TPAM 2019

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Hideto Maezawa

The Personal, the Humour and the Horror: Interview with Irwan Ahmett

By Patricia Tobin (1,140 words, 6-minute read)   The concluding production of TPAM 2019 was Constellation of Violence, a lecture-performance by artist Irwan Ahmett, which focused on the culmination of the Cold War in Indonesia in 1965, from its lead-up to its aftermath. Irwan is an artist who positions his existence in the complexity of

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Courtesy of Comatonse Recordings

The disturbing cruelty of Terre Thaemlitz’s “Deproduction”

Content warning: References to sexual content, situations and violence The final line of Terre Thaemlitz’s Deproduction reads: “Admit it’s killing you, and leave.” It is a neat summary of the work—a deeply nihilistic critique of contemporary family values and neo-liberal queer politics. But, as this last piece of text scrolls off the screen, it also

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Courtesy of Comatonse Recordings

Disturbing behaviour: “Deproduction” by Terre Thaemlitz

By Patricia Tobin (670 words, 4-minute read) Content warning: References to sexual content or situations    Deproduction by musician-producer Terre Thaemlitz was released on December 28, 2017 as a multimedia album consisting of audio, video and text. In TPAM 2019, it was staged as an “anti-live AV performance”, as Thaemlitz combined the album’s textual, audio

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Tender notes on violence in “A Notional History” by Five Arts Centre

By Patricia Tobin ( 700 words, 5-minute read) It starts with a song. Faiq Syazwan Kuhiri strums the ukulele and gently sings about hope and the future. For a lecture-performance, A Notional History, a work in progress by Five Arts Centre, is filled with pockets of tender moments like these. Together with journalist Rahmah Pauzi and filmmaker-activist

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Photo: Hideto Maezawa

Fahmi Fadzil’s “GE14”: The sound and fury signifying everything

By Patricia Tobin ( 700 words, 5-minute read) “GE14 will be the arts festival to outdo all arts festivals,” said performer-politician Fahmi Fadzil. He is referring to the live spectacle: from theatre productions to political speeches, performativity is a constant. All the world’s a stage, as the production of GE14 shows, from the car parks

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