Isaac Lim, Author at ArtsEquator

Disability Arts – Notice us for our art, not our disability

Isaac Lim outlines conversations in online disability arts panel discussion, Nothing About Us Without Us: Artists on crafting their voices. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. The writer of this piece is a plus-sized male with short hair, […]

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장애예술 – 장애가 아닌 우리의 예술을 보라

아이삭 림은 장애 예술에 관한 온라인 포럼, 우리가 없으면 우리에 대한 것도 없다: 목소리를 만들어 내는 예술가들에 대한 글을 썼습니다. 싱가포르 수어, 한국 수어, 언어 통역과 한국어와 영어 자막이 제공되는 전체 비디오도 보실 수 있습니다. 지금 이 글을 쓰고 있는 사람은 짧은 머리에 안경을 쓴 플러스 사이즈 남성으로, 티와 반바지 차림으로 편하게 입은 채 집필

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“Fourteen” by Split Theatre: Getting Schooled

By Isaac Lim (810 words, five-minute read) At front-of-house before the doors open, a crew member encourages the audience to walk around the theatre space upon entering, and warns sternly against moving the seats. Neat rows of seats welcome the audience in the black box space at Centre 42. Random quotes relating to the number

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“Forked”: An Asian Crisis

By Isaac Lim (676 words, 6-minute read) Jeanette Peh promotes herself as a ‘star’, with ‘over 500 followers’ on her ‘Stage Whispers’ YouTube channel which promises straight-up, no-holds-barred confessions. Is that the reality, or is she just a wannabe? Jo Tan’s first full-length play, Forked, directed by Chen Yingxuan, is a laugh-a-minute comedy, albeit one that

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“Attempts: Singapore”: Is the Anne nigh?

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Isaac Lim (508 words, 4 minute read) 1957hrs: I arrive at the lobby of Centre 42, which has been converted into the headquarters of multi-million dollar corporation, ARC. In Attempts: Singapore, a theatre-game-experience created

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“The Neighbor’s Grief is Greener”: Past Imperfect

By Isaac Lim (468 words, 4 minute read) A woman’s place is in the kitchen. Or is it? Israeli theatre-maker Emanuella Amichai’s The Neighbor’s Grief is Greener attempts to quell all notions of the ideal woman we know from 1950s American pop culture. It all gets pretty bloody. Set in a pristine home, a Stepford

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Esplanade – Theatres on the Bay

Ninagawa’s “Macbeth”: Just Not Shakespeare’s

By Isaac Lim (516 words, 5-minute read) A supersized Butsudan (Buddhist altar) frames the stage, flanked by two old peasants who open the panels to indicate the commencement of a ritual. Within is 16th century post-civil war Japan, replete with samurais and ninjas. Majestic silkscreen doors open and close to reveal different scenes. This is

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“Germinal”: Does consciousness go ‘Poc poc’?

By Isaac Lim (496 words, 4 minute read) In the beginning, there was light. Four characters are glimpsed on a bare stage as it gradually and sporadically lights up. They each hold a portable control board that operates the venue’s lights. They are silent. Then their thoughts appear as words projected on two panels, and

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“Dragonflies”: The Foreseeable Truth Hurts

By Isaac Lim (514 words, 5-minute read) A large red-orange hued, tile-patterned cloth dramatically falls in a Kabuki drop, then rain falls on stage. The year is 2022, Brexit is complete and Trump has won a second term. The stage is set for a showdown between ‘the locals’ and ‘the foreigners’. Dragonflies, written by Pangdemonium’s

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Review of “Frago”: (Army) Lives, Fragmented

By Isaac Lim (562 words, 6-minute read) FRAGO by Checkpoint Theatre tracks a group of NSmen and Regulars, showing that the men, and woman, are all equally struggling with the system here in Singapore. Is that anything new? Jo Tan is on stage, doing standard push-ups that put this reviewer to shame. Then sit-ups, change.

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