Singapore Film

SEE WHAT SEE (Feb 2021): DESIRE

By Joel Tan Welcome to my new column for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way.  I’m not even talking about Netflix (which I’ve already written about at

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Courtesy of Asian Film Archive

“Medium Rare”, “God or Dog” and the makings of a Singaporean monster

Content warning: References to violent or disturbing behaviour In late January 1981, the body of a young girl was discovered in a brown PVC bag about a metre high by a young man in Toa Payoh. She had died from asphyxiation; a later autopsy showed signs of sexually assault. Slightly more than a week later,

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Anak Pontianak
Courtesy of The Filmic Eye

Celebrating the monstrous other: “Anak Pontianak” and “Nobody” at LumiNation

The year is 2049: two hundred years since the Pontianak first appeared in writing, marked insignificantly in Hikayat Abdullah as residues of superstitious and foolish beliefs of the Chinese and Malays that have persisted with time. I guess the only parts that Munsyi Abdullah was right about are the Pontianak’s timelessness and persistence. She is

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