By Daniel Teo (1,018 words, 4-minute read) When the tour party assembles for Brian Gothong Tan’s The Swimming Pool Library exhibition, I realise I am likely the oldest person in the group. Our tour leader, Elijah Tay (pronouns “they”/“them”), introduces themselves and announces they had just turned 20. Just great, my mid-30s self thought. When […]
The Swimming Pool Library Exhibition: Mind The Gap? Read More »
By Patricia Tobin (1,382 words, 4-minute read) Led by artistic director Noorlinah Mohamed, this year’s online edition of the Festival of Women N.O.W. 2021 explores issues pertaining to women that are often forgotten or overlooked. There is Not Grey: Intimacy, Ageing & Being, a series of livestreamed and pre-recorded virtual performances featuring 15 women aged
Festival of Women N.O.W. 2021: Bold claims on identity Read More »
In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with artist Salty Xi Jie Ng, whose most recent project, Not Grey: Intimacy, Ageing & Being, excavated what intimacy means for older Singapore women (hint: it’s not all about sex!). The digital experience, comprised of video vignettes, interactive performances and writing, was presented by T:>Works as part of the
Cakap-Cakap: Interview with Salty Xi Jie Ng Read More »
In this month’s theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss two plays from the Festival of Women: N.O.W. 2020: King, written and performed by Jo Tan and directed by Jasmine Ng; and The Book of Mothers, written by Eleanor Tan and directed by Edith Podesta. N.O.W. is presented by T:>Works. King ran from
Podcast 81: King and The Book of Mothers Read More »
Theatre stalwart Ong Keng Sen returns to helm Singapore theatre company TheatreWorks, after being away for a decade to complete his PhD in Performance Studies at Tisch School of the Arts in New York. He was also director of the Singapore International Festival of Arts from 2013 to 2017. The company has been rebranded as
Ong Keng Sen: Pushing the conversation Read More »
