musical

Lim Boon Keng Urinetown
Pangdemonium, Musical Theatre Ltd

Podcast 67: Urinetown and Lim Boon Keng – The Musical

Theatre reviewers Matt Lyon and Naeem Kapadia are joined by ArtsEquator editor Nabilah Said in this newly rebooted theatre podcast discussing recent productions Urinetown: The Musical by Pangdemonium, and Lim Boon Keng – The Musical by Musical Theatre Ltd. This local edition of Urinetown, directed by Tracie Pang, sets the satirical piece against the backdrop […]

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Martial Law Musicals: Theatre of a New War? [Philippines]

“Philippine theater has, through three eras of political struggle—Filipino-American, Japanese, anti-Marcos—never hesitated to go to war.” – – Doreen G. Fernandez, Seditious and Subversive: Theater of War From the essay cited above two important ideas emerge: that war breeds theatre and that theatre is a particularly effective weapon of protest. As Fernadez’s survey shows, the

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Podcast 24: Singapore Repertory Theatre’s “Forbidden City: Portrait of an Empress”

Duration: 30 mins Matthew Lyon and Naeem Kapadia are back in the studio again to discuss yet another Singapore-bred musical: Singapore Repertory Theatre’s re-staging of the acclaimed Forbidden City: Portrait of an Empress. Having run from 8 to 27 August 2017, this year’s production is its fourth iteration since its premiere at the Opening Festival of the Esplanade

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Seattle soiree for musical on rise and fall of the Marcoses (via Inquirer.net)

SEATTLE, Washington — The public is invited to a special cultural night presentation of the hit musical “Here Lies Love” on June 3, 5:30 p.m. at Seattle Repertory Theatre. Seattle’s Philippine Soiree is presented by three-time Tony and Grammy Award-winner Jhett Tolentino, in cooperation with FYLPRO. “Here Lies Love” tells the story of the eventful

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Podcast 5: Rent; Musicals

Duration: 28 minutes Reviewer Karin Lai joins Matt Lyon in conversation about Pangdemonium’s October 2016 production of Rent, the Tony-award-winning Broadway musical by Jonathan Larson about a group of New York City bohemians in the mid-1980’s grappling with love, art, impoverishment, and the HIV/AIDS epidemic. The discussion touches on the theatre company’s trend of staging

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