The Law Into Your Own Hands by Sipat Lawin and Friends on 26 February 2020, 34 years almost to the day of the People Power Revolution, which toppled
Are You Ready To Take The Law Into Your Own Hands: Tongue Scrapes Against Cheek Read More »
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (762 words, 5-minute read) I am not a fan of heavy metal music – or heavy metal anything – so I took my seat in the Playhouse, Arts Centre Melbourne, with trepidation. I was there for the world premiere
Metal: An Improbable Alchemy of Dance And Heavy Metal Read More »
In this latest podcast episode, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss the recent production of Fika and Fishy by Patch and Punnet, the collective’s first production for the year about the friendship between a dog and a fish. Trigger/Content warning: Allusions to domestic/sexual abuse Nabilah Said (NS): Hello everyone, welcome to the
Podcast 77: Fika and Fishy by Patch and Punnet Read More »
By Naeem Kapadia (914 words, 4 minute read) Everyone tells us that a person battling mental health issues should seek professional help. But how exactly does one find the means to get the help they need? When confronted with a loved one who experiences such issues, how does a family unit react and figure out
Dancing with the Demons: “The Son” by Pangdemonium Read More »
The following review is made possible through a Critical Residency programme supported by By Nabilah Said (800 words, 5-minute read) The first thing one sees upon entering the Fairfax Studio in Arts Centre Melbourne for Torch the Place is a huge mountain covered in cloth, and an old piano. The dutiful eldest daughter in a
Torch the Place: Shedding the Dead Weight Read More »
Duration: 30 min Nabilah Said speaks to Izzul Irfan and Mahirah Abdul Latiff of The Runaway Company about structures, succession and misconceptions about their work. The Runaway Company has an upcoming show, The Story of Tonight, which runs from 6-8 March 2020 at Stamford Arts Centre Black Box. Stream Podcast 75: Download Podcast 75 here. (right-click
Podcast 76: The Runaway Company Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources – so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that
Weekly Southeast Asia Radar: Hallyu love and cementing disaster Read More »
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it. Embracing the good and the bad, the happy and the sad, life and death,” writes Kamila Andini, director of the spiritual dance-theatre, The Seen and
The Seen and Unseen: A Search For Self Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The woes of Ballet Philippines; Saigon’s forgotten museum Read More »
ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia. “Lobang”, a Malay word for “hole”, is used in Singlish as a shorthand for an opportunity, valuable contact or a tip. [Updated: 9 Mar] Open Calls Audition notice: The Second Breakfast Company
Open Calls and Opportunities: Feb 2020 (Singapore/SEA) Read More »
I watched Bong Joon-ho’s award-winning film Parasite later than most people I know, and after many people had told me I had to see it. It is indeed, as everyone promised, amazing. My first reaction to art I admire is often a sort of professional envy: artists at their best can achieve what social scientists
Wretchedness and absurdity: Thoughts on Bong Joon-ho’s Parasite Read More »
By Nabilah Said and Germaine Cheng (1,580 words, 7-minute read) What does it mean to be between worlds? To behold yet not belong? Three works – Café Sarajevo, ATARA and No Place – presented as part of M1 Singapore Fringe Festival 2020 ask these questions, of their audience and of themselves. Café Sarajevo, bluemouth inc.
Between Worlds: Café Sarajevo, ATARA and No Place Read More »
by Kathy Rowland In a first for Malaysian art history, a Collectors’ Petition signed by 55 private art collectors have warned Balai Seni Visual Negara that they will no longer be lending works from their collection to Balai in future unless Balai reinstates pieces removed from Ahmad Fuad Osman’s exhibition immediately. Fuad Osman’s critically praised
Leading art collectors put pressure on Balai Seni Visual Negara Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Weekly Southeast Asia Radar: The missing curators of Myanmar; Malaysian artist vs censor Read More »
By Nabilah Said ArtsEquator speaks to four women that are part of the local commissions of SIFA 2020 – Siti Khalijah Zainal, Jodi Chan, Ellison Tan and Mia Chee. SITI KHALIJAH ZAINAL, THE YEAR OF NO RETURN Siti Khalijah Zainal is one of the members of the multinational ensemble in The Year of
Behind the scenes with the Women of SIFA Read More »
Duration: 25 min Nabilah Said speaks to Krish Natarajan and Astley Xie of Patch and Punnet about their upcoming production, Fika & Fishy, which is billed as a kids’ show made for adults. Warning: This podcast contains language that is not suitable for kids. Fika & Fishy runs from February 14 to March 1 at
Podcast 75: Patch and Punnet Read More »
By Kathy Rowland (1400 words, 8 minute read) Balai Seni Visual Negara Malaysia (Balai) is once again accused of censoring artists’ work. The victim this time is noted visual artist Ahmad Fuad Osman, who was honoured with a mid-career solo show at Balai, At the End of the Day Even Art is Not Important (1990
Arts censorship: At the end of the day, this is not new Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Located in Kuala Lumpur’s Golden Triangle in the heart of the CBD is ILHAM Gallery. The gallery is relatively new – it turns five in August – yet is considered by many to be an influential player in the KL arts scene. Some might say even more so than the state institutions. The gallery presents
Inspired moves: Five years of ILHAM Gallery Read More »
By Nabilah Said and Kathy Rowland The fate of a certain house is a matter of contention amongst a group of people in Singapore. In this case, the house – a bright blue, pre-war bungalow located on 42 Waterloo Street – will stay put, but its main occupants will experience a shift. Since July 2014,
A house is not a home: Centre 42 and Arts Resource Hub Read More »
The challenges of fusing and representing more than one culture while planning and executing a memorable wedding are well-known to us in real life and in fiction. Movies like My Big Fat Greek Wedding (2002), The Birdcage (1996) and Top End Wedding (2019) have explored the themes of love, family, loyalties, tradition and change successfully
Tangled and tackled: Black Ties at Sydney Festival 2020 Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including sound. Experiencing the work-in-progress presentation of 宿 (stay) was probably the first time I fully grasped this difference. Presented as part of Sydney Festival
A sound collaboration: 宿 (stay) at Sydney Festival 2020 Read More »
Duration: 30 min Matt Lyon, Naeem Kapadia and Nabilah Said discuss three productions at this year’s edition of the M1 Singapore Fringe Festival – Contemplating Kopitiam & Kampong Wa’ Hassan by NAFA and Oliver Chong; A Tiny Country by Attempts; and Secretive Thing 215 by Lemon & Koko. M1 Singapore Fringe Festival ran from 8-19
Podcast 74: M1 Singapore Fringe Festival 2020 Read More »
ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. In the weekly Southeast Asia Radar, we publish a round-up of content that have
Celebrated writer Pico Iyer spent fifteen days in Singapore last August doing a residency at the newly reopened Raffles Hotel as its first official writer-in-residence. His new book, titled This Could Be Home: Raffles Hotel and the City of Tomorrow, published by Epigram Books, is a reflection on the hotel’s literary legacy, having been host to
Pico Iyer and Raffles Hotel, or the Nowhere Hotel Read More »
