In a country with opaque requirements for what can and cannot be shown, Linh Le highlights how something as seemingly straightforward as obtaining an exhibition licence may be used to control artistic expression in Vietnam.
Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật.
Researcher Linh Le interviews artist-curator Bill Nguyễn, in a wide ranging conversation about historical and contemporary censorship in Vietnam.
This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. Last year, I embarked on a two-month research that sought to sketch a possible genealogy of “Vietnamese contemporary art” that foregrounds female art practitioners. Spanning two print issues of a magazine, roughly twenty-one pages, the final essay celebrates more …
Phuong M. Do: The Puzzle of Photography, or What Fits and What Does Not Read More »
It was perhaps the melancholy of history that was the most palpable presence in the livestream action Fragments of History, which I organised as part of Mekong Cultural Hub’s Mini-Meeting Point held on 17 July 2021. Though it took place in under 30 minutes, the event brought me and the audience onsite and on Facebook …
Fragments of History: Loc Vang, the Yellow music singer from Hanoi Read More »
On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh. What was buzzing inside the gallery’s three-storey space was a new exhibition titled “Lunar Breccia”, featuring new works by Hoang Duong Cam, Do Thanh Lang, Sandrine Llouquet, Vo Tran Chau, …
The Asia Europe Foundation’s Culture360 and ArtsEquator present a series of 5 co-commissioned articles that look at arts groups, artists and performances in Southeast Asia that are comprised of or address artists with disabilities. In this fifth and final article in the series, Ha Dao meets with Nem, 11, a prolific young artist in Vietnam with autism, …
“Two Vietnamese directors — Pham Ngoc Lan with the film project “Culi Never Cries” and Le Bao with “Taste” — are amongst the 16 directors that have made their way to the L’Atelier supporting programme for young filmmakers, organised by the film foundation Cinéfondation of the Cannes Film Festival. The sixteen directors whose projects have …
Two Vietnamese Film Projects Gain Support from Cannes Festival [Vietnam] Read More »
By Kathy Rowland (529 words, 5 minute read) Solo Rites: Seven Breaths by Jen Shyu, a highly acclaimed experimental jazz vocalist from the US, was staged at the Performing Arts Meeting in Yokohama on 14 February 2017. Shyu, who is of East Timor-Taiwanese ancestry, has spent years conducting research and learning the traditional musical and …
Solo Rites: Asian Degustation Menu Causes Indigestion Read More »
