Lian Sutton

By Matthew Lyon (504 words, 6-minute read) Over the years, my reactions to Natalie Hennedige’s work for Cake Theatrical Productions have ranged from adulation (Nothing, 2007) to anger (Versus, 2015), with her recent productions tending towards the latter. How wonderful, then, to see such an abrupt reversal of this trend in a rough-hewn, sharp-edged version […]