Say No To Droogs: Teater Ekamatra’s “A Clockwork Orange”
By Faezah Zulkifli (1,020 words, 4-minute read) “ORANG_” The wordplay in Teater Ekamatra’s A Clockwork Orange is no accident. An inventive linguist, author Anthony Burgess, who lived in Malaysia in the 1950s, borrowed the title for his magnum opus from…
“Tiger of Malaya”: The Body Remembers What the Archive Cannot
By Corrie Tan (2,080 words, 10-minute read) Spoiler alert: this essay discusses certain plot points about Tiger of Malaya in detail. The Drama Centre Black Box, on level five of the National Library, is bracketed by floors and floors of…
“Potong” by Teater Ekamatra: Of Kin and Skin
By Akanksha Raja (825 words, four-minute read) We’ve been seeing a variety of theatre revolving around dementia and its effects on families in Singapore over the past few years, such as Pangdemonium’s The Father, The Necessary Stage’s Don’t Forget to…
Teater Ekamatra’s “Angkat”: Uncarried Baggage
By Akanksha Raja (575 words, 5-minute read) Nabilah Said’s last staged play, Drip, had a wisecracking and irreverent script which, at its heart, was a story about family. The play looked at the struggle of finding a sense of belonging…
‘Hope (Harap)’: No Hope in Contemporary Hell
By Kathy Rowland (728 words, 8 minute read) Teater Ekamatra’s Harap opens with its five characters frozen in the shadows, standing on low plinths. Taking centre-stage is a series of monochromatic, indeterminate images, projected on the backdrop and over their…